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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 8 / 48 / 2 it is the complementary color CMYK 96 / 80 / 0 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 8 / 48 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 8 / 48 / 2: CMYK 0 / 10 / 51 / 0, CMYK 0 / 3 / 44 / 0, CMYK 0 / 0 / 36 / 0, CMYK 0 / 0 / 29 / 0 and CMYK 0 / 0 / 21 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 8 / 48 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 8 / 48 / 2: CMYK 0 / 8 / 48 / 2, CMYK 0 / 9 / 52 / 9, CMYK 0 / 10 / 57 / 15, CMYK 0 / 12 / 63 / 22 and CMYK 0 / 13 / 70 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 48 / 2

HEX #FAE682

RGB 250 230 130

HSL 50, 0.92%, 0.75%

LAB 91.02, -6.03, 50.86

 

Complementary color

CMYK 96 / 80 / 0 / 51

HEX #05197D

RGB 5 25 125

HSL 230, 0.92%, 0.25%

LAB 16.54, 35.25, -56.84

 

CMYK 0 / 10 / 51 / 0

HEX #FFE67D

RGB 255 230 125

HSL 48.46, 1%, 0.75%

LAB 91.39, -4.48, 53.78

 

CMYK 0 / 3 / 44 / 0

HEX #FFF890

RGB 255 248 144

HSL 56.22, 1%, 0.78%

LAB 96.17, -11.7, 50.6

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 8 / 48 / 2

HEX #FAE682

RGB 250 230 130

HSL 50, 0.92%, 0.75%

LAB 91.02, -6.03, 50.86

 

CMYK 0 / 9 / 52 / 9

HEX #E9D46F

RGB 233 212 111

HSL 49.67, 0.73%, 0.67%

LAB 84.77, -5.4, 52.05

 

CMYK 0 / 10 / 57 / 15

HEX #D8C25C

RGB 216 194 92

HSL 49.35, 0.61%, 0.6%

LAB 78.44, -4.66, 53.2

 

CMYK 0 / 12 / 63 / 22

HEX #C7B049

RGB 199 176 73

HSL 49.05, 0.53%, 0.53%

LAB 72.01, -3.78, 54.25

 

CMYK 0 / 13 / 70 / 29

HEX #B69E36

RGB 182 158 54

HSL 48.75, 0.54%, 0.46%

LAB 65.49, -2.74, 55.07

 

CMYK 0 / 8 / 48 / 2

HEX #FAE682

RGB 250 230 130

HSL 50, 0.92%, 0.75%

LAB 91.02, -6.03, 50.86

 

CMYK 0 / 0 / 47 / 2

HEX #F9F984

RGB 249 249 132

HSL 60, 0.91%, 0.75%

LAB 95.81, -15.63, 55.71

 

CMYK 8 / 0 / 47 / 2

HEX #E6F984

RGB 230 249 132

HSL 69.74, 0.91%, 0.75%

LAB 94.42, -22.95, 53.69

 

CMYK 16 / 0 / 47 / 2

HEX #D2F984

RGB 210 249 132

HSL 80, 0.91%, 0.75%

LAB 93.07, -30.46, 51.74

 

CMYK 23 / 0 / 47 / 2

HEX #BFF984

RGB 191 249 132

HSL 89.74, 0.91%, 0.75%

LAB 91.91, -37.33, 50.05

 

CMYK 0 / 8 / 48 / 2

HEX #FAE682

RGB 250 230 130

HSL 50, 0.92%, 0.75%

LAB 91.02, -6.03, 50.86

 

CMYK 0 / 9 / 48 / 82

HEX #2E2A18

RGB 46 42 24

HSL 49.09, 0.31%, 0.14%

LAB 17, -1.51, 12.43

 

CMYK 0 / 8 / 48 / 62

HEX #615932

RGB 97 89 50

HSL 49.79, 0.32%, 0.29%

LAB 37.69, -2.88, 23.66

 

CMYK 0 / 8 / 48 / 42

HEX #94884D

RGB 148 136 77

HSL 49.86, 0.32%, 0.44%

LAB 56.53, -3.97, 33.15

 

CMYK 0 / 8 / 48 / 22

HEX #C7B767

RGB 199 183 103

HSL 50, 0.46%, 0.59%

LAB 74.18, -5.07, 42.49

 

CMYK 0 / 8 / 48 / 2

HEX #FAE682

RGB 250 230 130

HSL 50, 0.92%, 0.75%

LAB 91.02, -6.03, 50.86

 

CMYK 47 / 0 / 45 / 2

HEX #84F988

RGB 132 249 136

HSL 122.05, 0.91%, 0.75%

LAB 89.13, -55.42, 44.07

 

CMYK 27 / 47 / 0 / 2

HEX #B784F9

RGB 183 132 249

HSL 266.15, 0.91%, 0.75%

LAB 64.49, 42.4, -51.46

 

CMYK 0 / 8 / 48 / 2

HEX #FAE682

RGB 250 230 130

HSL 50, 0.92%, 0.75%

LAB 91.02, -6.03, 50.86

 

CMYK 47 / 0 / 8 / 2

HEX #84F9E6

RGB 132 249 230

HSL 170.26, 0.91%, 0.75%

LAB 90.95, -37.68, -1.16

 

CMYK 8 / 47 / 0 / 2

HEX #E684F9

RGB 230 132 249

HSL 290.26, 0.91%, 0.75%

LAB 69.59, 55.15, -43.09

 

CMYK 0 / 8 / 48 / 2

HEX #FAE682

RGB 250 230 130

HSL 50, 0.92%, 0.75%

LAB 91.02, -6.03, 50.86

 

CMYK 47 / 0 / 45 / 2

HEX #84F988

RGB 132 249 136

HSL 122.05, 0.91%, 0.75%

LAB 89.13, -55.42, 44.07

 

CMYK 47 / 39 / 0 / 2

HEX #8498F9

RGB 132 152 249

HSL 229.74, 0.91%, 0.75%

LAB 65.12, 18.17, -50.73

 

CMYK 0 / 47 / 2 / 2

HEX #F984F5

RGB 249 132 245

HSL 302.05, 0.91%, 0.75%

LAB 71.71, 59.71, -37.41

 

CMYK 0 / 8 / 48 / 2

HEX #FAE682

RGB 250 230 130

HSL 50, 0.92%, 0.75%

LAB 91.02, -6.03, 50.86

 

CMYK 47 / 0 / 31 / 2

HEX #84F9AB

RGB 132 249 171

HSL 140, 0.91%, 0.75%

LAB 89.67, -49.87, 27.44

 

CMYK 47 / 39 / 0 / 2

HEX #8498F9

RGB 132 152 249

HSL 229.74, 0.91%, 0.75%

LAB 65.12, 18.17, -50.73

 

CMYK 0 / 47 / 16 / 2

HEX #F984D2

RGB 249 132 210

HSL 320, 0.91%, 0.75%

LAB 70.38, 54.07, -20.19

 

Description

Color code: CMYK 0 / 8 / 48 / 2 | qconv.com Color code: CMYK 0 / 8 / 48 / 2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 230 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 230 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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