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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 3 / 92 / 31 it is the complementary color CMYK 67 / 65 / 0 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 3 / 92 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 3 / 92 / 31: CMYK 0 / 6 / 95 / 29, CMYK 0 / 5 / 86 / 22, CMYK 0 / 4 / 78 / 16, CMYK 0 / 3 / 72 / 9 and CMYK 0 / 2 / 66 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 3 / 92 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 3 / 92 / 31: CMYK 0 / 3 / 92 / 31, CMYK 0 / 4 / 100 / 38, CMYK 0 / 5 / 100 / 44, CMYK 0 / 6 / 100 / 51 and CMYK 0 / 8 / 100 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 92 / 31

HEX #B0AB0E

RGB 176 171 14

HSL 58.15, 0.85%, 0.37%

LAB 68.31, -13.58, 68.79

 

Complementary color

CMYK 67 / 65 / 0 / 5

HEX #4F54F1

RGB 79 84 241

HSL 238.15, 0.85%, 0.63%

LAB 44.74, 46.46, -79.3

 

CMYK 0 / 6 / 95 / 29

HEX #B5AB09

RGB 181 171 9

HSL 56.51, 0.91%, 0.37%

LAB 68.73, -11.43, 69.95

 

CMYK 0 / 5 / 86 / 22

HEX #C6BD1C

RGB 198 189 28

HSL 56.82, 0.75%, 0.44%

LAB 75.13, -12.88, 72.46

 

CMYK 0 / 4 / 78 / 16

HEX #D7CF2F

RGB 215 207 47

HSL 57.14, 0.68%, 0.51%

LAB 81.44, -14.12, 73.6

 

CMYK 0 / 3 / 72 / 9

HEX #E8E142

RGB 232 225 66

HSL 57.47, 0.78%, 0.58%

LAB 87.68, -15.16, 73.86

 

CMYK 0 / 2 / 66 / 2

HEX #F9F355

RGB 249 243 85

HSL 57.8, 0.93%, 0.65%

LAB 93.84, -16.06, 73.56

 

CMYK 0 / 3 / 92 / 31

HEX #B0AB0E

RGB 176 171 14

HSL 58.15, 0.85%, 0.37%

LAB 68.31, -13.58, 68.79

 

CMYK 0 / 4 / 100 / 38

HEX #9F9900

RGB 159 153 0

HSL 57.74, 1%, 0.31%

LAB 61.79, -12.01, 65.14

 

CMYK 0 / 5 / 100 / 44

HEX #8E8700

RGB 142 135 0

HSL 57.04, 1%, 0.28%

LAB 55.15, -10.2, 59.64

 

CMYK 0 / 6 / 100 / 51

HEX #7D7500

RGB 125 117 0

HSL 56.16, 1%, 0.25%

LAB 48.36, -8.32, 54

 

CMYK 0 / 8 / 100 / 58

HEX #6C6300

RGB 108 99 0

HSL 55, 1%, 0.21%

LAB 41.39, -6.36, 48.23

 

CMYK 0 / 3 / 92 / 31

HEX #B0AB0E

RGB 176 171 14

HSL 58.15, 0.85%, 0.37%

LAB 68.31, -13.58, 68.79

 

CMYK 12 / 0 / 92 / 32

HEX #99AE0E

RGB 153 174 14

HSL 67.88, 0.85%, 0.37%

LAB 67.33, -25.12, 67.25

 

CMYK 28 / 0 / 92 / 32

HEX #7EAE0E

RGB 126 174 14

HSL 78, 0.85%, 0.37%

LAB 65.55, -36.25, 65.06

 

CMYK 43 / 0 / 92 / 32

HEX #63AE0E

RGB 99 174 14

HSL 88.13, 0.85%, 0.37%

LAB 64.13, -46.2, 63.31

 

CMYK 59 / 0 / 92 / 32

HEX #48AE0E

RGB 72 174 14

HSL 98.25, 0.85%, 0.37%

LAB 63.08, -54.32, 62.02

 

CMYK 0 / 3 / 92 / 31

HEX #B0AB0E

RGB 176 171 14

HSL 58.15, 0.85%, 0.37%

LAB 68.31, -13.58, 68.79

 

CMYK 0 / 3 / 92 / 11

HEX #E3DD12

RGB 227 221 18

HSL 58.28, 0.85%, 0.48%

LAB 86.05, -16.64, 83.72

 

CMYK 0 / 4 / 91 / 91

HEX #171602

RGB 23 22 2

HSL 57.14, 0.84%, 0.05%

LAB 6.87, -2.93, 9.41

 

CMYK 0 / 3 / 92 / 71

HEX #4A4806

RGB 74 72 6

HSL 58.24, 0.85%, 0.16%

LAB 29.67, -7.37, 35.8

 

CMYK 0 / 3 / 92 / 51

HEX #7D790A

RGB 125 121 10

HSL 57.91, 0.85%, 0.26%

LAB 49.56, -10.32, 52.88

 

CMYK 0 / 3 / 92 / 31

HEX #B0AB0E

RGB 176 171 14

HSL 58.15, 0.85%, 0.37%

LAB 68.31, -13.58, 68.79

 

CMYK 92 / 0 / 77 / 32

HEX #0EAE28

RGB 14 174 40

HSL 129.75, 0.85%, 0.37%

LAB 62.1, -62.29, 54.26

 

CMYK 40 / 92 / 0 / 32

HEX #690EAE

RGB 105 14 174

HSL 274.13, 0.85%, 0.37%

LAB 30.34, 61.94, -64.01

 

CMYK 0 / 3 / 92 / 31

HEX #B0AB0E

RGB 176 171 14

HSL 58.15, 0.85%, 0.37%

LAB 68.31, -13.58, 68.79

 

CMYK 92 / 0 / 3 / 32

HEX #0EAEA9

RGB 14 174 169

HSL 178.13, 0.85%, 0.37%

LAB 64.35, -37.12, -7.94

 

CMYK 3 / 92 / 0 / 32

HEX #A90EAE

RGB 169 14 174

HSL 298.13, 0.85%, 0.37%

LAB 40.9, 71.45, -46.37

 

CMYK 0 / 3 / 92 / 31

HEX #B0AB0E

RGB 176 171 14

HSL 58.15, 0.85%, 0.37%

LAB 68.31, -13.58, 68.79

 

CMYK 92 / 0 / 77 / 32

HEX #0EAE28

RGB 14 174 40

HSL 129.75, 0.85%, 0.37%

LAB 62.1, -62.29, 54.26

 

CMYK 92 / 89 / 0 / 32

HEX #0E13AE

RGB 14 19 174

HSL 238.13, 0.85%, 0.37%

LAB 22.36, 54.29, -77.49

 

CMYK 0 / 92 / 16 / 32

HEX #AE0E93

RGB 174 14 147

HSL 310.13, 0.85%, 0.37%

LAB 40.28, 68.45, -31.06

 

CMYK 0 / 3 / 92 / 31

HEX #B0AB0E

RGB 176 171 14

HSL 58.15, 0.85%, 0.37%

LAB 68.31, -13.58, 68.79

 

CMYK 92 / 0 / 49 / 32

HEX #0EAE59

RGB 14 174 89

HSL 148.13, 0.85%, 0.37%

LAB 62.58, -56.33, 33.24

 

CMYK 92 / 89 / 0 / 32

HEX #0E13AE

RGB 14 19 174

HSL 238.13, 0.85%, 0.37%

LAB 22.36, 54.29, -77.49

 

CMYK 0 / 92 / 43 / 32

HEX #AE0E63

RGB 174 14 99

HSL 328.13, 0.85%, 0.37%

LAB 38.22, 63, -4.3

 

Description

Color code: CMYK 0 / 3 / 92 / 31 | qconv.com Color code: CMYK 0 / 3 / 92 / 31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 171 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 171 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 92 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 92% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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