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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 6 / 28 / 9 it is the complementary color CMYK 74 / 58 / 0 / 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 6 / 28 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 6 / 28 / 9: CMYK 0 / 8 / 32 / 7, CMYK 0 / 7 / 29 / 0, CMYK 0 / 0 / 22 / 0, CMYK 0 / 0 / 14 / 0 and CMYK 0 / 0 / 7 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 6 / 28 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 6 / 28 / 9: CMYK 0 / 6 / 28 / 9, CMYK 0 / 7 / 31 / 16, CMYK 0 / 8 / 35 / 22, CMYK 0 / 9 / 39 / 29 and CMYK 0 / 11 / 45 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 28 / 9

HEX #E8DAA7

RGB 232 218 167

HSL 47.08, 0.59%, 0.78%

LAB 87.04, -2.89, 26.89

 

Complementary color

CMYK 74 / 58 / 0 / 65

HEX #172558

RGB 23 37 88

HSL 227.08, 0.59%, 0.22%

LAB 16.55, 13.68, -32.62

 

CMYK 0 / 8 / 32 / 7

HEX #EDDAA2

RGB 237 218 162

HSL 44.8, 0.68%, 0.78%

LAB 87.37, -1.63, 29.98

 

CMYK 0 / 7 / 29 / 0

HEX #FEECB5

RGB 254 236 181

HSL 45.21, 0.97%, 0.85%

LAB 93.62, -1.99, 28.93

 

CMYK 0 / 0 / 22 / 0

HEX #FFFEC8

RGB 255 254 200

HSL 58.91, 1%, 0.89%

LAB 98.56, -8.11, 26.02

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 0 / 6 / 28 / 9

HEX #E8DAA7

RGB 232 218 167

HSL 47.08, 0.59%, 0.78%

LAB 87.04, -2.89, 26.89

 

CMYK 0 / 7 / 31 / 16

HEX #D7C894

RGB 215 200 148

HSL 46.57, 0.46%, 0.71%

LAB 80.68, -2.55, 27.95

 

CMYK 0 / 8 / 35 / 22

HEX #C6B681

RGB 198 182 129

HSL 46.09, 0.38%, 0.64%

LAB 74.22, -2.15, 29.08

 

CMYK 0 / 9 / 39 / 29

HEX #B5A46E

RGB 181 164 110

HSL 45.63, 0.32%, 0.57%

LAB 67.65, -1.68, 30.28

 

CMYK 0 / 11 / 45 / 36

HEX #A4925B

RGB 164 146 91

HSL 45.21, 0.29%, 0.5%

LAB 60.96, -1.13, 31.54

 

CMYK 0 / 6 / 28 / 9

HEX #E8DAA7

RGB 232 218 167

HSL 47.08, 0.59%, 0.78%

LAB 87.04, -2.89, 26.89

 

CMYK 0 / 1 / 29 / 9

HEX #E7E4A5

RGB 231 228 165

HSL 57.27, 0.58%, 0.78%

LAB 89.48, -8.6, 31.2

 

CMYK 3 / 0 / 29 / 9

HEX #E0E7A5

RGB 224 231 165

HSL 66.36, 0.58%, 0.78%

LAB 89.73, -12.72, 31.43

 

CMYK 8 / 0 / 29 / 9

HEX #D5E7A5

RGB 213 231 165

HSL 76.36, 0.58%, 0.78%

LAB 88.93, -16.77, 30.22

 

CMYK 13 / 0 / 29 / 9

HEX #CAE7A5

RGB 202 231 165

HSL 86.36, 0.58%, 0.78%

LAB 88.17, -20.76, 29.07

 

CMYK 0 / 6 / 28 / 9

HEX #E8DAA7

RGB 232 218 167

HSL 47.08, 0.59%, 0.78%

LAB 87.04, -2.89, 26.89

 

CMYK 0 / 7 / 29 / 89

HEX #1C1A14

RGB 28 26 20

HSL 45, 0.17%, 0.09%

LAB 9.29, -0.38, 4.42

 

CMYK 0 / 6 / 28 / 69

HEX #4F4A39

RGB 79 74 57

HSL 46.36, 0.16%, 0.27%

LAB 31.48, -1.09, 10.93

 

CMYK 0 / 6 / 28 / 49

HEX #827A5E

RGB 130 122 94

HSL 46.67, 0.16%, 0.44%

LAB 51.24, -1.69, 16.47

 

CMYK 0 / 6 / 28 / 29

HEX #B5AA82

RGB 181 170 130

HSL 47.06, 0.26%, 0.61%

LAB 69.6, -2.38, 22.09

 

CMYK 0 / 6 / 28 / 9

HEX #E8DAA7

RGB 232 218 167

HSL 47.08, 0.59%, 0.78%

LAB 87.04, -2.89, 26.89

 

CMYK 28 / 0 / 29 / 9

HEX #A6E7A5

RGB 166 231 165

HSL 119.09, 0.58%, 0.78%

LAB 85.99, -33.08, 25.75

 

CMYK 17 / 29 / 0 / 9

HEX #BFA5E7

RGB 191 165 231

HSL 263.64, 0.58%, 0.78%

LAB 72.07, 22.32, -29.71

 

CMYK 0 / 6 / 28 / 9

HEX #E8DAA7

RGB 232 218 167

HSL 47.08, 0.59%, 0.78%

LAB 87.04, -2.89, 26.89

 

CMYK 29 / 0 / 6 / 9

HEX #A5E7D9

RGB 165 231 217

HSL 167.27, 0.58%, 0.78%

LAB 87.08, -23.59, 0.15

 

CMYK 6 / 29 / 0 / 9

HEX #D9A5E7

RGB 217 165 231

HSL 287.27, 0.58%, 0.78%

LAB 74.46, 30.46, -25.82

 

CMYK 0 / 6 / 28 / 9

HEX #E8DAA7

RGB 232 218 167

HSL 47.08, 0.59%, 0.78%

LAB 87.04, -2.89, 26.89

 

CMYK 28 / 0 / 29 / 9

HEX #A6E7A5

RGB 166 231 165

HSL 119.09, 0.58%, 0.78%

LAB 85.99, -33.08, 25.75

 

CMYK 29 / 22 / 0 / 9

HEX #A5B4E7

RGB 165 180 231

HSL 226.36, 0.58%, 0.78%

LAB 73.81, 6.19, -27.2

 

CMYK 0 / 29 / 0 / 9

HEX #E6A5E7

RGB 230 165 231

HSL 299.09, 0.58%, 0.78%

LAB 75.76, 34.6, -23.73

 

CMYK 0 / 6 / 28 / 9

HEX #E8DAA7

RGB 232 218 167

HSL 47.08, 0.59%, 0.78%

LAB 87.04, -2.89, 26.89

 

CMYK 29 / 0 / 20 / 9

HEX #A5E7B8

RGB 165 231 184

HSL 137.27, 0.58%, 0.78%

LAB 86.31, -30.12, 16.34

 

CMYK 29 / 22 / 0 / 9

HEX #A5B4E7

RGB 165 180 231

HSL 226.36, 0.58%, 0.78%

LAB 73.81, 6.19, -27.2

 

CMYK 0 / 29 / 8 / 9

HEX #E7A5D5

RGB 231 165 213

HSL 316.36, 0.58%, 0.78%

LAB 75.27, 31.73, -14.66

 

Description

Color code: CMYK 0 / 6 / 28 / 9 | qconv.com Color code: CMYK 0 / 6 / 28 / 9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 218 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 218 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 28 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 28% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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