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Color name
CMYK 0 / 8 / 78 / 59

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 8 / 78 / 59 it is the complementary color CMYK 35 / 31 / 0 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 8 / 78 / 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 8 / 78 / 59 shade: CMYK 0 / 13 / 84 / 57, CMYK 0 / 10 / 71 / 50, CMYK 0 / 8 / 61 / 44, CMYK 0 / 7 / 53 / 37 and CMYK 0 / 6 / 47 / 30

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 8 / 78 / 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 8 / 78 / 59 shade: CMYK 0 / 9 / 78 / 59, CMYK 0 / 11 / 95 / 65, CMYK 0 / 15 / 100 / 72, CMYK 0 / 22 / 100 / 79 and CMYK 0 / 35 / 100 / 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 8 / 78 / 59 shade: CMYK 0 / 9 / 78 / 59, CMYK 0 / 30 / 78 / 59, CMYK 0 / 50 / 78 / 59, CMYK 0 / 71 / 78 / 59 and CMYK 0 / 78 / 78 / 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 8 / 78 / 59 shade: CMYK 0 / 9 / 78 / 59, CMYK 12 / 0 / 78 / 59, CMYK 33 / 0 / 78 / 59, CMYK 55 / 0 / 78 / 59 and CMYK 76 / 0 / 78 / 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 8 / 78 / 59 shade matches the following richer shades: CMYK 0 / 9 / 78 / 59, CMYK 0 / 10 / 89 / 55 and CMYK 0 / 10 / 98 / 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 8 / 78 / 59 shade: CMYK 0 / 9 / 78 / 59, CMYK 0 / 6 / 65 / 63, CMYK 0 / 6 / 48 / 67, CMYK 0 / 4 / 27 / 71 and CMYK 2 / 2 / 0 / 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 8 / 78 / 59 shade: CMYK 0 / 50 / 78 / 59, CMYK 0 / 30 / 78 / 59, CMYK 0 / 10 / 78 / 59, CMYK 12 / 0 / 78 / 59 and CMYK 32 / 0 / 78 / 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 8 / 78 / 59 shade: CMYK 0 / 8 / 78 / 85, CMYK 0 / 8 / 77 / 72, CMYK 0 / 9 / 78 / 59, CMYK 0 / 8 / 78 / 46 and CMYK 0 / 9 / 78 / 33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 8 / 78 / 59 shade: CMYK 0 / 9 / 78 / 59, CMYK 78 / 0 / 71 / 59 and CMYK 41 / 78 / 0 / 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 8 / 78 / 59 shade: CMYK 0 / 9 / 78 / 59, CMYK 78 / 0 / 10 / 59 and CMYK 10 / 78 / 0 / 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 8 / 78 / 59 shade: CMYK 0 / 9 / 78 / 59, CMYK 78 / 0 / 71 / 59, CMYK 78 / 70 / 0 / 59 and CMYK 0 / 78 / 7 / 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 8 / 78 / 59 shade: CMYK 0 / 9 / 78 / 59, CMYK 78 / 0 / 49 / 59, CMYK 78 / 70 / 0 / 59 and CMYK 0 / 78 / 30 / 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 78 / 59

HEX #696017

RGB 105 96 23

HSL 53.41, 0.64%, 0.25%

LAB 40.3, -5.34, 40.36

 

Complementary color

CMYK 35 / 31 / 0 / 9

HEX #969FE8

RGB 150 159 232

HSL 233.41, 0.64%, 0.75%

LAB 67.36, 13.96, -37.82

 

CMYK 0 / 13 / 84 / 57

HEX #6E6012

RGB 110 96 18

HSL 50.87, 0.72%, 0.25%

LAB 40.77, -3.12, 42.84

 

CMYK 0 / 10 / 71 / 50

HEX #7F7225

RGB 127 114 37

HSL 51.33, 0.55%, 0.32%

LAB 47.85, -4.41, 42.66

 

CMYK 0 / 8 / 61 / 44

HEX #908438

RGB 144 132 56

HSL 51.82, 0.44%, 0.39%

LAB 54.78, -5.4, 41.73

 

CMYK 0 / 7 / 53 / 37

HEX #A1964B

RGB 161 150 75

HSL 52.33, 0.36%, 0.46%

LAB 61.57, -6.16, 40.56

 

CMYK 0 / 6 / 47 / 30

HEX #B2A85E

RGB 178 168 94

HSL 52.86, 0.35%, 0.53%

LAB 68.23, -6.78, 39.31

 

CMYK 0 / 9 / 78 / 59

HEX #696017

RGB 105 96 23

HSL 53.41, 0.64%, 0.25%

LAB 40.3, -5.34, 40.36

 

CMYK 0 / 11 / 95 / 65

HEX #584E04

RGB 88 78 4

HSL 52.86, 0.91%, 0.18%

LAB 32.99, -3.89, 39.81

 

CMYK 0 / 15 / 100 / 72

HEX #473C00

RGB 71 60 0

HSL 50.7, 1%, 0.14%

LAB 25.48, -1.81, 34.48

 

CMYK 0 / 22 / 100 / 79

HEX #362A00

RGB 54 42 0

HSL 46.67, 1%, 0.11%

LAB 17.65, 0.62, 25.46

 

CMYK 0 / 35 / 100 / 85

HEX #251800

RGB 37 24 0

HSL 38.92, 1%, 0.07%

LAB 9.37, 3.37, 14.09

 

CMYK 0 / 9 / 78 / 59

HEX #696017

RGB 105 96 23

HSL 53.41, 0.64%, 0.25%

LAB 40.3, -5.34, 40.36

 

CMYK 0 / 30 / 78 / 59

HEX #694A17

RGB 105 74 23

HSL 37.32, 0.64%, 0.25%

LAB 33.91, 7.86, 34.14

 

CMYK 0 / 50 / 78 / 59

HEX #693417

RGB 105 52 23

HSL 21.22, 0.64%, 0.25%

LAB 28.17, 21.25, 28.25

 

CMYK 0 / 71 / 78 / 59

HEX #691E17

RGB 105 30 23

HSL 5.12, 0.64%, 0.25%

LAB 23.65, 32.98, 23.34

 

CMYK 0 / 78 / 78 / 59

HEX #691717

RGB 105 23 23

HSL 0, 0.64%, 0.25%

LAB 22.58, 35.93, 22.14

 

CMYK 0 / 9 / 78 / 59

HEX #696017

RGB 105 96 23

HSL 53.41, 0.64%, 0.25%

LAB 40.3, -5.34, 40.36

 

CMYK 12 / 0 / 78 / 59

HEX #5C6917

RGB 92 105 23

HSL 69.51, 0.64%, 0.25%

LAB 41.91, -16.59, 41.48

 

CMYK 33 / 0 / 78 / 59

HEX #466917

RGB 70 105 23

HSL 85.61, 0.64%, 0.25%

LAB 40.36, -26.27, 39.45

 

CMYK 55 / 0 / 78 / 59

HEX #2F6917

RGB 47 105 23

HSL 102.44, 0.64%, 0.25%

LAB 39.19, -34.7, 37.91

 

CMYK 76 / 0 / 78 / 59

HEX #196917

RGB 25 105 23

HSL 118.54, 0.64%, 0.25%

LAB 38.5, -40.28, 36.99

 

CMYK 0 / 9 / 78 / 59

HEX #696017

RGB 105 96 23

HSL 53.41, 0.64%, 0.25%

LAB 40.3, -5.34, 40.36

 

CMYK 0 / 10 / 89 / 55

HEX #73680D

RGB 115 104 13

HSL 53.53, 0.8%, 0.25%

LAB 43.62, -5.49, 47

 

CMYK 0 / 10 / 98 / 51

HEX #7D7002

RGB 125 112 2

HSL 53.66, 0.97%, 0.25%

LAB 46.91, -5.48, 52.51

 

CMYK 0 / 9 / 78 / 59

HEX #696017

RGB 105 96 23

HSL 53.41, 0.64%, 0.25%

LAB 40.3, -5.34, 40.36

 

CMYK 0 / 6 / 65 / 63

HEX #5E5821

RGB 94 88 33

HSL 54.1, 0.48%, 0.25%

LAB 36.87, -5.35, 31.95

 

CMYK 0 / 6 / 48 / 67

HEX #544F2C

RGB 84 79 44

HSL 52.5, 0.31%, 0.25%

LAB 33.26, -3.69, 21.36

 

CMYK 0 / 4 / 27 / 71

HEX #4A4736

RGB 74 71 54

HSL 51, 0.16%, 0.25%

LAB 29.98, -2, 10.7

 

CMYK 2 / 2 / 0 / 75

HEX #3F3F40

RGB 63 63 64

HSL 240, 0.01%, 0.25%

LAB 26.68, 0.23, -0.61

 

CMYK 0 / 50 / 78 / 59

HEX #693417

RGB 105 52 23

HSL 21.22, 0.64%, 0.25%

LAB 28.17, 21.25, 28.25

 

CMYK 0 / 30 / 78 / 59

HEX #694917

RGB 105 73 23

HSL 36.59, 0.64%, 0.25%

LAB 33.63, 8.48, 33.86

 

CMYK 0 / 10 / 78 / 59

HEX #695F17

RGB 105 95 23

HSL 52.68, 0.64%, 0.25%

LAB 40, -4.76, 40.08

 

CMYK 12 / 0 / 78 / 59

HEX #5C6917

RGB 92 105 23

HSL 69.51, 0.64%, 0.25%

LAB 41.91, -16.59, 41.48

 

CMYK 32 / 0 / 78 / 59

HEX #476917

RGB 71 105 23

HSL 84.88, 0.64%, 0.25%

LAB 40.42, -25.85, 39.53

 

CMYK 0 / 8 / 78 / 85

HEX #252208

RGB 37 34 8

HSL 53.79, 0.64%, 0.09%

LAB 12.95, -2.85, 15.79

 

CMYK 0 / 8 / 77 / 72

HEX #474110

RGB 71 65 16

HSL 53.45, 0.63%, 0.17%

LAB 27.18, -4.14, 29.4

 

CMYK 0 / 9 / 78 / 59

HEX #696017

RGB 105 96 23

HSL 53.41, 0.64%, 0.25%

LAB 40.3, -5.34, 40.36

 

CMYK 0 / 8 / 78 / 46

HEX #8A7F1E

RGB 138 127 30

HSL 53.89, 0.64%, 0.33%

LAB 52.59, -6.91, 50.4

 

CMYK 0 / 9 / 78 / 33

HEX #AC9D26

RGB 172 157 38

HSL 53.28, 0.64%, 0.41%

LAB 64.18, -7.38, 59.45

 

CMYK 0 / 9 / 78 / 59

HEX #696017

RGB 105 96 23

HSL 53.41, 0.64%, 0.25%

LAB 40.3, -5.34, 40.36

 

CMYK 78 / 0 / 71 / 59

HEX #17691E

RGB 23 105 30

HSL 125.12, 0.64%, 0.25%

LAB 38.51, -39.96, 34.03

 

CMYK 41 / 78 / 0 / 59

HEX #3E1769

RGB 62 23 105

HSL 268.54, 0.64%, 0.25%

LAB 18.61, 36.17, -40.35

 

CMYK 0 / 9 / 78 / 59

HEX #696017

RGB 105 96 23

HSL 53.41, 0.64%, 0.25%

LAB 40.3, -5.34, 40.36

 

CMYK 78 / 0 / 10 / 59

HEX #17695F

RGB 23 105 95

HSL 172.68, 0.64%, 0.25%

LAB 39.77, -26.2, -1.25

 

CMYK 10 / 78 / 0 / 59

HEX #5F1769

RGB 95 23 105

HSL 292.68, 0.64%, 0.25%

LAB 23.89, 43.25, -31.57

 

CMYK 0 / 9 / 78 / 59

HEX #696017

RGB 105 96 23

HSL 53.41, 0.64%, 0.25%

LAB 40.3, -5.34, 40.36

 

CMYK 78 / 0 / 71 / 59

HEX #17691E

RGB 23 105 30

HSL 125.12, 0.64%, 0.25%

LAB 38.51, -39.96, 34.03

 

CMYK 78 / 70 / 0 / 59

HEX #172069

RGB 23 32 105

HSL 233.41, 0.64%, 0.25%

LAB 16.68, 24.22, -43.68

 

CMYK 0 / 78 / 7 / 59

HEX #691762

RGB 105 23 98

HSL 305.12, 0.64%, 0.25%

LAB 25.25, 44.34, -24.72

 

CMYK 0 / 9 / 78 / 59

HEX #696017

RGB 105 96 23

HSL 53.41, 0.64%, 0.25%

LAB 40.3, -5.34, 40.36

 

CMYK 78 / 0 / 49 / 59

HEX #176936

RGB 23 105 54

HSL 142.68, 0.64%, 0.25%

LAB 38.81, -36.4, 21.91

 

CMYK 78 / 70 / 0 / 59

HEX #172069

RGB 23 32 105

HSL 233.41, 0.64%, 0.25%

LAB 16.68, 24.22, -43.68

 

CMYK 0 / 78 / 30 / 59

HEX #691749

RGB 105 23 73

HSL 323.41, 0.64%, 0.25%

LAB 23.99, 40.5, -10.04

 

Description

Color code: CMYK 0 / 8 / 78 / 59 | qconv.com Color code: CMYK 0 / 8 / 78 / 59 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 96 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 96 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 78 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 78% 59% C M Y K

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