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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 8 / 0 / 18 it is the complementary color CMYK 0 / 9 / 33 / 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 8 / 0 / 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 11 / 8 / 0 / 18: CMYK 6 / 6 / 0 / 20, CMYK 7 / 6 / 0 / 13, CMYK 7 / 6 / 0 / 5, CMYK 5 / 4 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 8 / 0 / 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 11 / 8 / 0 / 18: CMYK 11 / 8 / 0 / 18, CMYK 11 / 8 / 0 / 25, CMYK 11 / 9 / 0 / 33, CMYK 11 / 9 / 0 / 40 and CMYK 11 / 10 / 0 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 8 / 0 / 18

HEX #BAC0D1

RGB 186 192 209

HSL 224.35, 0.2%, 0.77%

LAB 77.72, 1.28, -9.23

 

Complementary color

CMYK 0 / 9 / 33 / 73

HEX #453F2E

RGB 69 63 46

HSL 44.35, 0.2%, 0.23%

LAB 26.78, -0.57, 11.38

 

CMYK 6 / 6 / 0 / 20

HEX #BFC0CC

RGB 191 192 204

HSL 235.38, 0.11%, 0.77%

LAB 77.95, 1.94, -6.14

 

CMYK 7 / 6 / 0 / 13

HEX #D0D2DF

RGB 208 210 223

HSL 232, 0.19%, 0.85%

LAB 84.4, 1.77, -6.65

 

CMYK 7 / 6 / 0 / 5

HEX #E1E4F2

RGB 225 228 242

HSL 229.41, 0.4%, 0.92%

LAB 90.74, 1.6, -7.15

 

CMYK 5 / 4 / 0 / 0

HEX #F2F6FF

RGB 242 246 255

HSL 221.54, 1%, 0.97%

LAB 96.82, 0.32, -4.78

 

CMYK 11 / 8 / 0 / 18

HEX #BAC0D1

RGB 186 192 209

HSL 224.35, 0.2%, 0.77%

LAB 77.72, 1.28, -9.23

 

CMYK 11 / 8 / 0 / 25

HEX #A9AEBE

RGB 169 174 190

HSL 225.71, 0.14%, 0.7%

LAB 71.16, 1.45, -8.76

 

CMYK 11 / 9 / 0 / 33

HEX #989CAB

RGB 152 156 171

HSL 227.37, 0.1%, 0.63%

LAB 64.48, 1.63, -8.29

 

CMYK 11 / 9 / 0 / 40

HEX #878A98

RGB 135 138 152

HSL 229.41, 0.08%, 0.56%

LAB 57.65, 1.82, -7.82

 

CMYK 11 / 10 / 0 / 48

HEX #767885

RGB 118 120 133

HSL 232, 0.06%, 0.49%

LAB 50.66, 2.02, -7.34

 

CMYK 11 / 8 / 0 / 18

HEX #BAC0D1

RGB 186 192 209

HSL 224.35, 0.2%, 0.77%

LAB 77.72, 1.28, -9.23

 

CMYK 12 / 11 / 0 / 18

HEX #B8BAD0

RGB 184 186 208

HSL 235, 0.2%, 0.77%

LAB 75.98, 3.64, -11.29

 

CMYK 11 / 12 / 0 / 18

HEX #BAB8D0

RGB 186 184 208

HSL 245, 0.2%, 0.77%

LAB 75.62, 5.38, -11.82

 

CMYK 9 / 12 / 0 / 18

HEX #BEB8D0

RGB 190 184 208

HSL 255, 0.2%, 0.77%

LAB 75.94, 6.71, -11.32

 

CMYK 7 / 12 / 0 / 18

HEX #C2B8D0

RGB 194 184 208

HSL 265, 0.2%, 0.77%

LAB 76.26, 8.04, -10.8

 

CMYK 11 / 8 / 0 / 18

HEX #BAC0D1

RGB 186 192 209

HSL 224.35, 0.2%, 0.77%

LAB 77.72, 1.28, -9.23

 

CMYK 20 / 0 / 0 / 98

HEX #040505

RGB 4 5 5

HSL 180, 0.11%, 0.02%

LAB 1.31, -0.26, -0.09

 

CMYK 11 / 9 / 0 / 78

HEX #323338

RGB 50 51 56

HSL 230, 0.06%, 0.21%

LAB 21.32, 0.79, -3.3

 

CMYK 11 / 8 / 0 / 58

HEX #5F626B

RGB 95 98 107

HSL 225, 0.06%, 0.4%

LAB 41.58, 0.83, -5.49

 

CMYK 11 / 8 / 0 / 38

HEX #8D919E

RGB 141 145 158

HSL 225.88, 0.08%, 0.59%

LAB 60.23, 1.23, -7.36

 

CMYK 11 / 8 / 0 / 18

HEX #BAC0D1

RGB 186 192 209

HSL 224.35, 0.2%, 0.77%

LAB 77.72, 1.28, -9.23

 

CMYK 1 / 12 / 0 / 18

HEX #CEB8D0

RGB 206 184 208

HSL 295, 0.2%, 0.77%

LAB 77.26, 12.1, -9.21

 

CMYK 4 / 0 / 12 / 18

HEX #C8D0B8

RGB 200 208 184

HSL 80, 0.2%, 0.77%

LAB 82.3, -6.98, 10.98

 

CMYK 11 / 8 / 0 / 18

HEX #BAC0D1

RGB 186 192 209

HSL 224.35, 0.2%, 0.77%

LAB 77.72, 1.28, -9.23

 

CMYK 0 / 12 / 9 / 18

HEX #D0B8BE

RGB 208 184 190

HSL 345, 0.2%, 0.77%

LAB 76.93, 9.57, 0.1

 

CMYK 9 / 0 / 12 / 18

HEX #BED0B8

RGB 190 208 184

HSL 105, 0.2%, 0.77%

LAB 81.58, -10.49, 9.86

 

CMYK 11 / 8 / 0 / 18

HEX #BAC0D1

RGB 186 192 209

HSL 224.35, 0.2%, 0.77%

LAB 77.72, 1.28, -9.23

 

CMYK 1 / 12 / 0 / 18

HEX #CEB8D0

RGB 206 184 208

HSL 295, 0.2%, 0.77%

LAB 77.26, 12.1, -9.21

 

CMYK 0 / 3 / 12 / 18

HEX #D0C9B8

RGB 208 201 184

HSL 42.5, 0.2%, 0.77%

LAB 81.1, -0.47, 9.35

 

CMYK 11 / 0 / 12 / 18

HEX #BAD0B8

RGB 186 208 184

HSL 115, 0.2%, 0.77%

LAB 81.3, -11.88, 9.42

 

CMYK 11 / 8 / 0 / 18

HEX #BAC0D1

RGB 186 192 209

HSL 224.35, 0.2%, 0.77%

LAB 77.72, 1.28, -9.23

 

CMYK 0 / 12 / 3 / 18

HEX #D0B8CA

RGB 208 184 202

HSL 315, 0.2%, 0.77%

LAB 77.25, 11.68, -5.94

 

CMYK 0 / 3 / 12 / 18

HEX #D0C9B8

RGB 208 201 184

HSL 42.5, 0.2%, 0.77%

LAB 81.1, -0.47, 9.35

 

CMYK 12 / 0 / 9 / 18

HEX #B8D0BE

RGB 184 208 190

HSL 135, 0.2%, 0.77%

LAB 81.3, -11.47, 6.21

 

Description

Color code: CMYK 11 / 8 / 0 / 18 | qconv.com Color code: CMYK 11 / 8 / 0 / 18 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 192 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 192 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 8 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 8% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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