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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 8 / 47 / 14 it is the complementary color CMYK 74 / 62 / 0 / 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 8 / 47 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 8 / 47 / 14: CMYK 0 / 10 / 50 / 12, CMYK 0 / 9 / 46 / 5, CMYK 0 / 7 / 42 / 0, CMYK 0 / 0 / 34 / 0 and CMYK 0 / 0 / 27 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 8 / 47 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 8 / 47 / 14: CMYK 0 / 8 / 47 / 14, CMYK 0 / 9 / 52 / 21, CMYK 0 / 10 / 58 / 27, CMYK 0 / 12 / 65 / 34 and CMYK 0 / 14 / 74 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 47 / 14

HEX #DBCA74

RGB 219 202 116

HSL 50.1, 0.59%, 0.66%

LAB 81.05, -5.52, 44.85

 

Complementary color

CMYK 74 / 62 / 0 / 45

HEX #24358B

RGB 36 53 139

HSL 230.1, 0.59%, 0.34%

LAB 26.11, 24.62, -49.86

 

CMYK 0 / 10 / 50 / 12

HEX #E0CA6F

RGB 224 202 111

HSL 48.32, 0.65%, 0.66%

LAB 81.42, -3.94, 47.85

 

CMYK 0 / 9 / 46 / 5

HEX #F1DC82

RGB 241 220 130

HSL 48.65, 0.8%, 0.73%

LAB 87.73, -4.56, 46.64

 

CMYK 0 / 7 / 42 / 0

HEX #FFEE95

RGB 255 238 149

HSL 50.38, 1%, 0.79%

LAB 93.7, -6.26, 45.08

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 8 / 47 / 14

HEX #DBCA74

RGB 219 202 116

HSL 50.1, 0.59%, 0.66%

LAB 81.05, -5.52, 44.85

 

CMYK 0 / 9 / 52 / 21

HEX #CAB861

RGB 202 184 97

HSL 49.71, 0.5%, 0.59%

LAB 74.64, -4.89, 46.07

 

CMYK 0 / 10 / 58 / 27

HEX #B9A64E

RGB 185 166 78

HSL 49.35, 0.43%, 0.52%

LAB 68.12, -4.14, 47.26

 

CMYK 0 / 12 / 65 / 34

HEX #A8943B

RGB 168 148 59

HSL 48.99, 0.48%, 0.45%

LAB 61.5, -3.24, 48.33

 

CMYK 0 / 14 / 74 / 41

HEX #978228

RGB 151 130 40

HSL 48.65, 0.58%, 0.37%

LAB 54.76, -2.11, 49.09

 

CMYK 0 / 8 / 47 / 14

HEX #DBCA74

RGB 219 202 116

HSL 50.1, 0.59%, 0.66%

LAB 81.05, -5.52, 44.85

 

CMYK 0 / 0 / 47 / 14

HEX #DBDB75

RGB 219 219 117

HSL 60, 0.59%, 0.66%

LAB 85.51, -14.03, 49.8

 

CMYK 8 / 0 / 47 / 14

HEX #CADB75

RGB 202 219 117

HSL 70, 0.59%, 0.66%

LAB 84.23, -20.73, 47.95

 

CMYK 16 / 0 / 47 / 14

HEX #B9DB75

RGB 185 219 117

HSL 80, 0.59%, 0.66%

LAB 83.05, -27.26, 46.24

 

CMYK 23 / 0 / 47 / 14

HEX #A8DB75

RGB 168 219 117

HSL 90, 0.59%, 0.66%

LAB 81.99, -33.55, 44.69

 

CMYK 0 / 8 / 47 / 14

HEX #DBCA74

RGB 219 202 116

HSL 50.1, 0.59%, 0.66%

LAB 81.05, -5.52, 44.85

 

CMYK 0 / 7 / 47 / 94

HEX #0F0E08

RGB 15 14 8

HSL 51.43, 0.3%, 0.05%

LAB 3.91, -0.57, 2.56

 

CMYK 0 / 8 / 47 / 74

HEX #423D23

RGB 66 61 35

HSL 50.32, 0.31%, 0.2%

LAB 25.61, -2.34, 16.79

 

CMYK 0 / 8 / 47 / 54

HEX #756C3E

RGB 117 108 62

HSL 50.18, 0.31%, 0.35%

LAB 45.43, -3.49, 26.93

 

CMYK 0 / 8 / 47 / 34

HEX #A89B59

RGB 168 155 89

HSL 50.13, 0.31%, 0.5%

LAB 63.74, -4.54, 36.17

 

CMYK 0 / 8 / 47 / 14

HEX #DBCA74

RGB 219 202 116

HSL 50.1, 0.59%, 0.66%

LAB 81.05, -5.52, 44.85

 

CMYK 47 / 0 / 45 / 14

HEX #75DB78

RGB 117 219 120

HSL 121.76, 0.59%, 0.66%

LAB 79.5, -49.68, 39.57

 

CMYK 26 / 47 / 0 / 14

HEX #A175DB

RGB 161 117 219

HSL 265.88, 0.59%, 0.66%

LAB 57.48, 37.69, -46.04

 

CMYK 0 / 8 / 47 / 14

HEX #DBCA74

RGB 219 202 116

HSL 50.1, 0.59%, 0.66%

LAB 81.05, -5.52, 44.85

 

CMYK 47 / 0 / 8 / 14

HEX #75DBCA

RGB 117 219 202

HSL 170, 0.59%, 0.66%

LAB 81.13, -33.86, -0.87

 

CMYK 8 / 47 / 0 / 14

HEX #CA75DB

RGB 202 117 219

HSL 290, 0.59%, 0.66%

LAB 61.99, 49.16, -38.63

 

CMYK 0 / 8 / 47 / 14

HEX #DBCA74

RGB 219 202 116

HSL 50.1, 0.59%, 0.66%

LAB 81.05, -5.52, 44.85

 

CMYK 47 / 0 / 45 / 14

HEX #75DB78

RGB 117 219 120

HSL 121.76, 0.59%, 0.66%

LAB 79.5, -49.68, 39.57

 

CMYK 47 / 39 / 0 / 14

HEX #7586DB

RGB 117 134 219

HSL 230, 0.59%, 0.66%

LAB 57.99, 16.33, -45.47

 

CMYK 0 / 47 / 1 / 14

HEX #DB75D8

RGB 219 117 216

HSL 301.76, 0.59%, 0.66%

LAB 63.95, 53.47, -33.74

 

CMYK 0 / 8 / 47 / 14

HEX #DBCA74

RGB 219 202 116

HSL 50.1, 0.59%, 0.66%

LAB 81.05, -5.52, 44.85

 

CMYK 47 / 0 / 31 / 14

HEX #75DB97

RGB 117 219 151

HSL 140, 0.59%, 0.66%

LAB 80, -44.63, 24.45

 

CMYK 47 / 39 / 0 / 14

HEX #7586DB

RGB 117 134 219

HSL 230, 0.59%, 0.66%

LAB 57.99, 16.33, -45.47

 

CMYK 0 / 47 / 16 / 14

HEX #DB75B9

RGB 219 117 185

HSL 320, 0.59%, 0.66%

LAB 62.75, 48.33, -18.12

 

Description

Color code: CMYK 0 / 8 / 47 / 14 | qconv.com Color code: CMYK 0 / 8 / 47 / 14 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 202 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 202 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 47 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 47% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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