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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 16 / 0 / 1 / 3 it is the complementary color CMYK 0 / 83 / 79 / 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 16 / 0 / 1 / 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 16 / 0 / 1 / 3: CMYK 14 / 0 / 3 / 3, CMYK 10 / 0 / 0 / 0, CMYK 3 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 16 / 0 / 1 / 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 16 / 0 / 1 / 3: CMYK 16 / 0 / 1 / 3, CMYK 17 / 0 / 1 / 10, CMYK 18 / 0 / 2 / 17, CMYK 19 / 0 / 3 / 24 and CMYK 20 / 0 / 3 / 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 1 / 3

HEX #D0F7F5

RGB 208 247 245

HSL 176.92, 0.71%, 0.89%

LAB 94.54, -12.87, -3.24

 

Complementary color

CMYK 0 / 83 / 79 / 82

HEX #2F080A

RGB 47 8 10

HSL 356.92, 0.71%, 0.11%

LAB 7.23, 19.89, 7.13

 

CMYK 14 / 0 / 3 / 3

HEX #D5F7F0

RGB 213 247 240

HSL 167.65, 0.68%, 0.9%

LAB 94.72, -12.29, -0.34

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 16 / 0 / 1 / 3

HEX #D0F7F5

RGB 208 247 245

HSL 176.92, 0.71%, 0.89%

LAB 94.54, -12.87, -3.24

 

CMYK 17 / 0 / 1 / 10

HEX #BFE5E2

RGB 191 229 226

HSL 175.26, 0.42%, 0.82%

LAB 88.26, -12.91, -2.67

 

CMYK 18 / 0 / 2 / 17

HEX #AED3CF

RGB 174 211 207

HSL 173.51, 0.3%, 0.75%

LAB 81.89, -12.96, -2.09

 

CMYK 19 / 0 / 3 / 24

HEX #9DC1BC

RGB 157 193 188

HSL 171.67, 0.23%, 0.69%

LAB 75.41, -13.03, -1.49

 

CMYK 20 / 0 / 3 / 31

HEX #8CAFA9

RGB 140 175 169

HSL 169.71, 0.18%, 0.62%

LAB 68.82, -13.11, -0.86

 

CMYK 16 / 0 / 1 / 3

HEX #D0F7F5

RGB 208 247 245

HSL 176.92, 0.71%, 0.89%

LAB 94.54, -12.87, -3.24

 

CMYK 16 / 2 / 0 / 4

HEX #CFF2F6

RGB 207 242 246

HSL 186.15, 0.68%, 0.89%

LAB 93.2, -10.47, -5.73

 

CMYK 16 / 4 / 0 / 4

HEX #CFECF6

RGB 207 236 246

HSL 195.38, 0.68%, 0.89%

LAB 91.64, -7.43, -8.03

 

CMYK 16 / 7 / 0 / 4

HEX #CFE5F6

RGB 207 229 246

HSL 206.15, 0.68%, 0.89%

LAB 89.84, -3.84, -10.71

 

CMYK 16 / 10 / 0 / 4

HEX #CFDEF6

RGB 207 222 246

HSL 216.92, 0.68%, 0.89%

LAB 88.05, -0.22, -13.39

 

CMYK 16 / 0 / 1 / 3

HEX #D0F7F5

RGB 208 247 245

HSL 176.92, 0.71%, 0.89%

LAB 94.54, -12.87, -3.24

 

CMYK 16 / 0 / 0 / 83

HEX #242B2B

RGB 36 43 43

HSL 180, 0.09%, 0.15%

LAB 16.88, -3.05, -1.04

 

CMYK 16 / 0 / 1 / 63

HEX #4F5E5D

RGB 79 94 93

HSL 176, 0.09%, 0.34%

LAB 38.65, -5.97, -1.37

 

CMYK 16 / 0 / 1 / 43

HEX #7A9190

RGB 122 145 144

HSL 177.39, 0.09%, 0.52%

LAB 58.42, -8.35, -2.21

 

CMYK 16 / 0 / 1 / 23

HEX #A5C4C2

RGB 165 196 194

HSL 176.13, 0.21%, 0.71%

LAB 76.91, -10.77, -2.49

 

CMYK 16 / 0 / 1 / 3

HEX #D0F7F5

RGB 208 247 245

HSL 176.92, 0.71%, 0.89%

LAB 94.54, -12.87, -3.24

 

CMYK 14 / 16 / 0 / 4

HEX #D4CFF6

RGB 212 207 246

HSL 247.69, 0.68%, 0.89%

LAB 84.63, 9.25, -18.49

 

CMYK 0 / 7 / 16 / 4

HEX #F6E4CF

RGB 246 228 207

HSL 32.31, 0.68%, 0.89%

LAB 91.5, 2.78, 12.45

 

CMYK 16 / 0 / 1 / 3

HEX #D0F7F5

RGB 208 247 245

HSL 176.92, 0.71%, 0.89%

LAB 94.54, -12.87, -3.24

 

CMYK 1 / 16 / 0 / 4

HEX #F4CFF6

RGB 244 207 246

HSL 296.92, 0.68%, 0.89%

LAB 87.25, 19.57, -14.28

 

CMYK 0 / 1 / 16 / 4

HEX #F6F4CF

RGB 246 244 207

HSL 56.92, 0.68%, 0.89%

LAB 95.5, -5.34, 18.1

 

CMYK 16 / 0 / 1 / 3

HEX #D0F7F5

RGB 208 247 245

HSL 176.92, 0.71%, 0.89%

LAB 94.54, -12.87, -3.24

 

CMYK 14 / 16 / 0 / 4

HEX #D4CFF6

RGB 212 207 246

HSL 247.69, 0.68%, 0.89%

LAB 84.63, 9.25, -18.49

 

CMYK 0 / 16 / 15 / 4

HEX #F6CFD1

RGB 246 207 209

HSL 356.92, 0.68%, 0.89%

LAB 86.42, 13.98, 4.11

 

CMYK 2 / 0 / 16 / 4

HEX #F1F6CF

RGB 241 246 207

HSL 67.69, 0.68%, 0.89%

LAB 95.63, -8.11, 18.23

 

CMYK 16 / 0 / 1 / 3

HEX #D0F7F5

RGB 208 247 245

HSL 176.92, 0.71%, 0.89%

LAB 94.54, -12.87, -3.24

 

CMYK 9 / 16 / 0 / 4

HEX #E0CFF6

RGB 224 207 246

HSL 266.15, 0.68%, 0.89%

LAB 85.57, 13.07, -16.98

 

CMYK 0 / 16 / 15 / 4

HEX #F6CFD1

RGB 246 207 209

HSL 356.92, 0.68%, 0.89%

LAB 86.42, 13.98, 4.11

 

CMYK 7 / 0 / 16 / 4

HEX #E5F6CF

RGB 229 246 207

HSL 86.15, 0.68%, 0.89%

LAB 94.77, -12.3, 16.9

 

Description

Color code: CMYK 16 / 0 / 1 / 3 | qconv.com Color code: CMYK 16 / 0 / 1 / 3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 247 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 247 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 1 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 1% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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