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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 13 / 0 / 29 / 18 it is the complementary color CMYK 32 / 57 / 0 / 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 13 / 0 / 29 / 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 13 / 0 / 29 / 18: CMYK 11 / 0 / 32 / 18, CMYK 10 / 0 / 29 / 11, CMYK 10 / 0 / 26 / 4, CMYK 7 / 0 / 22 / 0 and CMYK 0 / 0 / 14 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 13 / 0 / 29 / 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 13 / 0 / 29 / 18: CMYK 13 / 0 / 29 / 18, CMYK 14 / 0 / 32 / 25, CMYK 14 / 0 / 36 / 32, CMYK 15 / 0 / 41 / 39 and CMYK 17 / 0 / 47 / 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 29 / 18

HEX #B6D194

RGB 182 209 148

HSL 86.56, 0.4%, 0.7%

LAB 80.56, -19.61, 27.36

 

Complementary color

CMYK 32 / 57 / 0 / 58

HEX #492E6B

RGB 73 46 107

HSL 266.56, 0.4%, 0.3%

LAB 25.05, 26.24, -31.19

 

CMYK 11 / 0 / 32 / 18

HEX #BBD18F

RGB 187 209 143

HSL 80, 0.42%, 0.69%

LAB 80.82, -18.47, 30.37

 

CMYK 10 / 0 / 29 / 11

HEX #CCE3A2

RGB 204 227 162

HSL 81.23, 0.54%, 0.76%

LAB 87.18, -18.5, 29.3

 

CMYK 10 / 0 / 26 / 4

HEX #DDF5B5

RGB 221 245 181

HSL 82.5, 0.76%, 0.84%

LAB 93.46, -18.52, 28.29

 

CMYK 7 / 0 / 22 / 0

HEX #EEFFC8

RGB 238 255 200

HSL 78.55, 1%, 0.89%

LAB 97.58, -14.65, 24.48

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 13 / 0 / 29 / 18

HEX #B6D194

RGB 182 209 148

HSL 86.56, 0.4%, 0.7%

LAB 80.56, -19.61, 27.36

 

CMYK 14 / 0 / 32 / 25

HEX #A5BF81

RGB 165 191 129

HSL 85.16, 0.33%, 0.63%

LAB 74.09, -19.63, 28.45

 

CMYK 14 / 0 / 36 / 32

HEX #94AD6E

RGB 148 173 110

HSL 83.81, 0.28%, 0.55%

LAB 67.51, -19.63, 29.59

 

CMYK 15 / 0 / 41 / 39

HEX #839B5B

RGB 131 155 91

HSL 82.5, 0.26%, 0.48%

LAB 60.8, -19.6, 30.78

 

CMYK 17 / 0 / 47 / 46

HEX #728948

RGB 114 137 72

HSL 81.23, 0.31%, 0.41%

LAB 53.96, -19.54, 32.02

 

CMYK 13 / 0 / 29 / 18

HEX #B6D194

RGB 182 209 148

HSL 86.56, 0.4%, 0.7%

LAB 80.56, -19.61, 27.36

 

CMYK 18 / 0 / 30 / 18

HEX #ACD193

RGB 172 209 147

HSL 95.81, 0.4%, 0.7%

LAB 79.89, -23.37, 26.86

 

CMYK 22 / 0 / 30 / 18

HEX #A2D193

RGB 162 209 147

HSL 105.48, 0.4%, 0.7%

LAB 79.26, -26.88, 25.91

 

CMYK 28 / 0 / 30 / 18

HEX #97D193

RGB 151 209 147

HSL 116.13, 0.4%, 0.7%

LAB 78.63, -30.62, 24.95

 

CMYK 30 / 0 / 26 / 18

HEX #93D19A

RGB 147 209 154

HSL 126.77, 0.4%, 0.7%

LAB 78.54, -30.74, 21.12

 

CMYK 13 / 0 / 29 / 18

HEX #B6D194

RGB 182 209 148

HSL 86.56, 0.4%, 0.7%

LAB 80.56, -19.61, 27.36

 

CMYK 20 / 0 / 20 / 98

HEX #040504

RGB 4 5 4

HSL 120, 0.11%, 0.02%

LAB 1.29, -0.4, 0.29

 

CMYK 13 / 0 / 29 / 78

HEX #313828

RGB 49 56 40

HSL 86.25, 0.17%, 0.19%

LAB 22.42, -6.5, 9.05

 

CMYK 13 / 0 / 29 / 58

HEX #5D6B4C

RGB 93 107 76

HSL 87.1, 0.17%, 0.36%

LAB 43.31, -11.41, 15.67

 

CMYK 13 / 0 / 29 / 38

HEX #8A9E70

RGB 138 158 112

HSL 86.09, 0.19%, 0.53%

LAB 62.53, -15.45, 21.77

 

CMYK 13 / 0 / 29 / 18

HEX #B6D194

RGB 182 209 148

HSL 86.56, 0.4%, 0.7%

LAB 80.56, -19.61, 27.36

 

CMYK 30 / 0 / 11 / 18

HEX #93D1BA

RGB 147 209 186

HSL 157.74, 0.4%, 0.7%

LAB 79.24, -24.63, 5.09

 

CMYK 0 / 30 / 1 / 18

HEX #D193CF

RGB 209 147 207

HSL 301.94, 0.4%, 0.7%

LAB 68.7, 33.07, -21.52

 

CMYK 13 / 0 / 29 / 18

HEX #B6D194

RGB 182 209 148

HSL 86.56, 0.4%, 0.7%

LAB 80.56, -19.61, 27.36

 

CMYK 30 / 13 / 0 / 18

HEX #93B6D1

RGB 147 182 209

HSL 206.13, 0.4%, 0.7%

LAB 72.4, -5.52, -17.47

 

CMYK 0 / 30 / 13 / 18

HEX #D193B6

RGB 209 147 182

HSL 326.13, 0.4%, 0.7%

LAB 67.87, 28.67, -8.83

 

CMYK 13 / 0 / 29 / 18

HEX #B6D194

RGB 182 209 148

HSL 86.56, 0.4%, 0.7%

LAB 80.56, -19.61, 27.36

 

CMYK 30 / 0 / 11 / 18

HEX #93D1BA

RGB 147 209 186

HSL 157.74, 0.4%, 0.7%

LAB 79.24, -24.63, 5.09

 

CMYK 17 / 30 / 0 / 18

HEX #AE93D1

RGB 174 147 209

HSL 266.13, 0.4%, 0.7%

LAB 65.33, 22.23, -28.08

 

CMYK 0 / 30 / 19 / 18

HEX #D193AA

RGB 209 147 170

HSL 337.74, 0.4%, 0.7%

LAB 67.52, 26.74, -2.64

 

CMYK 13 / 0 / 29 / 18

HEX #B6D194

RGB 182 209 148

HSL 86.56, 0.4%, 0.7%

LAB 80.56, -19.61, 27.36

 

CMYK 30 / 0 / 2 / 18

HEX #93D1CD

RGB 147 209 205

HSL 176.13, 0.4%, 0.7%

LAB 79.73, -20.5, -4.37

 

CMYK 17 / 30 / 0 / 18

HEX #AE93D1

RGB 174 147 209

HSL 266.13, 0.4%, 0.7%

LAB 65.33, 22.23, -28.08

 

CMYK 0 / 30 / 28 / 18

HEX #D19397

RGB 209 147 151

HSL 356.13, 0.4%, 0.7%

LAB 67.02, 23.94, 7.29

 

Description

Color code: CMYK 13 / 0 / 29 / 18 | qconv.com Color code: CMYK 13 / 0 / 29 / 18 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 209 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 209 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 29 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 29% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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