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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 8 / 18 / 26 it is the complementary color CMYK 34 / 19 / 0 / 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 8 / 18 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 8 / 18 / 26: CMYK 0 / 10 / 23 / 24, CMYK 0 / 9 / 20 / 17, CMYK 0 / 8 / 18 / 11, CMYK 0 / 7 / 16 / 4 and CMYK 0 / 4 / 11 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 8 / 18 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 8 / 18 / 26: CMYK 0 / 8 / 18 / 26, CMYK 0 / 9 / 21 / 33, CMYK 0 / 11 / 25 / 39, CMYK 0 / 13 / 29 / 46 and CMYK 0 / 16 / 35 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 18 / 26

HEX #BDAE9B

RGB 189 174 155

HSL 33.53, 0.2%, 0.67%

LAB 71.86, 2.23, 11.7

 

Complementary color

CMYK 34 / 19 / 0 / 61

HEX #425164

RGB 66 81 100

HSL 213.53, 0.2%, 0.33%

LAB 33.91, -0.75, -12.94

 

CMYK 0 / 10 / 23 / 24

HEX #C2AE96

RGB 194 174 150

HSL 32.73, 0.27%, 0.67%

LAB 72.19, 3.37, 14.95

 

CMYK 0 / 9 / 20 / 17

HEX #D3C0A9

RGB 211 192 169

HSL 32.86, 0.32%, 0.75%

LAB 78.7, 3.02, 14.03

 

CMYK 0 / 8 / 18 / 11

HEX #E4D2BC

RGB 228 210 188

HSL 33, 0.43%, 0.82%

LAB 85.11, 2.71, 13.15

 

CMYK 0 / 7 / 16 / 4

HEX #F5E4CF

RGB 245 228 207

HSL 33.16, 0.66%, 0.89%

LAB 91.42, 2.42, 12.33

 

CMYK 0 / 4 / 11 / 0

HEX #FFF6E2

RGB 255 246 226

HSL 41.38, 1%, 0.94%

LAB 97.09, -0.28, 10.68

 

CMYK 0 / 8 / 18 / 26

HEX #BDAE9B

RGB 189 174 155

HSL 33.53, 0.2%, 0.67%

LAB 71.86, 2.23, 11.7

 

CMYK 0 / 9 / 21 / 33

HEX #AC9C88

RGB 172 156 136

HSL 33.33, 0.18%, 0.6%

LAB 65.22, 2.56, 12.61

 

CMYK 0 / 11 / 25 / 39

HEX #9B8A75

RGB 155 138 117

HSL 33.16, 0.16%, 0.53%

LAB 58.44, 2.94, 13.59

 

CMYK 0 / 13 / 29 / 46

HEX #8A7862

RGB 138 120 98

HSL 33, 0.17%, 0.46%

LAB 51.52, 3.38, 14.66

 

CMYK 0 / 16 / 35 / 53

HEX #79664F

RGB 121 102 79

HSL 32.86, 0.21%, 0.39%

LAB 44.42, 3.92, 15.83

 

CMYK 0 / 8 / 18 / 26

HEX #BDAE9B

RGB 189 174 155

HSL 33.53, 0.2%, 0.67%

LAB 71.86, 2.23, 11.7

 

CMYK 0 / 5 / 18 / 27

HEX #BBB29A

RGB 187 178 154

HSL 43.64, 0.2%, 0.67%

LAB 72.72, -0.83, 13.42

 

CMYK 0 / 2 / 18 / 27

HEX #BBB79A

RGB 187 183 154

HSL 52.73, 0.2%, 0.67%

LAB 74.04, -3.49, 15.28

 

CMYK 1 / 0 / 18 / 27

HEX #B9BB9A

RGB 185 187 154

HSL 63.64, 0.2%, 0.67%

LAB 74.94, -6.35, 16.52

 

CMYK 4 / 0 / 18 / 27

HEX #B4BB9A

RGB 180 187 154

HSL 72.73, 0.2%, 0.67%

LAB 74.56, -8.21, 15.92

 

CMYK 0 / 8 / 18 / 26

HEX #BDAE9B

RGB 189 174 155

HSL 33.53, 0.2%, 0.67%

LAB 71.86, 2.23, 11.7

 

CMYK 0 / 8 / 18 / 6

HEX #F0DDC5

RGB 240 221 197

HSL 33.49, 0.59%, 0.86%

LAB 89.05, 2.72, 14.14

 

CMYK 0 / 8 / 17 / 86

HEX #24211E

RGB 36 33 30

HSL 30, 0.09%, 0.13%

LAB 12.96, 0.74, 2.54

 

CMYK 0 / 8 / 18 / 66

HEX #575047

RGB 87 80 71

HSL 33.75, 0.1%, 0.31%

LAB 34.43, 1.15, 6.34

 

CMYK 0 / 8 / 18 / 46

HEX #8A7F71

RGB 138 127 113

HSL 33.6, 0.1%, 0.49%

LAB 53.79, 1.71, 9.12

 

CMYK 0 / 8 / 18 / 26

HEX #BDAE9B

RGB 189 174 155

HSL 33.53, 0.2%, 0.67%

LAB 71.86, 2.23, 11.7

 

CMYK 13 / 0 / 18 / 27

HEX #A2BB9A

RGB 162 187 154

HSL 105.45, 0.2%, 0.67%

LAB 73.26, -14.76, 13.9

 

CMYK 15 / 18 / 0 / 27

HEX #9F9ABB

RGB 159 154 187

HSL 249.09, 0.2%, 0.67%

LAB 65.02, 8.56, -16.4

 

CMYK 0 / 8 / 18 / 26

HEX #BDAE9B

RGB 189 174 155

HSL 33.53, 0.2%, 0.67%

LAB 71.86, 2.23, 11.7

 

CMYK 18 / 0 / 8 / 27

HEX #9ABBAC

RGB 154 187 172

HSL 152.73, 0.2%, 0.67%

LAB 73.15, -14.17, 3.89

 

CMYK 8 / 18 / 0 / 27

HEX #AC9ABB

RGB 172 154 187

HSL 272.73, 0.2%, 0.67%

LAB 66.11, 12.91, -14.64

 

CMYK 0 / 8 / 18 / 26

HEX #BDAE9B

RGB 189 174 155

HSL 33.53, 0.2%, 0.67%

LAB 71.86, 2.23, 11.7

 

CMYK 13 / 0 / 18 / 27

HEX #A2BB9A

RGB 162 187 154

HSL 105.45, 0.2%, 0.67%

LAB 73.26, -14.76, 13.9

 

CMYK 18 / 10 / 0 / 27

HEX #9AA9BB

RGB 154 169 187

HSL 212.73, 0.2%, 0.67%

LAB 68.63, -1.41, -11

 

CMYK 4 / 18 / 0 / 27

HEX #B39ABB

RGB 179 154 187

HSL 285.45, 0.2%, 0.67%

LAB 66.74, 15.29, -13.64

 

CMYK 0 / 8 / 18 / 26

HEX #BDAE9B

RGB 189 174 155

HSL 33.53, 0.2%, 0.67%

LAB 71.86, 2.23, 11.7

 

CMYK 18 / 0 / 17 / 27

HEX #9ABB9B

RGB 154 187 155

HSL 121.82, 0.2%, 0.67%

LAB 72.74, -17.4, 12.57

 

CMYK 18 / 10 / 0 / 27

HEX #9AA9BB

RGB 154 169 187

HSL 212.73, 0.2%, 0.67%

LAB 68.63, -1.41, -11

 

CMYK 0 / 18 / 1 / 27

HEX #BB9AB9

RGB 187 154 185

HSL 303.64, 0.2%, 0.67%

LAB 67.41, 17.66, -11.43

 

Description

Color code: CMYK 0 / 8 / 18 / 26 | qconv.com Color code: CMYK 0 / 8 / 18 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 174 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 174 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 18 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 18% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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