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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 12 / 0 / 8 / 24 it is the complementary color CMYK 0 / 27 / 8 / 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 12 / 0 / 8 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 12 / 0 / 8 / 24: CMYK 9 / 0 / 11 / 24, CMYK 9 / 0 / 9 / 17, CMYK 9 / 0 / 8 / 10, CMYK 8 / 0 / 7 / 3 and CMYK 4 / 0 / 2 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 12 / 0 / 8 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 12 / 0 / 8 / 24: CMYK 12 / 0 / 8 / 24, CMYK 13 / 0 / 10 / 31, CMYK 13 / 0 / 11 / 38, CMYK 14 / 0 / 14 / 45 and CMYK 16 / 0 / 16 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 8 / 24

HEX #ABC2B2

RGB 171 194 178

HSL 138.26, 0.16%, 0.72%

LAB 76.35, -10.91, 5.4

 

Complementary color

CMYK 0 / 27 / 8 / 67

HEX #543D4D

RGB 84 61 77

HSL 318.26, 0.16%, 0.28%

LAB 28.79, 13.1, -5.77

 

CMYK 9 / 0 / 11 / 24

HEX #B0C2AD

RGB 176 194 173

HSL 111.43, 0.15%, 0.72%

LAB 76.58, -10.09, 8.48

 

CMYK 9 / 0 / 9 / 17

HEX #C1D4C0

RGB 193 212 192

HSL 117, 0.19%, 0.79%

LAB 83.04, -10.09, 7.72

 

CMYK 9 / 0 / 8 / 10

HEX #D2E6D3

RGB 210 230 211

HSL 123, 0.29%, 0.86%

LAB 89.39, -10.1, 6.99

 

CMYK 8 / 0 / 7 / 3

HEX #E3F8E6

RGB 227 248 230

HSL 128.57, 0.6%, 0.93%

LAB 95.66, -10.12, 6.29

 

CMYK 4 / 0 / 2 / 0

HEX #F4FFF9

RGB 244 255 249

HSL 147.27, 1%, 0.98%

LAB 99.06, -4.66, 1.6

 

CMYK 12 / 0 / 8 / 24

HEX #ABC2B2

RGB 171 194 178

HSL 138.26, 0.16%, 0.72%

LAB 76.35, -10.91, 5.4

 

CMYK 13 / 0 / 10 / 31

HEX #9AB09F

RGB 154 176 159

HSL 133.64, 0.12%, 0.65%

LAB 69.77, -10.94, 6.14

 

CMYK 13 / 0 / 11 / 38

HEX #899E8C

RGB 137 158 140

HSL 128.57, 0.1%, 0.58%

LAB 63.07, -11, 6.93

 

CMYK 14 / 0 / 14 / 45

HEX #788C79

RGB 120 140 121

HSL 123, 0.08%, 0.51%

LAB 56.22, -11.06, 7.76

 

CMYK 16 / 0 / 16 / 52

HEX #677A66

RGB 103 122 102

HSL 117, 0.09%, 0.44%

LAB 49.21, -11.15, 8.65

 

CMYK 12 / 0 / 8 / 24

HEX #ABC2B2

RGB 171 194 178

HSL 138.26, 0.16%, 0.72%

LAB 76.35, -10.91, 5.4

 

CMYK 12 / 0 / 7 / 24

HEX #ACC3B6

RGB 172 195 182

HSL 146.09, 0.16%, 0.72%

LAB 76.79, -10.33, 3.88

 

CMYK 12 / 0 / 5 / 24

HEX #ACC3BA

RGB 172 195 186

HSL 156.52, 0.16%, 0.72%

LAB 76.89, -9.56, 1.87

 

CMYK 12 / 0 / 3 / 24

HEX #ACC3BE

RGB 172 195 190

HSL 166.96, 0.16%, 0.72%

LAB 76.99, -8.77, -0.14

 

CMYK 12 / 0 / 1 / 24

HEX #ACC3C2

RGB 172 195 194

HSL 177.39, 0.16%, 0.72%

LAB 77.1, -7.97, -2.15

 

CMYK 12 / 0 / 8 / 24

HEX #ABC2B2

RGB 171 194 178

HSL 138.26, 0.16%, 0.72%

LAB 76.35, -10.91, 5.4

 

CMYK 12 / 0 / 8 / 4

HEX #D8F5E1

RGB 216 245 225

HSL 138.62, 0.59%, 0.9%

LAB 94.03, -13.13, 6.44

 

CMYK 12 / 0 / 7 / 84

HEX #242926

RGB 36 41 38

HSL 144, 0.06%, 0.15%

LAB 16.01, -2.98, 1.21

 

CMYK 12 / 0 / 9 / 64

HEX #515C54

RGB 81 92 84

HSL 136.36, 0.06%, 0.34%

LAB 37.92, -6.04, 3.15

 

CMYK 12 / 0 / 8 / 44

HEX #7E8F83

RGB 126 143 131

HSL 137.65, 0.07%, 0.53%

LAB 57.77, -8.56, 4.31

 

CMYK 12 / 0 / 8 / 24

HEX #ABC2B2

RGB 171 194 178

HSL 138.26, 0.16%, 0.72%

LAB 76.35, -10.91, 5.4

 

CMYK 12 / 6 / 0 / 24

HEX #ACB7C3

RGB 172 183 195

HSL 211.3, 0.16%, 0.72%

LAB 73.92, -1.39, -7.38

 

CMYK 0 / 12 / 11 / 24

HEX #C3ACAE

RGB 195 172 174

HSL 354.78, 0.16%, 0.72%

LAB 72.34, 8.64, 2.02

 

CMYK 12 / 0 / 8 / 24

HEX #ABC2B2

RGB 171 194 178

HSL 138.26, 0.16%, 0.72%

LAB 76.35, -10.91, 5.4

 

CMYK 8 / 12 / 0 / 24

HEX #B3ACC3

RGB 179 172 195

HSL 258.26, 0.16%, 0.72%

LAB 71.57, 6.93, -10.82

 

CMYK 0 / 8 / 12 / 24

HEX #C3B3AC

RGB 195 179 172

HSL 18.26, 0.16%, 0.72%

LAB 74.08, 4.51, 5.62

 

CMYK 12 / 0 / 8 / 24

HEX #ABC2B2

RGB 171 194 178

HSL 138.26, 0.16%, 0.72%

LAB 76.35, -10.91, 5.4

 

CMYK 12 / 6 / 0 / 24

HEX #ACB7C3

RGB 172 183 195

HSL 211.3, 0.16%, 0.72%

LAB 73.92, -1.39, -7.38

 

CMYK 0 / 12 / 4 / 24

HEX #C3ACBC

RGB 195 172 188

HSL 318.26, 0.16%, 0.72%

LAB 72.72, 11.11, -5.12

 

CMYK 0 / 6 / 12 / 24

HEX #C3B7AC

RGB 195 183 172

HSL 28.7, 0.16%, 0.72%

LAB 75.11, 2.37, 7.11

 

CMYK 12 / 0 / 8 / 24

HEX #ABC2B2

RGB 171 194 178

HSL 138.26, 0.16%, 0.72%

LAB 76.35, -10.91, 5.4

 

CMYK 12 / 10 / 0 / 24

HEX #ACB0C3

RGB 172 176 195

HSL 229.57, 0.16%, 0.72%

LAB 72.07, 2.4, -10.14

 

CMYK 0 / 12 / 4 / 24

HEX #C3ACBC

RGB 195 172 188

HSL 318.26, 0.16%, 0.72%

LAB 72.72, 11.11, -5.12

 

CMYK 0 / 3 / 12 / 24

HEX #C3BEAC

RGB 195 190 172

HSL 46.96, 0.16%, 0.72%

LAB 76.93, -1.36, 9.71

 

Description

Color code: CMYK 12 / 0 / 8 / 24 | qconv.com Color code: CMYK 12 / 0 / 8 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 194 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 194 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 8 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 8% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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