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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 72 / 84 / 5 it is the complementary color CMYK 94 / 13 / 0 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 72 / 84 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 72 / 84 / 5: CMYK 0 / 72 / 86 / 3, CMYK 0 / 66 / 79 / 0, CMYK 0 / 59 / 72 / 0, CMYK 0 / 52 / 64 / 0 and CMYK 0 / 45 / 57 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 72 / 84 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 72 / 84 / 5: CMYK 0 / 72 / 84 / 5, CMYK 0 / 78 / 91 / 12, CMYK 0 / 85 / 100 / 18, CMYK 0 / 93 / 100 / 25 and CMYK 0 / 100 / 100 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 84 / 5

HEX #F24427

RGB 242 68 39

HSL 8.57, 0.89%, 0.55%

LAB 55.23, 64.66, 54.55

 

Complementary color

CMYK 94 / 13 / 0 / 15

HEX #0DBBD8

RGB 13 187 216

HSL 188.57, 0.89%, 0.45%

LAB 69.88, -28.51, -25.52

 

CMYK 0 / 72 / 86 / 3

HEX #F74422

RGB 247 68 34

HSL 9.58, 0.93%, 0.55%

LAB 56.11, 66.08, 57.82

 

CMYK 0 / 66 / 79 / 0

HEX #FF5635

RGB 255 86 53

HSL 9.8, 1%, 0.6%

LAB 60.04, 62.53, 53.25

 

CMYK 0 / 59 / 72 / 0

HEX #FF6848

RGB 255 104 72

HSL 10.49, 1%, 0.64%

LAB 63.03, 55.73, 46.82

 

CMYK 0 / 52 / 64 / 0

HEX #FF7A5B

RGB 255 122 91

HSL 11.34, 1%, 0.68%

LAB 66.47, 48.39, 40.78

 

CMYK 0 / 45 / 57 / 0

HEX #FF8C6E

RGB 255 140 110

HSL 12.41, 1%, 0.72%

LAB 70.28, 40.78, 35.29

 

CMYK 0 / 72 / 84 / 5

HEX #F24427

RGB 242 68 39

HSL 8.57, 0.89%, 0.55%

LAB 55.23, 64.66, 54.55

 

CMYK 0 / 78 / 91 / 12

HEX #E13214

RGB 225 50 20

HSL 8.78, 0.84%, 0.48%

LAB 49.91, 64.91, 56.8

 

CMYK 0 / 85 / 100 / 18

HEX #D02001

RGB 208 32 1

HSL 8.99, 0.99%, 0.41%

LAB 44.86, 64.44, 57.88

 

CMYK 0 / 93 / 100 / 25

HEX #BF0E00

RGB 191 14 0

HSL 4.4, 1%, 0.37%

LAB 40.23, 62.95, 54.27

 

CMYK 0 / 100 / 100 / 32

HEX #AE0000

RGB 174 0 0

HSL 0, 1%, 0.34%

LAB 35.98, 60.15, 50.35

 

CMYK 0 / 72 / 84 / 5

HEX #F24427

RGB 242 68 39

HSL 8.57, 0.89%, 0.55%

LAB 55.23, 64.66, 54.55

 

CMYK 0 / 59 / 84 / 5

HEX #F26326

RGB 242 99 38

HSL 17.94, 0.89%, 0.55%

LAB 59.84, 52.23, 58.92

 

CMYK 0 / 45 / 84 / 5

HEX #F28526

RGB 242 133 38

HSL 27.94, 0.89%, 0.55%

LAB 66.36, 35.72, 64.43

 

CMYK 0 / 31 / 84 / 5

HEX #F2A726

RGB 242 167 38

HSL 37.94, 0.89%, 0.55%

LAB 73.97, 17.94, 70.79

 

CMYK 0 / 17 / 84 / 5

HEX #F2C926

RGB 242 201 38

HSL 47.94, 0.89%, 0.55%

LAB 82.27, 0.18, 77.66

 

CMYK 0 / 72 / 84 / 5

HEX #F24427

RGB 242 68 39

HSL 8.57, 0.89%, 0.55%

LAB 55.23, 64.66, 54.55

 

CMYK 0 / 71 / 84 / 85

HEX #260B06

RGB 38 11 6

HSL 9.38, 0.73%, 0.09%

LAB 6, 12.93, 6.77

 

CMYK 0 / 72 / 84 / 65

HEX #59190E

RGB 89 25 14

HSL 8.8, 0.73%, 0.2%

LAB 19.44, 28.76, 23.13

 

CMYK 0 / 72 / 84 / 45

HEX #8C2717

RGB 140 39 23

HSL 8.21, 0.72%, 0.32%

LAB 32.01, 41.76, 34.17

 

CMYK 0 / 72 / 84 / 25

HEX #BF361F

RGB 191 54 31

HSL 8.63, 0.72%, 0.44%

LAB 43.96, 53.35, 44.72

 

CMYK 0 / 72 / 84 / 5

HEX #F24427

RGB 242 68 39

HSL 8.57, 0.89%, 0.55%

LAB 55.23, 64.66, 54.55

 

CMYK 28 / 0 / 84 / 5

HEX #AEF226

RGB 174 242 38

HSL 80, 0.89%, 0.55%

LAB 88.28, -47.04, 80.7

 

CMYK 84 / 62 / 0 / 5

HEX #265CF2

RGB 38 92 242

HSL 224.12, 0.89%, 0.55%

LAB 44.91, 38.06, -79.65

 

CMYK 0 / 72 / 84 / 5

HEX #F24427

RGB 242 68 39

HSL 8.57, 0.89%, 0.55%

LAB 55.23, 64.66, 54.55

 

CMYK 84 / 0 / 73 / 5

HEX #26F241

RGB 38 242 65

HSL 127.94, 0.89%, 0.55%

LAB 84.12, -78.35, 67.87

 

CMYK 73 / 84 / 0 / 5

HEX #4126F2

RGB 65 38 242

HSL 247.94, 0.89%, 0.55%

LAB 35.83, 68.43, -94.6

 

CMYK 0 / 72 / 84 / 5

HEX #F24427

RGB 242 68 39

HSL 8.57, 0.89%, 0.55%

LAB 55.23, 64.66, 54.55

 

CMYK 28 / 0 / 84 / 5

HEX #AEF226

RGB 174 242 38

HSL 80, 0.89%, 0.55%

LAB 88.28, -47.04, 80.7

 

CMYK 84 / 11 / 0 / 5

HEX #26D7F2

RGB 38 215 242

HSL 187.94, 0.89%, 0.55%

LAB 79.28, -32.53, -25.16

 

CMYK 56 / 84 / 0 / 5

HEX #6A26F2

RGB 106 38 242

HSL 260, 0.89%, 0.55%

LAB 39.35, 71.49, -88.66

 

CMYK 0 / 72 / 84 / 5

HEX #F24427

RGB 242 68 39

HSL 8.57, 0.89%, 0.55%

LAB 55.23, 64.66, 54.55

 

CMYK 53 / 0 / 84 / 5

HEX #71F226

RGB 113 242 38

HSL 97.94, 0.89%, 0.55%

LAB 85.58, -66.59, 77.31

 

CMYK 84 / 11 / 0 / 5

HEX #26D7F2

RGB 38 215 242

HSL 187.94, 0.89%, 0.55%

LAB 79.28, -32.53, -25.16

 

CMYK 31 / 84 / 0 / 5

HEX #A726F2

RGB 167 38 242

HSL 277.94, 0.89%, 0.55%

LAB 46.99, 78.69, -75.82

 

Description

Color code: CMYK 0 / 72 / 84 / 5 | qconv.com Color code: CMYK 0 / 72 / 84 / 5 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 68 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 68 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 84 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 84% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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