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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 41 / 91 / 8 it is the complementary color CMYK 91 / 50 / 0 / 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 41 / 91 / 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 41 / 91 / 8 shade: CMYK 0 / 43 / 93 / 6, CMYK 0 / 39 / 86 / 0, CMYK 0 / 32 / 79 / 0, CMYK 0 / 25 / 71 / 0 and CMYK 0 / 18 / 64 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 41 / 91 / 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 41 / 91 / 8 shade: CMYK 0 / 41 / 91 / 8, CMYK 0 / 45 / 99 / 15, CMYK 0 / 49 / 100 / 21, CMYK 0 / 54 / 100 / 28 and CMYK 0 / 60 / 100 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 41 / 91 / 8 shade: CMYK 0 / 41 / 91 / 8, CMYK 0 / 66 / 91 / 8, CMYK 0 / 91 / 91 / 8 and CMYK 0 / 91 / 91 / 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 41 / 91 / 8 shade: CMYK 0 / 41 / 91 / 8, CMYK 0 / 17 / 91 / 8, CMYK 8 / 0 / 91 / 8, CMYK 32 / 0 / 91 / 8 and CMYK 57 / 0 / 91 / 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 41 / 91 / 8 shade matches the following richer shades: CMYK 0 / 41 / 91 / 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 41 / 91 / 8 shade: CMYK 0 / 41 / 91 / 8, CMYK 0 / 37 / 81 / 16, CMYK 0 / 31 / 68 / 24, CMYK 0 / 24 / 52 / 33 and CMYK 0 / 15 / 33 / 40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 41 / 91 / 8 shade: CMYK 0 / 91 / 91 / 8, CMYK 0 / 67 / 91 / 8, CMYK 0 / 43 / 91 / 8, CMYK 0 / 18 / 91 / 8 and CMYK 6 / 0 / 91 / 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 41 / 91 / 8 shade: CMYK 0 / 41 / 92 / 38, CMYK 0 / 41 / 91 / 23, CMYK 0 / 41 / 91 / 8, CMYK 0 / 34 / 76 / 7 and CMYK 0 / 27 / 60 / 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 41 / 91 / 8 shade: CMYK 0 / 41 / 91 / 8, CMYK 67 / 0 / 91 / 8 and CMYK 79 / 91 / 0 / 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 41 / 91 / 8 shade: CMYK 0 / 41 / 91 / 8, CMYK 91 / 0 / 43 / 8 and CMYK 43 / 91 / 0 / 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 41 / 91 / 8 shade: CMYK 0 / 41 / 91 / 8, CMYK 67 / 0 / 91 / 8, CMYK 91 / 49 / 0 / 8 and CMYK 24 / 91 / 0 / 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 41 / 91 / 8 shade: CMYK 0 / 41 / 91 / 8, CMYK 91 / 0 / 88 / 8, CMYK 91 / 49 / 0 / 8 and CMYK 0 / 91 / 3 / 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 91 / 8

HEX #EB8A15

RGB 235 138 21

HSL 32.8, 0.84%, 0.5%

LAB 66.44, 29.94, 68.9

 

Complementary color

CMYK 91 / 50 / 0 / 8

HEX #1475EA

RGB 20 117 234

HSL 212.8, 0.84%, 0.5%

LAB 50.47, 18.16, -66.13

 

CMYK 0 / 43 / 93 / 6

HEX #F08A10

RGB 240 138 16

HSL 32.68, 0.88%, 0.5%

LAB 67.08, 31.93, 70.66

 

CMYK 0 / 39 / 86 / 0

HEX #FF9C23

RGB 255 156 35

HSL 33, 1%, 0.57%

LAB 73, 29.05, 71.49

 

CMYK 0 / 32 / 79 / 0

HEX #FFAE36

RGB 255 174 54

HSL 35.82, 1%, 0.61%

LAB 77.16, 20.2, 68.96

 

CMYK 0 / 25 / 71 / 0

HEX #FFC049

RGB 255 192 73

HSL 39.23, 1%, 0.64%

LAB 81.53, 11.57, 65.92

 

CMYK 0 / 18 / 64 / 0

HEX #FFD25C

RGB 255 210 92

HSL 43.44, 1%, 0.68%

LAB 86.07, 3.3, 62.7

 

CMYK 0 / 41 / 91 / 8

HEX #EB8A15

RGB 235 138 21

HSL 32.8, 0.84%, 0.5%

LAB 66.44, 29.94, 68.9

 

CMYK 0 / 45 / 99 / 15

HEX #DA7802

RGB 218 120 2

HSL 32.78, 0.98%, 0.43%

LAB 60.2, 32.12, 66.89

 

CMYK 0 / 49 / 100 / 21

HEX #C96600

RGB 201 102 0

HSL 30.45, 1%, 0.39%

LAB 53.94, 34.51, 62.19

 

CMYK 0 / 54 / 100 / 28

HEX #B85400

RGB 184 84 0

HSL 27.39, 1%, 0.36%

LAB 47.66, 36.88, 57.15

 

CMYK 0 / 60 / 100 / 35

HEX #A74200

RGB 167 66 0

HSL 23.71, 1%, 0.33%

LAB 41.39, 39.13, 52.15

 

CMYK 0 / 41 / 91 / 8

HEX #EA8914

RGB 234 137 20

HSL 32.8, 0.84%, 0.5%

LAB 66.09, 30.03, 68.8

 

CMYK 0 / 66 / 91 / 8

HEX #EA4F14

RGB 234 79 20

HSL 16.54, 0.84%, 0.5%

LAB 55.21, 57.66, 61.15

 

CMYK 0 / 91 / 91 / 8

HEX #EA1514

RGB 234 21 20

HSL 0.28, 0.84%, 0.5%

LAB 49.59, 73.34, 57.47

 

CMYK 0 / 91 / 91 / 8

HEX #EA1414

RGB 234 20 20

HSL 0, 0.84%, 0.5%

LAB 49.55, 73.47, 57.44

 

CMYK 0 / 41 / 91 / 8

HEX #EA8914

RGB 234 137 20

HSL 32.8, 0.84%, 0.5%

LAB 66.09, 30.03, 68.8

 

CMYK 0 / 17 / 91 / 8

HEX #EAC314

RGB 234 195 20

HSL 49.07, 0.84%, 0.5%

LAB 79.94, -0.51, 79.08

 

CMYK 8 / 0 / 91 / 8

HEX #D8EA14

RGB 216 234 20

HSL 65.05, 0.84%, 0.5%

LAB 88.68, -27.44, 85.14

 

CMYK 32 / 0 / 91 / 8

HEX #9EEA14

RGB 158 234 20

HSL 81.31, 0.84%, 0.5%

LAB 85.08, -49.93, 80.76

 

CMYK 57 / 0 / 91 / 8

HEX #64EA14

RGB 100 234 20

HSL 97.57, 0.84%, 0.5%

LAB 82.7, -67.73, 77.83

 

CMYK 0 / 41 / 91 / 8

HEX #EA8914

RGB 234 137 20

HSL 32.8, 0.84%, 0.5%

LAB 66.09, 30.03, 68.8

 

CMYK 0 / 41 / 91 / 8

HEX #EA8914

RGB 234 137 20

HSL 32.8, 0.84%, 0.5%

LAB 66.09, 30.03, 68.8

 

CMYK 0 / 37 / 81 / 16

HEX #D58729

RGB 213 135 41

HSL 32.79, 0.68%, 0.5%

LAB 63.04, 22.76, 59

 

CMYK 0 / 31 / 68 / 24

HEX #C1853D

RGB 193 133 61

HSL 32.73, 0.52%, 0.5%

LAB 60.29, 16.15, 46.87

 

CMYK 0 / 24 / 52 / 33

HEX #AC8352

RGB 172 131 82

HSL 32.67, 0.35%, 0.5%

LAB 57.67, 9.74, 32.41

 

CMYK 0 / 15 / 33 / 40

HEX #988166

RGB 152 129 102

HSL 32.4, 0.2%, 0.5%

LAB 55.42, 4.64, 17.92

 

CMYK 0 / 91 / 91 / 8

HEX #EA1414

RGB 234 20 20

HSL 0, 0.84%, 0.5%

LAB 49.55, 73.47, 57.44

 

CMYK 0 / 67 / 91 / 8

HEX #EA4D14

RGB 234 77 20

HSL 15.98, 0.84%, 0.5%

LAB 54.92, 58.45, 60.96

 

CMYK 0 / 43 / 91 / 8

HEX #EA8614

RGB 234 134 20

HSL 31.96, 0.84%, 0.5%

LAB 65.43, 31.6, 68.33

 

CMYK 0 / 18 / 91 / 8

HEX #EABF14

RGB 234 191 20

HSL 47.94, 0.84%, 0.5%

LAB 78.93, 1.56, 78.32

 

CMYK 6 / 0 / 91 / 8

HEX #DCEA14

RGB 220 234 20

HSL 63.93, 0.84%, 0.5%

LAB 88.98, -25.8, 85.49

 

CMYK 0 / 41 / 92 / 38

HEX #9E5D0D

RGB 158 93 13

HSL 33.1, 0.85%, 0.34%

LAB 45.81, 21.19, 50.9

 

CMYK 0 / 41 / 91 / 23

HEX #C47311

RGB 196 115 17

HSL 32.85, 0.84%, 0.42%

LAB 56.13, 25.71, 59.92

 

CMYK 0 / 41 / 91 / 8

HEX #EA8914

RGB 234 137 20

HSL 32.8, 0.84%, 0.5%

LAB 66.09, 30.03, 68.8

 

CMYK 0 / 34 / 76 / 7

HEX #ED9C3A

RGB 237 156 58

HSL 32.85, 0.83%, 0.58%

LAB 70.93, 22.3, 60.81

 

CMYK 0 / 27 / 60 / 5

HEX #F1AF60

RGB 241 175 96

HSL 32.69, 0.84%, 0.66%

LAB 76.2, 16, 49.34

 

CMYK 0 / 41 / 91 / 8

HEX #EB8A15

RGB 235 138 21

HSL 32.8, 0.84%, 0.5%

LAB 66.44, 29.94, 68.9

 

CMYK 67 / 0 / 91 / 8

HEX #4DEA14

RGB 77 234 20

HSL 104.02, 0.84%, 0.5%

LAB 82.1, -72.79, 77.08

 

CMYK 79 / 91 / 0 / 8

HEX #3014EA

RGB 48 20 234

HSL 247.85, 0.84%, 0.5%

LAB 31.96, 71.17, -96.52

 

CMYK 0 / 41 / 91 / 8

HEX #EB8A15

RGB 235 138 21

HSL 32.8, 0.84%, 0.5%

LAB 66.44, 29.94, 68.9

 

CMYK 91 / 0 / 43 / 8

HEX #14EA86

RGB 20 234 134

HSL 151.96, 0.84%, 0.5%

LAB 82.23, -68.4, 35.72

 

CMYK 43 / 91 / 0 / 8

HEX #8614EA

RGB 134 20 234

HSL 271.96, 0.84%, 0.5%

LAB 40.43, 76.86, -82.24

 

CMYK 0 / 41 / 91 / 8

HEX #EB8A15

RGB 235 138 21

HSL 32.8, 0.84%, 0.5%

LAB 66.44, 29.94, 68.9

 

CMYK 67 / 0 / 91 / 8

HEX #4DEA14

RGB 77 234 20

HSL 104.02, 0.84%, 0.5%

LAB 82.1, -72.79, 77.08

 

CMYK 91 / 49 / 0 / 8

HEX #1478EA

RGB 20 120 234

HSL 211.96, 0.84%, 0.5%

LAB 51.29, 16.27, -64.79

 

CMYK 24 / 91 / 0 / 8

HEX #B114EA

RGB 177 20 234

HSL 284.02, 0.84%, 0.5%

LAB 46.7, 82.01, -71.73

 

CMYK 0 / 41 / 91 / 8

HEX #EB8A15

RGB 235 138 21

HSL 32.8, 0.84%, 0.5%

LAB 66.44, 29.94, 68.9

 

CMYK 91 / 0 / 88 / 8

HEX #14EA1B

RGB 20 234 27

HSL 121.96, 0.84%, 0.5%

LAB 81.33, -79.45, 75.05

 

CMYK 91 / 49 / 0 / 8

HEX #1478EA

RGB 20 120 234

HSL 211.96, 0.84%, 0.5%

LAB 51.29, 16.27, -64.79

 

CMYK 0 / 91 / 3 / 8

HEX #EA14E3

RGB 234 20 227

HSL 301.96, 0.84%, 0.5%

LAB 55.62, 89.58, -52.89

 

Description

Color code: CMYK 0 / 41 / 91 / 8 | qconv.com Color code: CMYK 0 / 41 / 91 / 8 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 138 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 138 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 91 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 91% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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