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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 15 / 0 / 2 / 26 it is the complementary color CMYK 0 / 31 / 26 / 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 15 / 0 / 2 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 15 / 0 / 2 / 26: CMYK 13 / 0 / 5 / 26, CMYK 12 / 0 / 4 / 19, CMYK 12 / 0 / 3 / 12, CMYK 11 / 0 / 2 / 5 and CMYK 9 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 15 / 0 / 2 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 15 / 0 / 2 / 26: CMYK 15 / 0 / 2 / 26, CMYK 16 / 0 / 3 / 33, CMYK 18 / 0 / 4 / 40, CMYK 19 / 0 / 5 / 47 and CMYK 21 / 0 / 7 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 2 / 26

HEX #A0BDB9

RGB 160 189 185

HSL 171.72, 0.18%, 0.68%

LAB 74.43, -10.6, -1.28

 

Complementary color

CMYK 0 / 31 / 26 / 63

HEX #5F4246

RGB 95 66 70

HSL 351.72, 0.18%, 0.32%

LAB 31.28, 13.23, 2.59

 

CMYK 13 / 0 / 5 / 26

HEX #A5BDB4

RGB 165 189 180

HSL 157.5, 0.15%, 0.69%

LAB 74.63, -9.95, 1.78

 

CMYK 12 / 0 / 4 / 19

HEX #B6CFC7

RGB 182 207 199

HSL 160.8, 0.21%, 0.76%

LAB 81.12, -9.92, 1.13

 

CMYK 12 / 0 / 3 / 12

HEX #C7E1DA

RGB 199 225 218

HSL 163.85, 0.3%, 0.83%

LAB 87.51, -9.91, 0.5

 

CMYK 11 / 0 / 2 / 5

HEX #D8F3ED

RGB 216 243 237

HSL 166.67, 0.53%, 0.9%

LAB 93.8, -9.91, -0.11

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 15 / 0 / 2 / 26

HEX #A0BDB9

RGB 160 189 185

HSL 171.72, 0.18%, 0.68%

LAB 74.43, -10.6, -1.28

 

CMYK 16 / 0 / 3 / 33

HEX #8FABA6

RGB 143 171 166

HSL 169.29, 0.14%, 0.62%

LAB 67.81, -10.65, -0.65

 

CMYK 18 / 0 / 4 / 40

HEX #7E9993

RGB 126 153 147

HSL 166.67, 0.12%, 0.55%

LAB 61.07, -10.71, -0

 

CMYK 19 / 0 / 5 / 47

HEX #6D8780

RGB 109 135 128

HSL 163.85, 0.11%, 0.48%

LAB 54.17, -10.8, 0.68

 

CMYK 21 / 0 / 7 / 54

HEX #5C756D

RGB 92 117 109

HSL 160.8, 0.12%, 0.41%

LAB 47.11, -10.91, 1.4

 

CMYK 15 / 0 / 2 / 26

HEX #A0BDB9

RGB 160 189 185

HSL 171.72, 0.18%, 0.68%

LAB 74.43, -10.6, -1.28

 

CMYK 16 / 1 / 0 / 26

HEX #9EBBBC

RGB 158 187 188

HSL 182, 0.18%, 0.68%

LAB 73.83, -9.57, -3.8

 

CMYK 16 / 3 / 0 / 26

HEX #9EB6BC

RGB 158 182 188

HSL 192, 0.18%, 0.68%

LAB 72.47, -6.92, -5.82

 

CMYK 16 / 6 / 0 / 26

HEX #9EB1BC

RGB 158 177 188

HSL 202, 0.18%, 0.68%

LAB 71.11, -4.24, -7.83

 

CMYK 16 / 9 / 0 / 26

HEX #9EACBC

RGB 158 172 188

HSL 212, 0.18%, 0.68%

LAB 69.76, -1.53, -9.84

 

CMYK 15 / 0 / 2 / 26

HEX #A0BDB9

RGB 160 189 185

HSL 171.72, 0.18%, 0.68%

LAB 74.43, -10.6, -1.28

 

CMYK 15 / 0 / 2 / 6

HEX #CBF0EB

RGB 203 240 235

HSL 171.89, 0.55%, 0.87%

LAB 92.14, -12.9, -1.6

 

CMYK 17 / 0 / 3 / 86

HEX #1E2423

RGB 30 36 35

HSL 170, 0.09%, 0.13%

LAB 13.59, -2.96, -0.25

 

CMYK 15 / 0 / 2 / 66

HEX #4A5755

RGB 74 87 85

HSL 170.77, 0.08%, 0.32%

LAB 35.85, -5.53, -0.55

 

CMYK 15 / 0 / 2 / 46

HEX #758A87

RGB 117 138 135

HSL 171.43, 0.08%, 0.5%

LAB 55.79, -8.16, -0.93

 

CMYK 15 / 0 / 2 / 26

HEX #A0BDB9

RGB 160 189 185

HSL 171.72, 0.18%, 0.68%

LAB 74.43, -10.6, -1.28

 

CMYK 15 / 16 / 0 / 26

HEX #A09EBC

RGB 160 158 188

HSL 244, 0.18%, 0.68%

LAB 66.18, 6.87, -15.19

 

CMYK 0 / 9 / 16 / 26

HEX #BCAB9E

RGB 188 171 158

HSL 26, 0.18%, 0.68%

LAB 71.07, 3.95, 8.91

 

CMYK 15 / 0 / 2 / 26

HEX #A0BDB9

RGB 160 189 185

HSL 171.72, 0.18%, 0.68%

LAB 74.43, -10.6, -1.28

 

CMYK 3 / 16 / 0 / 26

HEX #B79EBC

RGB 183 158 188

HSL 290, 0.18%, 0.68%

LAB 68.13, 14.64, -12.06

 

CMYK 0 / 3 / 16 / 26

HEX #BCB79E

RGB 188 183 158

HSL 50, 0.18%, 0.68%

LAB 74.21, -2.49, 13.36

 

CMYK 15 / 0 / 2 / 26

HEX #A0BDB9

RGB 160 189 185

HSL 171.72, 0.18%, 0.68%

LAB 74.43, -10.6, -1.28

 

CMYK 15 / 16 / 0 / 26

HEX #A09EBC

RGB 160 158 188

HSL 244, 0.18%, 0.68%

LAB 66.18, 6.87, -15.19

 

CMYK 0 / 16 / 13 / 26

HEX #BC9EA3

RGB 188 158 163

HSL 350, 0.18%, 0.68%

LAB 67.87, 11.88, 1.52

 

CMYK 1 / 0 / 16 / 26

HEX #BABC9E

RGB 186 188 158

HSL 64, 0.18%, 0.68%

LAB 75.37, -5.88, 14.97

 

CMYK 15 / 0 / 2 / 26

HEX #A0BDB9

RGB 160 189 185

HSL 171.72, 0.18%, 0.68%

LAB 74.43, -10.6, -1.28

 

CMYK 11 / 16 / 0 / 26

HEX #A89EBC

RGB 168 158 188

HSL 260, 0.18%, 0.68%

LAB 66.83, 9.53, -14.15

 

CMYK 0 / 16 / 13 / 26

HEX #BC9EA3

RGB 188 158 163

HSL 350, 0.18%, 0.68%

LAB 67.87, 11.88, 1.52

 

CMYK 6 / 0 / 16 / 26

HEX #B1BC9E

RGB 177 188 158

HSL 82, 0.18%, 0.68%

LAB 74.69, -9.19, 13.91

 

Description

Color code: CMYK 15 / 0 / 2 / 26 | qconv.com Color code: CMYK 15 / 0 / 2 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 189 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 189 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 2 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 2% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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