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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 53 / 0 / 36 it is the complementary color CMYK 33 / 0 / 48 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 53 / 0 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 17 / 53 / 0 / 36: CMYK 11 / 51 / 0 / 38, CMYK 11 / 46 / 0 / 31, CMYK 11 / 42 / 0 / 23, CMYK 11 / 39 / 0 / 16 and CMYK 11 / 36 / 0 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 53 / 0 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 17 / 53 / 0 / 36: CMYK 17 / 53 / 0 / 36, CMYK 18 / 59 / 0 / 44, CMYK 19 / 67 / 0 / 51, CMYK 21 / 78 / 0 / 58 and CMYK 23 / 94 / 0 / 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 53 / 0 / 36

HEX #874DA3

RGB 135 77 163

HSL 280.47, 0.36%, 0.47%

LAB 42.92, 39.71, -36.92

 

Complementary color

CMYK 33 / 0 / 48 / 30

HEX #78B25C

RGB 120 178 92

HSL 100.47, 0.36%, 0.53%

LAB 66.98, -34.78, 37.88

 

CMYK 11 / 51 / 0 / 38

HEX #8C4D9E

RGB 140 77 158

HSL 286.67, 0.34%, 0.46%

LAB 43.29, 40.05, -33.32

 

CMYK 11 / 46 / 0 / 31

HEX #9D5FB1

RGB 157 95 177

HSL 285.37, 0.34%, 0.53%

LAB 50.13, 39.26, -33.63

 

CMYK 11 / 42 / 0 / 23

HEX #AE71C4

RGB 174 113 196

HSL 284.1, 0.41%, 0.61%

LAB 56.87, 38.46, -33.88

 

CMYK 11 / 39 / 0 / 16

HEX #BF83D7

RGB 191 131 215

HSL 282.86, 0.51%, 0.68%

LAB 63.52, 37.68, -34.1

 

CMYK 11 / 36 / 0 / 8

HEX #D095EA

RGB 208 149 234

HSL 281.65, 0.67%, 0.75%

LAB 70.07, 36.94, -34.31

 

CMYK 17 / 53 / 0 / 36

HEX #874DA3

RGB 135 77 163

HSL 280.47, 0.36%, 0.47%

LAB 42.92, 39.71, -36.92

 

CMYK 18 / 59 / 0 / 44

HEX #763B90

RGB 118 59 144

HSL 281.65, 0.42%, 0.4%

LAB 35.97, 40.48, -36.63

 

CMYK 19 / 67 / 0 / 51

HEX #65297D

RGB 101 41 125

HSL 282.86, 0.51%, 0.33%

LAB 28.99, 41.03, -36.14

 

CMYK 21 / 78 / 0 / 58

HEX #54176A

RGB 84 23 106

HSL 284.1, 0.64%, 0.25%

LAB 22.08, 40.99, -35.22

 

CMYK 23 / 94 / 0 / 66

HEX #430557

RGB 67 5 87

HSL 285.37, 0.89%, 0.18%

LAB 15.43, 39.71, -33.52

 

CMYK 17 / 53 / 0 / 36

HEX #874DA3

RGB 135 77 163

HSL 280.47, 0.36%, 0.47%

LAB 42.92, 39.71, -36.92

 

CMYK 9 / 53 / 0 / 36

HEX #944CA2

RGB 148 76 162

HSL 290.23, 0.36%, 0.47%

LAB 44.34, 43.72, -33.98

 

CMYK 0 / 53 / 0 / 36

HEX #A24CA2

RGB 162 76 162

HSL 300, 0.36%, 0.47%

LAB 46.26, 47.71, -30.83

 

CMYK 0 / 53 / 9 / 36

HEX #A24C94

RGB 162 76 148

HSL 309.77, 0.36%, 0.47%

LAB 45.62, 45.21, -23.48

 

CMYK 0 / 53 / 17 / 36

HEX #A24C86

RGB 162 76 134

HSL 319.53, 0.36%, 0.47%

LAB 45.04, 42.89, -15.93

 

CMYK 17 / 53 / 0 / 36

HEX #874DA3

RGB 135 77 163

HSL 280.47, 0.36%, 0.47%

LAB 42.92, 39.71, -36.92

 

CMYK 17 / 53 / 0 / 16

HEX #B165D6

RGB 177 101 214

HSL 280.35, 0.58%, 0.62%

LAB 55.59, 49.53, -46.09

 

CMYK 20 / 50 / 0 / 96

HEX #08050A

RGB 8 5 10

HSL 276, 0.33%, 0.03%

LAB 1.64, 1.48, -1.62

 

CMYK 16 / 52 / 0 / 76

HEX #331D3D

RGB 51 29 61

HSL 281.25, 0.36%, 0.18%

LAB 15.06, 17.68, -16.34

 

CMYK 17 / 53 / 0 / 56

HEX #5D3570

RGB 93 53 112

HSL 280.68, 0.36%, 0.32%

LAB 29.52, 29.23, -27.14

 

CMYK 17 / 53 / 0 / 36

HEX #874DA3

RGB 135 77 163

HSL 280.47, 0.36%, 0.47%

LAB 42.92, 39.71, -36.92

 

CMYK 0 / 53 / 46 / 36

HEX #A24C58

RGB 162 76 88

HSL 351.63, 0.36%, 0.47%

LAB 43.59, 36.77, 10.06

 

CMYK 53 / 0 / 39 / 36

HEX #4CA263

RGB 76 162 99

HSL 136.05, 0.36%, 0.47%

LAB 60.14, -40.24, 25.07

 

CMYK 17 / 53 / 0 / 36

HEX #874DA3

RGB 135 77 163

HSL 280.47, 0.36%, 0.47%

LAB 42.92, 39.71, -36.92

 

CMYK 0 / 17 / 53 / 36

HEX #A2864C

RGB 162 134 76

HSL 40.47, 0.36%, 0.47%

LAB 57.32, 3.16, 34.97

 

CMYK 53 / 0 / 17 / 36

HEX #4CA286

RGB 76 162 134

HSL 160.47, 0.36%, 0.47%

LAB 60.87, -32.93, 6.72

 

CMYK 17 / 53 / 0 / 36

HEX #874DA3

RGB 135 77 163

HSL 280.47, 0.36%, 0.47%

LAB 42.92, 39.71, -36.92

 

CMYK 0 / 53 / 46 / 36

HEX #A24C58

RGB 162 76 88

HSL 351.63, 0.36%, 0.47%

LAB 43.59, 36.77, 10.06

 

CMYK 35 / 0 / 53 / 36

HEX #69A24C

RGB 105 162 76

HSL 99.77, 0.36%, 0.47%

LAB 61.1, -34.7, 38.54

 

CMYK 53 / 0 / 7 / 36

HEX #4CA297

RGB 76 162 151

HSL 172.33, 0.36%, 0.47%

LAB 61.32, -28.68, -2.2

 

CMYK 17 / 53 / 0 / 36

HEX #874DA3

RGB 135 77 163

HSL 280.47, 0.36%, 0.47%

LAB 42.92, 39.71, -36.92

 

CMYK 0 / 44 / 53 / 36

HEX #A25B4C

RGB 162 91 76

HSL 10.47, 0.36%, 0.47%

LAB 46.56, 27.48, 21.34

 

CMYK 35 / 0 / 53 / 36

HEX #69A24C

RGB 105 162 76

HSL 99.77, 0.36%, 0.47%

LAB 61.1, -34.7, 38.54

 

CMYK 53 / 9 / 0 / 36

HEX #4C94A2

RGB 76 148 162

HSL 189.77, 0.36%, 0.47%

LAB 57.39, -18.49, -14.29

 

Description

Color code: CMYK 17 / 53 / 0 / 36 | qconv.com Color code: CMYK 17 / 53 / 0 / 36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 77 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 77 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 53 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 53% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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