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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 7 / 39 / 5 it is the complementary color CMYK 88 / 72 / 0 / 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 7 / 39 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 7 / 39 / 5: CMYK 0 / 9 / 42 / 3, CMYK 0 / 5 / 36 / 0, CMYK 0 / 0 / 29 / 0, CMYK 0 / 0 / 22 / 0 and CMYK 0 / 0 / 14 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 7 / 39 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 7 / 39 / 5: CMYK 0 / 7 / 39 / 5, CMYK 0 / 8 / 43 / 12, CMYK 0 / 9 / 47 / 18, CMYK 0 / 10 / 52 / 25 and CMYK 0 / 12 / 59 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 39 / 5

HEX #F2E194

RGB 242 225 148

HSL 49.15, 0.78%, 0.76%

LAB 89.33, -4.88, 39.77

 

Complementary color

CMYK 88 / 72 / 0 / 58

HEX #0D1E6B

RGB 13 30 107

HSL 229.15, 0.78%, 0.24%

LAB 15.88, 25.44, -46.31

 

CMYK 0 / 9 / 42 / 3

HEX #F7E18F

RGB 247 225 143

HSL 47.31, 0.87%, 0.76%

LAB 89.68, -3.45, 42.79

 

CMYK 0 / 5 / 36 / 0

HEX #FFF3A2

RGB 255 243 162

HSL 52.26, 1%, 0.82%

LAB 95.15, -7.37, 40.53

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 7 / 39 / 5

HEX #F2E194

RGB 242 225 148

HSL 49.15, 0.78%, 0.76%

LAB 89.33, -4.88, 39.77

 

CMYK 0 / 8 / 43 / 12

HEX #E1CF81

RGB 225 207 129

HSL 48.75, 0.62%, 0.69%

LAB 83.03, -4.4, 40.95

 

CMYK 0 / 9 / 47 / 18

HEX #D0BD6E

RGB 208 189 110

HSL 48.37, 0.51%, 0.62%

LAB 76.64, -3.84, 42.18

 

CMYK 0 / 10 / 52 / 25

HEX #BFAB5B

RGB 191 171 91

HSL 48, 0.44%, 0.55%

LAB 70.15, -3.18, 43.42

 

CMYK 0 / 12 / 59 / 32

HEX #AE9948

RGB 174 153 72

HSL 47.65, 0.41%, 0.48%

LAB 63.55, -2.39, 44.65

 

CMYK 0 / 7 / 39 / 5

HEX #F2E194

RGB 242 225 148

HSL 49.15, 0.78%, 0.76%

LAB 89.33, -4.88, 39.77

 

CMYK 0 / 1 / 39 / 5

HEX #F1EF92

RGB 241 239 146

HSL 58.74, 0.77%, 0.76%

LAB 92.8, -12.47, 45.18

 

CMYK 6 / 0 / 39 / 5

HEX #E3F192

RGB 227 241 146

HSL 68.84, 0.77%, 0.76%

LAB 92.27, -18.8, 44.29

 

CMYK 12 / 0 / 39 / 5

HEX #D3F192

RGB 211 241 146

HSL 78.95, 0.77%, 0.76%

LAB 91.16, -24.78, 42.64

 

CMYK 19 / 0 / 39 / 5

HEX #C3F192

RGB 195 241 146

HSL 89.05, 0.77%, 0.76%

LAB 90.13, -30.58, 41.12

 

CMYK 0 / 7 / 39 / 5

HEX #F2E194

RGB 242 225 148

HSL 49.15, 0.78%, 0.76%

LAB 89.33, -4.88, 39.77

 

CMYK 0 / 8 / 39 / 85

HEX #262317

RGB 38 35 23

HSL 48, 0.25%, 0.12%

LAB 13.69, -1.02, 8.58

 

CMYK 0 / 7 / 39 / 65

HEX #595336

RGB 89 83 54

HSL 49.71, 0.24%, 0.28%

LAB 35.16, -2.49, 17.89

 

CMYK 0 / 7 / 39 / 45

HEX #8C8256

RGB 140 130 86

HSL 48.89, 0.24%, 0.44%

LAB 54.25, -3.07, 25.2

 

CMYK 0 / 7 / 39 / 25

HEX #BFB275

RGB 191 178 117

HSL 49.46, 0.37%, 0.6%

LAB 72.36, -4.26, 32.86

 

CMYK 0 / 7 / 39 / 5

HEX #F2E194

RGB 242 225 148

HSL 49.15, 0.78%, 0.76%

LAB 89.33, -4.88, 39.77

 

CMYK 39 / 0 / 39 / 5

HEX #92F193

RGB 146 241 147

HSL 120.63, 0.77%, 0.76%

LAB 87.55, -46.57, 36.77

 

CMYK 23 / 39 / 0 / 5

HEX #B992F1

RGB 185 146 241

HSL 264.63, 0.77%, 0.76%

LAB 67.44, 33.36, -42.41

 

CMYK 0 / 7 / 39 / 5

HEX #F2E194

RGB 242 225 148

HSL 49.15, 0.78%, 0.76%

LAB 89.33, -4.88, 39.77

 

CMYK 39 / 0 / 7 / 5

HEX #92F1E0

RGB 146 241 224

HSL 169.26, 0.77%, 0.76%

LAB 89.11, -32.01, -0.65

 

CMYK 7 / 39 / 0 / 5

HEX #E092F1

RGB 224 146 241

HSL 289.26, 0.77%, 0.76%

LAB 71.39, 44.71, -35.96

 

CMYK 0 / 7 / 39 / 5

HEX #F2E194

RGB 242 225 148

HSL 49.15, 0.78%, 0.76%

LAB 89.33, -4.88, 39.77

 

CMYK 39 / 0 / 39 / 5

HEX #92F193

RGB 146 241 147

HSL 120.63, 0.77%, 0.76%

LAB 87.55, -46.57, 36.77

 

CMYK 39 / 32 / 0 / 5

HEX #92A3F1

RGB 146 163 241

HSL 229.26, 0.77%, 0.76%

LAB 68.5, 13.03, -40.98

 

CMYK 0 / 39 / 1 / 5

HEX #F192EF

RGB 241 146 239

HSL 301.26, 0.77%, 0.76%

LAB 73.21, 49.4, -31.89

 

CMYK 0 / 7 / 39 / 5

HEX #F2E194

RGB 242 225 148

HSL 49.15, 0.78%, 0.76%

LAB 89.33, -4.88, 39.77

 

CMYK 39 / 0 / 27 / 5

HEX #92F1B0

RGB 146 241 176

HSL 138.95, 0.77%, 0.76%

LAB 88.04, -41.78, 22.75

 

CMYK 39 / 32 / 0 / 5

HEX #92A3F1

RGB 146 163 241

HSL 229.26, 0.77%, 0.76%

LAB 68.5, 13.03, -40.98

 

CMYK 0 / 39 / 12 / 5

HEX #F192D3

RGB 241 146 211

HSL 318.95, 0.77%, 0.76%

LAB 72.2, 44.67, -18.07

 

Description

Color code: CMYK 0 / 7 / 39 / 5 | qconv.com Color code: CMYK 0 / 7 / 39 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 225 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 225 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 39 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 39% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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