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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 4 / 5 / 1 it is the complementary color CMYK 80 / 13 / 0 / 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 4 / 5 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 4 / 5 / 1: CMYK 0 / 5 / 8 / 0, CMYK 0 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 4 / 5 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 4 / 5 / 1: CMYK 0 / 4 / 5 / 1, CMYK 0 / 5 / 6 / 8, CMYK 0 / 6 / 7 / 15, CMYK 0 / 6 / 9 / 21 and CMYK 0 / 8 / 11 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 5 / 1

HEX #FCF2F0

RGB 252 242 240

HSL 10, 0.67%, 0.96%

LAB 96.2, 3.01, 2.15

 

Complementary color

CMYK 80 / 13 / 0 / 94

HEX #030D0F

RGB 3 13 15

HSL 190, 0.67%, 0.04%

LAB 3.09, -2.34, -1.88

 

CMYK 0 / 5 / 8 / 0

HEX #FFF2EB

RGB 255 242 235

HSL 21, 1%, 0.96%

LAB 96.31, 3.2, 4.92

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 4 / 5 / 1

HEX #FCF2F0

RGB 252 242 240

HSL 10, 0.67%, 0.96%

LAB 96.2, 3.01, 2.15

 

CMYK 0 / 5 / 6 / 8

HEX #EBE0DD

RGB 235 224 221

HSL 12.86, 0.26%, 0.89%

LAB 89.95, 3.23, 2.79

 

CMYK 0 / 6 / 7 / 15

HEX #DACECA

RGB 218 206 202

HSL 15, 0.18%, 0.82%

LAB 83.61, 3.47, 3.46

 

CMYK 0 / 6 / 9 / 21

HEX #C9BCB7

RGB 201 188 183

HSL 16.67, 0.14%, 0.75%

LAB 77.16, 3.72, 4.16

 

CMYK 0 / 8 / 11 / 28

HEX #B8AAA4

RGB 184 170 164

HSL 18, 0.12%, 0.68%

LAB 70.61, 4, 4.9

 

CMYK 0 / 4 / 5 / 1

HEX #FCF2F0

RGB 252 242 240

HSL 10, 0.67%, 0.96%

LAB 96.2, 3.01, 2.15

 

CMYK 0 / 4 / 6 / 2

HEX #FBF2ED

RGB 251 242 237

HSL 21.43, 0.64%, 0.96%

LAB 96.05, 2.17, 3.47

 

CMYK 0 / 3 / 6 / 2

HEX #FBF4ED

RGB 251 244 237

HSL 30, 0.64%, 0.96%

LAB 96.54, 1.15, 4.19

 

CMYK 0 / 2 / 6 / 2

HEX #FBF7ED

RGB 251 247 237

HSL 42.86, 0.64%, 0.96%

LAB 97.29, -0.37, 5.26

 

CMYK 0 / 1 / 6 / 2

HEX #FBF9ED

RGB 251 249 237

HSL 51.43, 0.64%, 0.96%

LAB 97.78, -1.38, 5.98

 

CMYK 0 / 4 / 5 / 1

HEX #FCF2F0

RGB 252 242 240

HSL 10, 0.67%, 0.96%

LAB 96.2, 3.01, 2.15

 

CMYK 0 / 4 / 4 / 81

HEX #302E2E

RGB 48 46 46

HSL 0, 0.02%, 0.18%

LAB 19.14, 0.89, 0.32

 

CMYK 0 / 4 / 5 / 61

HEX #635F5E

RGB 99 95 94

HSL 12, 0.03%, 0.38%

LAB 40.65, 1.39, 1.13

 

CMYK 0 / 4 / 5 / 41

HEX #96908F

RGB 150 144 143

HSL 8.57, 0.03%, 0.57%

LAB 60.26, 2.03, 1.31

 

CMYK 0 / 4 / 5 / 21

HEX #C9C1BF

RGB 201 193 191

HSL 12, 0.08%, 0.77%

LAB 78.65, 2.44, 1.99

 

CMYK 0 / 4 / 5 / 1

HEX #FCF2F0

RGB 252 242 240

HSL 10, 0.67%, 0.96%

LAB 96.2, 3.01, 2.15

 

CMYK 2 / 0 / 6 / 2

HEX #F6FBED

RGB 246 251 237

HSL 81.43, 0.64%, 0.96%

LAB 97.91, -4.07, 6.12

NCS® S0505-G40Y

CMYK 6 / 4 / 0 / 2

HEX #EDF1FB

RGB 237 241 251

HSL 222.86, 0.64%, 0.96%

LAB 95.11, 0.51, -5.28

 

CMYK 0 / 4 / 5 / 1

HEX #FCF2F0

RGB 252 242 240

HSL 10, 0.67%, 0.96%

LAB 96.2, 3.01, 2.15

 

CMYK 6 / 0 / 4 / 2

HEX #EDFBF0

RGB 237 251 240

HSL 132.86, 0.64%, 0.96%

LAB 97.35, -6.55, 3.67

 

CMYK 4 / 6 / 0 / 2

HEX #F0EDFB

RGB 240 237 251

HSL 252.86, 0.64%, 0.96%

LAB 94.34, 3.53, -6.39

 

CMYK 0 / 4 / 5 / 1

HEX #FCF2F0

RGB 252 242 240

HSL 10, 0.67%, 0.96%

LAB 96.2, 3.01, 2.15

 

CMYK 2 / 0 / 6 / 2

HEX #F6FBED

RGB 246 251 237

HSL 81.43, 0.64%, 0.96%

LAB 97.91, -4.07, 6.12

NCS® S0505-G40Y

CMYK 6 / 1 / 0 / 2

HEX #EDF9FB

RGB 237 249 251

HSL 188.57, 0.64%, 0.96%

LAB 97.11, -3.56, -2.33

 

CMYK 4 / 6 / 0 / 2

HEX #F2EDFB

RGB 242 237 251

HSL 261.43, 0.64%, 0.96%

LAB 94.49, 4.18, -6.15

 

CMYK 0 / 4 / 5 / 1

HEX #FCF2F0

RGB 252 242 240

HSL 10, 0.67%, 0.96%

LAB 96.2, 3.01, 2.15

 

CMYK 4 / 0 / 6 / 2

HEX #F2FBED

RGB 242 251 237

HSL 98.57, 0.64%, 0.96%

LAB 97.63, -5.41, 5.67

 

CMYK 6 / 1 / 0 / 2

HEX #EDF9FB

RGB 237 249 251

HSL 188.57, 0.64%, 0.96%

LAB 97.11, -3.56, -2.33

 

CMYK 2 / 6 / 0 / 2

HEX #F7EDFB

RGB 247 237 251

HSL 282.86, 0.64%, 0.96%

LAB 94.87, 5.82, -5.55

 

Description

Color code: CMYK 0 / 4 / 5 / 1 | qconv.com Color code: CMYK 0 / 4 / 5 / 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 242 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 242 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 5 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 5% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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