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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 5 / 63 / 26 it is the complementary color CMYK 64 / 59 / 0 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 5 / 63 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 5 / 63 / 26: CMYK 0 / 8 / 66 / 24, CMYK 0 / 7 / 60 / 17, CMYK 0 / 6 / 55 / 11, CMYK 0 / 5 / 50 / 4 and CMYK 0 / 2 / 45 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 5 / 63 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 5 / 63 / 26: CMYK 0 / 5 / 63 / 26, CMYK 0 / 6 / 70 / 33, CMYK 0 / 8 / 79 / 39, CMYK 0 / 9 / 91 / 46 and CMYK 0 / 12 / 100 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 63 / 26

HEX #BDB346

RGB 189 179 70

HSL 54.96, 0.47%, 0.51%

LAB 71.89, -9.83, 55.18

 

Complementary color

CMYK 64 / 59 / 0 / 27

HEX #424CB9

RGB 66 76 185

HSL 234.96, 0.47%, 0.49%

LAB 37.54, 30.69, -58.93

 

CMYK 0 / 8 / 66 / 24

HEX #C2B341

RGB 194 179 65

HSL 53.02, 0.51%, 0.51%

LAB 72.29, -7.99, 57.85

 

CMYK 0 / 7 / 60 / 17

HEX #D3C554

RGB 211 197 84

HSL 53.39, 0.59%, 0.58%

LAB 78.71, -8.86, 57.01

 

CMYK 0 / 6 / 55 / 11

HEX #E4D767

RGB 228 215 103

HSL 53.76, 0.7%, 0.65%

LAB 85.03, -9.59, 55.97

 

CMYK 0 / 5 / 50 / 4

HEX #F5E97A

RGB 245 233 122

HSL 54.15, 0.86%, 0.72%

LAB 91.28, -10.21, 54.86

 

CMYK 0 / 2 / 45 / 0

HEX #FFFB8D

RGB 255 251 141

HSL 57.89, 1%, 0.78%

LAB 96.89, -13.45, 52.92

 

CMYK 0 / 5 / 63 / 26

HEX #BDB346

RGB 189 179 70

HSL 54.96, 0.47%, 0.51%

LAB 71.89, -9.83, 55.18

 

CMYK 0 / 6 / 70 / 33

HEX #ACA133

RGB 172 161 51

HSL 54.55, 0.54%, 0.44%

LAB 65.36, -8.9, 55.84

 

CMYK 0 / 8 / 79 / 39

HEX #9B8F20

RGB 155 143 32

HSL 54.15, 0.66%, 0.37%

LAB 58.71, -7.77, 55.88

 

CMYK 0 / 9 / 91 / 46

HEX #8A7D0D

RGB 138 125 13

HSL 53.76, 0.83%, 0.3%

LAB 51.95, -6.35, 54.69

 

CMYK 0 / 12 / 100 / 53

HEX #796B00

RGB 121 107 0

HSL 53.06, 1%, 0.24%

LAB 45.05, -4.61, 51.45

 

CMYK 0 / 5 / 63 / 26

HEX #BDB346

RGB 189 179 70

HSL 54.96, 0.47%, 0.51%

LAB 71.89, -9.83, 55.18

 

CMYK 4 / 0 / 62 / 26

HEX #B4BC47

RGB 180 188 71

HSL 64.1, 0.47%, 0.51%

LAB 73.63, -18.16, 56.39

 

CMYK 14 / 0 / 62 / 26

HEX #A1BC47

RGB 161 188 71

HSL 73.85, 0.47%, 0.51%

LAB 72.23, -25.99, 54.47

 

CMYK 25 / 0 / 62 / 26

HEX #8DBC47

RGB 141 188 71

HSL 84.1, 0.47%, 0.51%

LAB 70.93, -33.86, 52.68

 

CMYK 35 / 0 / 62 / 26

HEX #7ABC47

RGB 122 188 71

HSL 93.85, 0.47%, 0.51%

LAB 69.87, -40.83, 51.21

 

CMYK 0 / 5 / 63 / 26

HEX #BDB346

RGB 189 179 70

HSL 54.96, 0.47%, 0.51%

LAB 71.89, -9.83, 55.18

 

CMYK 0 / 5 / 63 / 6

HEX #F0E359

RGB 240 227 89

HSL 54.83, 0.83%, 0.65%

LAB 89.01, -11.64, 66.73

 

CMYK 0 / 6 / 64 / 86

HEX #24220D

RGB 36 34 13

HSL 54.78, 0.47%, 0.1%

LAB 12.91, -2.87, 13.57

 

CMYK 0 / 6 / 63 / 66

HEX #575220

RGB 87 82 32

HSL 54.55, 0.46%, 0.23%

LAB 34.32, -5.27, 29.45

 

CMYK 0 / 5 / 63 / 46

HEX #8A8333

RGB 138 131 51

HSL 55.17, 0.46%, 0.37%

LAB 53.89, -7.92, 42.98

 

CMYK 0 / 5 / 63 / 26

HEX #BDB346

RGB 189 179 70

HSL 54.96, 0.47%, 0.51%

LAB 71.89, -9.83, 55.18

 

CMYK 62 / 0 / 56 / 26

HEX #47BC53

RGB 71 188 83

HSL 126.15, 0.47%, 0.51%

LAB 67.97, -54.28, 43.02

 

CMYK 31 / 62 / 0 / 26

HEX #8247BC

RGB 130 71 188

HSL 270.26, 0.47%, 0.51%

LAB 42.59, 47.5, -52.23

 

CMYK 0 / 5 / 63 / 26

HEX #BDB346

RGB 189 179 70

HSL 54.96, 0.47%, 0.51%

LAB 71.89, -9.83, 55.18

 

CMYK 62 / 0 / 6 / 26

HEX #47BCB1

RGB 71 188 177

HSL 174.36, 0.47%, 0.51%

LAB 69.81, -35.14, -4.17

 

CMYK 6 / 62 / 0 / 26

HEX #B147BC

RGB 177 71 188

HSL 294.36, 0.47%, 0.51%

LAB 48.86, 58.8, -41.84

 

CMYK 0 / 5 / 63 / 26

HEX #BDB346

RGB 189 179 70

HSL 54.96, 0.47%, 0.51%

LAB 71.89, -9.83, 55.18

 

CMYK 62 / 0 / 56 / 26

HEX #47BC53

RGB 71 188 83

HSL 126.15, 0.47%, 0.51%

LAB 67.97, -54.28, 43.02

 

CMYK 62 / 56 / 0 / 26

HEX #4753BC

RGB 71 83 188

HSL 233.85, 0.47%, 0.51%

LAB 39.84, 28.1, -56.93

 

CMYK 0 / 62 / 6 / 26

HEX #BC47B1

RGB 188 71 177

HSL 305.64, 0.47%, 0.51%

LAB 49.94, 59.66, -33.62

 

CMYK 0 / 5 / 63 / 26

HEX #BDB346

RGB 189 179 70

HSL 54.96, 0.47%, 0.51%

LAB 71.89, -9.83, 55.18

 

CMYK 62 / 0 / 37 / 26

HEX #47BC76

RGB 71 188 118

HSL 144.1, 0.47%, 0.51%

LAB 68.47, -48.72, 25.95

 

CMYK 62 / 56 / 0 / 26

HEX #4753BC

RGB 71 83 188

HSL 233.85, 0.47%, 0.51%

LAB 39.84, 28.1, -56.93

 

CMYK 0 / 62 / 25 / 26

HEX #BC478D

RGB 188 71 141

HSL 324.1, 0.47%, 0.51%

LAB 48.41, 54.26, -14.66

 

Description

Color code: CMYK 0 / 5 / 63 / 26 | qconv.com Color code: CMYK 0 / 5 / 63 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 179 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 179 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 63 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 63% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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