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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 8 / 24 / 26 it is the complementary color CMYK 41 / 28 / 0 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 8 / 24 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 8 / 24 / 26 shade: CMYK 0 / 10 / 29 / 24, CMYK 0 / 9 / 26 / 17, CMYK 0 / 8 / 23 / 11, CMYK 0 / 7 / 20 / 4 and CMYK 0 / 4 / 16 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 8 / 24 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 8 / 24 / 26 shade: CMYK 0 / 8 / 24 / 26, CMYK 0 / 9 / 28 / 33, CMYK 0 / 11 / 32 / 39, CMYK 0 / 13 / 38 / 46 and CMYK 0 / 16 / 45 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 8 / 24 / 26 shade: CMYK 0 / 8 / 24 / 26, CMYK 0 / 15 / 24 / 26, CMYK 0 / 21 / 24 / 26 and CMYK 0 / 24 / 24 / 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 8 / 24 / 26 shade: CMYK 0 / 8 / 24 / 26, CMYK 0 / 2 / 24 / 26, CMYK 5 / 0 / 24 / 26, CMYK 12 / 0 / 24 / 26 and CMYK 19 / 0 / 24 / 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 8 / 24 / 26 shade matches the following richer shades: CMYK 0 / 8 / 24 / 26, CMYK 0 / 12 / 37 / 20, CMYK 0 / 16 / 48 / 15, CMYK 0 / 19 / 57 / 9 and CMYK 0 / 21 / 66 / 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 8 / 24 / 26 shade: CMYK 0 / 8 / 24 / 26, CMYK 0 / 3 / 10 / 31, CMYK 6 / 4 / 0 / 33, CMYK 22 / 15 / 0 / 27 and CMYK 35 / 23 / 0 / 22

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 8 / 24 / 26 shade: CMYK 0 / 21 / 24 / 26, CMYK 0 / 15 / 24 / 26, CMYK 0 / 8 / 24 / 26, CMYK 0 / 2 / 24 / 26 and CMYK 5 / 0 / 24 / 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 8 / 24 / 26 shade: CMYK 0 / 13 / 41 / 38, CMYK 0 / 11 / 33 / 32, CMYK 0 / 8 / 24 / 26, CMYK 0 / 5 / 17 / 20 and CMYK 0 / 4 / 11 / 14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 8 / 24 / 26 shade: CMYK 0 / 8 / 24 / 26, CMYK 21 / 0 / 24 / 26 and CMYK 18 / 24 / 0 / 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 8 / 24 / 26 shade: CMYK 0 / 8 / 24 / 26, CMYK 24 / 0 / 8 / 26 and CMYK 8 / 24 / 0 / 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 8 / 24 / 26 shade: CMYK 0 / 8 / 24 / 26, CMYK 21 / 0 / 24 / 26, CMYK 24 / 16 / 0 / 26 and CMYK 3 / 24 / 0 / 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 8 / 24 / 26 shade: CMYK 0 / 8 / 24 / 26, CMYK 24 / 0 / 21 / 26, CMYK 24 / 16 / 0 / 26 and CMYK 0 / 24 / 4 / 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 24 / 26

HEX #BDAE8F

RGB 189 174 143

HSL 40.43, 0.26%, 0.65%

LAB 71.61, 0.43, 17.88

 

Complementary color

CMYK 41 / 28 / 0 / 56

HEX #425170

RGB 66 81 112

HSL 220.43, 0.26%, 0.35%

LAB 34.42, 2.82, -19.66

 

CMYK 0 / 10 / 29 / 24

HEX #C2AE8A

RGB 194 174 138

HSL 38.57, 0.31%, 0.65%

LAB 71.94, 1.68, 21.14

 

CMYK 0 / 9 / 26 / 17

HEX #D3C09D

RGB 211 192 157

HSL 38.89, 0.38%, 0.72%

LAB 78.45, 1.29, 20.1

 

CMYK 0 / 8 / 23 / 11

HEX #E4D2B0

RGB 228 210 176

HSL 39.23, 0.49%, 0.79%

LAB 84.85, 0.95, 19.13

 

CMYK 0 / 7 / 20 / 4

HEX #F5E4C3

RGB 245 228 195

HSL 39.6, 0.71%, 0.86%

LAB 91.16, 0.65, 18.21

 

CMYK 0 / 4 / 16 / 0

HEX #FFF6D6

RGB 255 246 214

HSL 46.83, 1%, 0.92%

LAB 96.83, -2.11, 16.48

 

CMYK 0 / 8 / 24 / 26

HEX #BDAE8F

RGB 189 174 143

HSL 40.43, 0.26%, 0.65%

LAB 71.61, 0.43, 17.88

 

CMYK 0 / 9 / 28 / 33

HEX #AC9C7C

RGB 172 156 124

HSL 40, 0.22%, 0.58%

LAB 64.96, 0.79, 18.92

 

CMYK 0 / 11 / 32 / 39

HEX #9B8A69

RGB 155 138 105

HSL 39.6, 0.2%, 0.51%

LAB 58.19, 1.22, 20.04

 

CMYK 0 / 13 / 38 / 46

HEX #8A7856

RGB 138 120 86

HSL 39.23, 0.23%, 0.44%

LAB 51.28, 1.74, 21.25

 

CMYK 0 / 16 / 45 / 53

HEX #796643

RGB 121 102 67

HSL 38.89, 0.29%, 0.37%

LAB 44.19, 2.38, 22.58

 

CMYK 0 / 8 / 24 / 26

HEX #BDAE8F

RGB 189 174 143

HSL 40.43, 0.26%, 0.65%

LAB 71.61, 0.43, 17.88

 

CMYK 0 / 15 / 24 / 26

HEX #BDA18F

RGB 189 161 143

HSL 23.48, 0.26%, 0.65%

LAB 68.24, 7.47, 13.18

 

CMYK 0 / 21 / 24 / 26

HEX #BD958F

RGB 189 149 143

HSL 7.83, 0.26%, 0.65%

LAB 65.2, 14.08, 8.89

 

CMYK 0 / 24 / 24 / 26

HEX #BD8F8F

RGB 189 143 143

HSL 0, 0.26%, 0.65%

LAB 63.71, 17.4, 6.77

 

CMYK 0 / 8 / 24 / 26

HEX #BDAE8F

RGB 189 174 143

HSL 40.43, 0.26%, 0.65%

LAB 71.61, 0.43, 17.88

 

CMYK 0 / 2 / 24 / 26

HEX #BDBA8F

RGB 189 186 143

HSL 56.09, 0.26%, 0.65%

LAB 74.77, -5.94, 22.24

 

CMYK 5 / 0 / 24 / 26

HEX #B3BD8F

RGB 179 189 143

HSL 73.04, 0.26%, 0.65%

LAB 74.8, -11.32, 22.15

 

CMYK 12 / 0 / 24 / 26

HEX #A7BD8F

RGB 167 189 143

HSL 88.7, 0.26%, 0.65%

LAB 73.93, -15.79, 20.82

 

CMYK 19 / 0 / 24 / 26

HEX #9ABD8F

RGB 154 189 143

HSL 105.65, 0.26%, 0.65%

LAB 73.06, -20.49, 19.48

 

CMYK 0 / 8 / 24 / 26

HEX #BDAE8F

RGB 189 174 143

HSL 40.43, 0.26%, 0.65%

LAB 71.61, 0.43, 17.88

 

CMYK 0 / 12 / 37 / 20

HEX #CBB380

RGB 203 179 128

HSL 40.8, 0.42%, 0.65%

LAB 73.87, 1.32, 29.22

 

CMYK 0 / 16 / 48 / 15

HEX #DAB872

RGB 218 184 114

HSL 40.38, 0.58%, 0.65%

LAB 76.31, 3.26, 39.95

 

CMYK 0 / 19 / 57 / 9

HEX #E8BD63

RGB 232 189 99

HSL 40.6, 0.74%, 0.65%

LAB 78.72, 5.13, 50.62

 

CMYK 0 / 21 / 66 / 3

HEX #F7C255

RGB 247 194 85

HSL 40.37, 0.91%, 0.65%

LAB 81.3, 7.83, 60.36

 

CMYK 0 / 8 / 24 / 26

HEX #BDAE8F

RGB 189 174 143

HSL 40.43, 0.26%, 0.65%

LAB 71.61, 0.43, 17.88

 

CMYK 0 / 3 / 10 / 31

HEX #AFA99D

RGB 175 169 157

HSL 40, 0.1%, 0.65%

LAB 69.42, 0.02, 6.95

 

CMYK 6 / 4 / 0 / 33

HEX #A0A4AB

RGB 160 164 171

HSL 218.18, 0.06%, 0.65%

LAB 67.25, -0.04, -4.12

 

CMYK 22 / 15 / 0 / 27

HEX #929FBA

RGB 146 159 186

HSL 220.5, 0.22%, 0.65%

LAB 65.32, 1.31, -15.48

 

CMYK 35 / 23 / 0 / 22

HEX #839AC8

RGB 131 154 200

HSL 220, 0.39%, 0.65%

LAB 63.43, 3.06, -26.28

 

CMYK 0 / 21 / 24 / 26

HEX #BD958F

RGB 189 149 143

HSL 7.83, 0.26%, 0.65%

LAB 65.2, 14.08, 8.89

 

CMYK 0 / 15 / 24 / 26

HEX #BDA18F

RGB 189 161 143

HSL 23.48, 0.26%, 0.65%

LAB 68.24, 7.47, 13.18

 

CMYK 0 / 8 / 24 / 26

HEX #BDAD8F

RGB 189 173 143

HSL 39.13, 0.26%, 0.65%

LAB 71.34, 0.97, 17.52

 

CMYK 0 / 2 / 24 / 26

HEX #BDBA8F

RGB 189 186 143

HSL 56.09, 0.26%, 0.65%

LAB 74.77, -5.94, 22.24

 

CMYK 5 / 0 / 24 / 26

HEX #B4BD8F

RGB 180 189 143

HSL 71.74, 0.26%, 0.65%

LAB 74.88, -10.94, 22.27

 

CMYK 0 / 13 / 41 / 38

HEX #9D885C

RGB 157 136 92

HSL 40.62, 0.26%, 0.49%

LAB 57.61, 1.55, 26.55

 

CMYK 0 / 11 / 33 / 32

HEX #AE9B75

RGB 174 155 117

HSL 40, 0.26%, 0.57%

LAB 64.74, 1.2, 22.51

 

CMYK 0 / 8 / 24 / 26

HEX #BDAE8F

RGB 189 174 143

HSL 40.43, 0.26%, 0.65%

LAB 71.61, 0.43, 17.88

 

CMYK 0 / 5 / 17 / 20

HEX #CCC1A9

RGB 204 193 169

HSL 41.14, 0.26%, 0.73%

LAB 78.37, -0.11, 13.47

 

CMYK 0 / 4 / 11 / 14

HEX #DBD3C3

RGB 219 211 195

HSL 40, 0.25%, 0.81%

LAB 84.79, 0.04, 8.89

 

CMYK 0 / 8 / 24 / 26

HEX #BDAE8F

RGB 189 174 143

HSL 40.43, 0.26%, 0.65%

LAB 71.61, 0.43, 17.88

 

CMYK 21 / 0 / 24 / 26

HEX #95BD8F

RGB 149 189 143

HSL 112.17, 0.26%, 0.65%

LAB 72.74, -22.25, 18.99

 

CMYK 18 / 24 / 0 / 26

HEX #9B8FBD

RGB 155 143 189

HSL 255.65, 0.26%, 0.65%

LAB 61.9, 13.95, -22.29

 

CMYK 0 / 8 / 24 / 26

HEX #BDAE8F

RGB 189 174 143

HSL 40.43, 0.26%, 0.65%

LAB 71.61, 0.43, 17.88

 

CMYK 24 / 0 / 8 / 26

HEX #8FBDAD

RGB 143 189 173

HSL 159.13, 0.26%, 0.65%

LAB 73.06, -18.56, 3.13

 

CMYK 8 / 24 / 0 / 26

HEX #AD8FBD

RGB 173 143 189

HSL 279.13, 0.26%, 0.65%

LAB 63.51, 19.85, -19.69

 

CMYK 0 / 8 / 24 / 26

HEX #BDAE8F

RGB 189 174 143

HSL 40.43, 0.26%, 0.65%

LAB 71.61, 0.43, 17.88

 

CMYK 21 / 0 / 24 / 26

HEX #95BD8F

RGB 149 189 143

HSL 112.17, 0.26%, 0.65%

LAB 72.74, -22.25, 18.99

 

CMYK 24 / 16 / 0 / 26

HEX #8F9EBD

RGB 143 158 189

HSL 220.43, 0.26%, 0.65%

LAB 64.94, 1.63, -17.76

 

CMYK 3 / 24 / 0 / 26

HEX #B78FBD

RGB 183 143 189

HSL 292.17, 0.26%, 0.65%

LAB 64.47, 23.2, -18.14

 

CMYK 0 / 8 / 24 / 26

HEX #BDAE8F

RGB 189 174 143

HSL 40.43, 0.26%, 0.65%

LAB 71.61, 0.43, 17.88

 

CMYK 24 / 0 / 21 / 26

HEX #8FBD96

RGB 143 189 150

HSL 129.13, 0.26%, 0.65%

LAB 72.52, -23.06, 14.86

 

CMYK 24 / 16 / 0 / 26

HEX #8F9EBD

RGB 143 158 189

HSL 220.43, 0.26%, 0.65%

LAB 64.94, 1.63, -17.76

 

CMYK 0 / 24 / 4 / 26

HEX #BD8FB5

RGB 189 143 181

HSL 310.43, 0.26%, 0.65%

LAB 64.8, 23.73, -13.09

 

Description

Color code: CMYK 0 / 8 / 24 / 26 | qconv.com Color code: CMYK 0 / 8 / 24 / 26 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 174 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 174 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 24 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 24% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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