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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 45 / 18 / 27 it is the complementary color CMYK 55 / 0 / 33 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 45 / 18 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 45 / 18 / 27: CMYK 0 / 47 / 23 / 25, CMYK 0 / 42 / 20 / 18, CMYK 0 / 39 / 17 / 12, CMYK 0 / 36 / 15 / 5 and CMYK 0 / 32 / 12 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 45 / 18 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 45 / 18 / 27: CMYK 0 / 45 / 18 / 27, CMYK 0 / 50 / 21 / 34, CMYK 0 / 57 / 24 / 40, CMYK 0 / 64 / 29 / 47 and CMYK 0 / 75 / 35 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 18 / 27

HEX #BA6699

RGB 186 102 153

HSL 323.57, 0.38%, 0.56%

LAB 54.28, 40.31, -12.91

 

Complementary color

CMYK 55 / 0 / 33 / 40

HEX #459966

RGB 69 153 102

HSL 143.57, 0.38%, 0.44%

LAB 57.08, -37.54, 19.29

 

CMYK 0 / 47 / 23 / 25

HEX #BF6694

RGB 191 102 148

HSL 328.99, 0.41%, 0.57%

LAB 54.78, 41.23, -9.17

 

CMYK 0 / 42 / 20 / 18

HEX #D078A7

RGB 208 120 167

HSL 327.95, 0.48%, 0.64%

LAB 61.34, 40.42, -10.12

 

CMYK 0 / 39 / 17 / 12

HEX #E18ABA

RGB 225 138 186

HSL 326.9, 0.59%, 0.71%

LAB 67.82, 39.63, -10.96

 

CMYK 0 / 36 / 15 / 5

HEX #F29CCD

RGB 242 156 205

HSL 325.81, 0.77%, 0.78%

LAB 74.23, 38.87, -11.71

 

CMYK 0 / 32 / 12 / 0

HEX #FFAEE0

RGB 255 174 224

HSL 322.96, 1%, 0.84%

LAB 80.13, 36.81, -13.08

 

CMYK 0 / 45 / 18 / 27

HEX #BA6699

RGB 186 102 153

HSL 323.57, 0.38%, 0.56%

LAB 54.28, 40.31, -12.91

 

CMYK 0 / 50 / 21 / 34

HEX #A95486

RGB 169 84 134

HSL 324.71, 0.34%, 0.5%

LAB 47.62, 41.08, -11.93

 

CMYK 0 / 57 / 24 / 40

HEX #984273

RGB 152 66 115

HSL 325.81, 0.39%, 0.43%

LAB 40.91, 41.78, -10.72

 

CMYK 0 / 64 / 29 / 47

HEX #873060

RGB 135 48 96

HSL 326.9, 0.48%, 0.36%

LAB 34.21, 42.25, -9.16

 

CMYK 0 / 75 / 35 / 54

HEX #761E4D

RGB 118 30 77

HSL 327.95, 0.59%, 0.29%

LAB 27.62, 42.19, -7

 

CMYK 0 / 45 / 18 / 27

HEX #BA6699

RGB 186 102 153

HSL 323.57, 0.38%, 0.56%

LAB 54.28, 40.31, -12.91

 

CMYK 0 / 46 / 25 / 27

HEX #B9648A

RGB 185 100 138

HSL 333.18, 0.38%, 0.56%

LAB 53.24, 38.76, -5.67

 

CMYK 0 / 46 / 33 / 27

HEX #B9647C

RGB 185 100 124

HSL 343.06, 0.38%, 0.56%

LAB 52.82, 36.85, 1.99

 

CMYK 0 / 46 / 41 / 27

HEX #B9646E

RGB 185 100 110

HSL 352.94, 0.38%, 0.56%

LAB 52.46, 35.14, 9.76

 

CMYK 0 / 44 / 46 / 27

HEX #B96864

RGB 185 104 100

HSL 2.82, 0.38%, 0.56%

LAB 53.1, 31.9, 16.53

 

CMYK 0 / 45 / 18 / 27

HEX #BA6699

RGB 186 102 153

HSL 323.57, 0.38%, 0.56%

LAB 54.28, 40.31, -12.91

 

CMYK 0 / 45 / 18 / 7

HEX #ED82C3

RGB 237 130 195

HSL 323.55, 0.75%, 0.72%

LAB 67.95, 49.04, -15.65

 

CMYK 0 / 45 / 18 / 87

HEX #21121B

RGB 33 18 27

HSL 324, 0.29%, 0.1%

LAB 7.54, 9.57, -3.2

 

CMYK 0 / 45 / 18 / 67

HEX #542E45

RGB 84 46 69

HSL 323.68, 0.29%, 0.25%

LAB 24.54, 21.05, -6.85

 

CMYK 0 / 45 / 18 / 47

HEX #874A6F

RGB 135 74 111

HSL 323.61, 0.29%, 0.41%

LAB 39.91, 31.06, -10

 

CMYK 0 / 45 / 18 / 27

HEX #BA6699

RGB 186 102 153

HSL 323.57, 0.38%, 0.56%

LAB 54.28, 40.31, -12.91

 

CMYK 0 / 19 / 46 / 27

HEX #B99564

RGB 185 149 100

HSL 34.59, 0.38%, 0.56%

LAB 63.94, 7.04, 30.92

 

CMYK 46 / 0 / 1 / 27

HEX #64B9B8

RGB 100 185 184

HSL 179.29, 0.38%, 0.56%

LAB 70.08, -25.93, -7.5

 

CMYK 0 / 45 / 18 / 27

HEX #BA6699

RGB 186 102 153

HSL 323.57, 0.38%, 0.56%

LAB 54.28, 40.31, -12.91

 

CMYK 18 / 0 / 46 / 27

HEX #98B964

RGB 152 185 100

HSL 83.29, 0.38%, 0.56%

LAB 71.07, -25.32, 39.35

 

CMYK 46 / 18 / 0 / 27

HEX #6498B9

RGB 100 152 185

HSL 203.29, 0.38%, 0.56%

LAB 60.49, -8.31, -22.53

 

CMYK 0 / 45 / 18 / 27

HEX #BA6699

RGB 186 102 153

HSL 323.57, 0.38%, 0.56%

LAB 54.28, 40.31, -12.91

 

CMYK 0 / 19 / 46 / 27

HEX #B99564

RGB 185 149 100

HSL 34.59, 0.38%, 0.56%

LAB 63.94, 7.04, 30.92

 

CMYK 46 / 0 / 29 / 27

HEX #64B984

RGB 100 185 132

HSL 142.59, 0.38%, 0.56%

LAB 68.8, -37.79, 19.09

 

CMYK 46 / 27 / 0 / 27

HEX #6487B9

RGB 100 135 185

HSL 215.29, 0.38%, 0.56%

LAB 55.62, 1.38, -30.03

 

CMYK 0 / 45 / 18 / 27

HEX #BA6699

RGB 186 102 153

HSL 323.57, 0.38%, 0.56%

LAB 54.28, 40.31, -12.91

 

CMYK 0 / 5 / 46 / 27

HEX #B9AF64

RGB 185 175 100

HSL 52.94, 0.38%, 0.56%

LAB 70.8, -6.96, 39.56

 

CMYK 46 / 0 / 29 / 27

HEX #64B984

RGB 100 185 132

HSL 142.59, 0.38%, 0.56%

LAB 68.8, -37.79, 19.09

 

CMYK 46 / 41 / 0 / 27

HEX #646EB9

RGB 100 110 185

HSL 232.94, 0.38%, 0.56%

LAB 48.72, 16.4, -40.87

 

Description

Color code: CMYK 0 / 45 / 18 / 27 | qconv.com Color code: CMYK 0 / 45 / 18 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 102 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 102 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 18 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 18% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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