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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 53 / 0 / 66 it is the complementary color CMYK 14 / 0 / 21 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 53 / 0 / 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 53 / 0 / 66: CMYK 9 / 50 / 0 / 68, CMYK 9 / 42 / 0 / 60, CMYK 9 / 36 / 0 / 53, CMYK 9 / 32 / 0 / 45 and CMYK 9 / 28 / 0 / 38

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 53 / 0 / 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 53 / 0 / 66: CMYK 20 / 53 / 0 / 66, CMYK 22 / 66 / 0 / 73, CMYK 27 / 90 / 0 / 81, CMYK 37 / 100 / 0 / 88 and CMYK 82 / 100 / 0 / 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 53 / 0 / 66

HEX #462957

RGB 70 41 87

HSL 277.83, 0.36%, 0.25%

LAB 22.22, 23.1, -22.63

 

Complementary color

CMYK 14 / 0 / 21 / 16

HEX #B9D6A8

RGB 185 214 168

HSL 97.83, 0.36%, 0.75%

LAB 82.5, -17.96, 19.58

 

CMYK 9 / 50 / 0 / 68

HEX #4B2952

RGB 75 41 82

HSL 289.76, 0.33%, 0.24%

LAB 22.62, 23.55, -18.62

 

CMYK 9 / 42 / 0 / 60

HEX #5C3B65

RGB 92 59 101

HSL 287.14, 0.26%, 0.31%

LAB 30.26, 22.66, -18.97

 

CMYK 9 / 36 / 0 / 53

HEX #6D4D78

RGB 109 77 120

HSL 284.65, 0.22%, 0.39%

LAB 37.69, 21.83, -19.26

 

CMYK 9 / 32 / 0 / 45

HEX #7E5F8B

RGB 126 95 139

HSL 282.27, 0.19%, 0.46%

LAB 44.92, 21.09, -19.53

 

CMYK 9 / 28 / 0 / 38

HEX #8F719E

RGB 143 113 158

HSL 280, 0.19%, 0.53%

LAB 51.97, 20.41, -19.81

 

CMYK 20 / 53 / 0 / 66

HEX #462957

RGB 70 41 87

HSL 277.83, 0.36%, 0.25%

LAB 22.22, 23.1, -22.63

 

CMYK 22 / 66 / 0 / 73

HEX #351744

RGB 53 23 68

HSL 280, 0.49%, 0.18%

LAB 14.33, 24.03, -22.38

 

CMYK 27 / 90 / 0 / 81

HEX #240531

RGB 36 5 49

HSL 282.27, 0.81%, 0.11%

LAB 6.37, 24.25, -21.64

 

CMYK 37 / 100 / 0 / 88

HEX #13001E

RGB 19 0 30

HSL 278, 1%, 0.06%

LAB 2.1, 11.56, -13.87

 

CMYK 82 / 100 / 0 / 96

HEX #02000B

RGB 2 0 11

HSL 250.91, 1%, 0.02%

LAB 0.33, 2.06, -3.99

 

CMYK 20 / 53 / 0 / 66

HEX #462957

RGB 70 41 87

HSL 277.83, 0.36%, 0.25%

LAB 22.22, 23.1, -22.63

 

CMYK 12 / 53 / 0 / 66

HEX #4C2856

RGB 76 40 86

HSL 286.96, 0.37%, 0.25%

LAB 22.74, 25.44, -21.08

 

CMYK 2 / 53 / 0 / 66

HEX #542856

RGB 84 40 86

HSL 297.39, 0.37%, 0.25%

LAB 23.92, 28.08, -19.16

 

CMYK 0 / 53 / 6 / 66

HEX #562851

RGB 86 40 81

HSL 306.52, 0.37%, 0.25%

LAB 23.97, 27.71, -15.73

 

CMYK 0 / 53 / 15 / 66

HEX #562849

RGB 86 40 73

HSL 316.96, 0.37%, 0.25%

LAB 23.6, 26.17, -10.95

 

CMYK 20 / 53 / 0 / 66

HEX #462957

RGB 70 41 87

HSL 277.83, 0.36%, 0.25%

LAB 22.22, 23.1, -22.63

 

CMYK 20 / 53 / 0 / 46

HEX #6F418A

RGB 111 65 138

HSL 277.81, 0.36%, 0.4%

LAB 35.97, 33.81, -33.01

 

CMYK 20 / 53 / 0 / 26

HEX #9859BD

RGB 152 89 189

HSL 277.8, 0.43%, 0.55%

LAB 48.88, 43.71, -42.61

 

CMYK 20 / 53 / 0 / 6

HEX #C171F0

RGB 193 113 240

HSL 277.8, 0.81%, 0.69%

LAB 61.17, 53.07, -51.7

 

CMYK 19 / 53 / 0 / 86

HEX #1D1124

RGB 29 17 36

HSL 277.89, 0.36%, 0.1%

LAB 7.13, 10.78, -10.76

 

CMYK 20 / 53 / 0 / 66

HEX #462957

RGB 70 41 87

HSL 277.83, 0.36%, 0.25%

LAB 22.22, 23.1, -22.63

 

CMYK 0 / 53 / 43 / 66

HEX #562831

RGB 86 40 49

HSL 348.26, 0.37%, 0.25%

LAB 22.72, 22.34, 4.07

 

CMYK 53 / 0 / 42 / 66

HEX #285632

RGB 40 86 50

HSL 133.04, 0.37%, 0.25%

LAB 32.56, -24.78, 16.25

 

CMYK 20 / 53 / 0 / 66

HEX #462957

RGB 70 41 87

HSL 277.83, 0.36%, 0.25%

LAB 22.22, 23.1, -22.63

 

CMYK 0 / 20 / 53 / 66

HEX #564528

RGB 86 69 40

HSL 37.83, 0.37%, 0.25%

LAB 30.37, 3, 20.18

 

CMYK 53 / 0 / 20 / 66

HEX #285645

RGB 40 86 69

HSL 157.83, 0.37%, 0.25%

LAB 33, -20.45, 5.1

 

CMYK 20 / 53 / 0 / 66

HEX #462957

RGB 70 41 87

HSL 277.83, 0.36%, 0.25%

LAB 22.22, 23.1, -22.63

 

CMYK 0 / 53 / 43 / 66

HEX #562831

RGB 86 40 49

HSL 348.26, 0.37%, 0.25%

LAB 22.72, 22.34, 4.07

 

CMYK 33 / 0 / 53 / 66

HEX #3A5628

RGB 58 86 40

HSL 96.52, 0.37%, 0.25%

LAB 33.37, -19.92, 23.35

 

CMYK 53 / 0 / 9 / 66

HEX #28564E

RGB 40 86 78

HSL 169.57, 0.37%, 0.25%

LAB 33.26, -18.01, -0.19

 

CMYK 20 / 53 / 0 / 66

HEX #462957

RGB 70 41 87

HSL 277.83, 0.36%, 0.25%

LAB 22.22, 23.1, -22.63

 

CMYK 0 / 47 / 53 / 66

HEX #562E28

RGB 86 46 40

HSL 7.83, 0.37%, 0.25%

LAB 23.95, 17.58, 11.87

 

CMYK 33 / 0 / 53 / 66

HEX #3A5628

RGB 58 86 40

HSL 96.52, 0.37%, 0.25%

LAB 33.37, -19.92, 23.35

 

CMYK 53 / 6 / 0 / 66

HEX #285156

RGB 40 81 86

HSL 186.52, 0.37%, 0.25%

LAB 31.82, -12.78, -7.38

 

Description

Color code: CMYK 19 / 53 / 0 / 66 | qconv.com Color code: CMYK 19 / 53 / 0 / 66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 41 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 41 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 53 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 53% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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