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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 38 / 23 / 0 it is the complementary color CMYK 100 / 0 / 39 / 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 38 / 23 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 38 / 23 / 0: CMYK 0 / 38 / 25 / 0, CMYK 0 / 31 / 18 / 0, CMYK 0 / 24 / 10 / 0, CMYK 0 / 17 / 3 / 0 and CMYK 0 / 10 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 38 / 23 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 38 / 23 / 0: CMYK 0 / 38 / 23 / 0, CMYK 0 / 41 / 26 / 7, CMYK 0 / 45 / 29 / 13, CMYK 0 / 49 / 32 / 20 and CMYK 0 / 54 / 36 / 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 23 / 0

HEX #FF9EC4

RGB 255 158 196

HSL 336.49, 1%, 0.81%

LAB 75.88, 40.89, -4.15

 

Complementary color

CMYK 100 / 0 / 39 / 62

HEX #00613B

RGB 0 97 59

HSL 156.49, 1%, 0.19%

LAB 35.72, -34.8, 14.88

 

CMYK 0 / 38 / 25 / 0

HEX #FF9EBF

RGB 255 158 191

HSL 339.59, 1%, 0.81%

LAB 75.75, 40.2, -1.6

 

CMYK 0 / 31 / 18 / 0

HEX #FFB0D2

RGB 255 176 210

HSL 334.18, 1%, 0.85%

LAB 80.16, 33.58, -5.47

 

CMYK 0 / 24 / 10 / 0

HEX #FFC2E5

RGB 255 194 229

HSL 325.57, 1%, 0.88%

LAB 84.74, 27.14, -8.89

 

CMYK 0 / 17 / 3 / 0

HEX #FFD4F8

RGB 255 212 248

HSL 309.77, 1%, 0.92%

LAB 89.45, 20.93, -11.94

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 0 / 38 / 23 / 0

HEX #FF9EC4

RGB 255 158 196

HSL 336.49, 1%, 0.81%

LAB 75.88, 40.89, -4.15

 

CMYK 0 / 41 / 26 / 7

HEX #EE8CB1

RGB 238 140 177

HSL 337.35, 0.74%, 0.74%

LAB 69.55, 41.7, -3.19

 

CMYK 0 / 45 / 29 / 13

HEX #DD7A9E

RGB 221 122 158

HSL 338.18, 0.59%, 0.67%

LAB 63.14, 42.55, -2.12

 

CMYK 0 / 49 / 32 / 20

HEX #CC688B

RGB 204 104 139

HSL 339, 0.5%, 0.6%

LAB 56.69, 43.41, -0.88

 

CMYK 0 / 54 / 36 / 27

HEX #BB5678

RGB 187 86 120

HSL 339.8, 0.43%, 0.54%

LAB 50.19, 44.25, 0.58

 

CMYK 0 / 38 / 23 / 0

HEX #FF9EC4

RGB 255 158 196

HSL 336.49, 1%, 0.81%

LAB 75.88, 40.89, -4.15

 

CMYK 0 / 38 / 29 / 0

HEX #FF9EB4

RGB 255 158 180

HSL 346.39, 1%, 0.81%

LAB 75.46, 38.73, 4.02

 

CMYK 0 / 38 / 36 / 0

HEX #FF9EA4

RGB 255 158 164

HSL 356.29, 1%, 0.81%

LAB 75.07, 36.76, 12.26

 

CMYK 0 / 35 / 38 / 0

HEX #FFA79E

RGB 255 167 158

HSL 5.57, 1%, 0.81%

LAB 76.9, 31.4, 18.09

 

CMYK 0 / 28 / 38 / 0

HEX #FFB79E

RGB 255 183 158

HSL 15.46, 1%, 0.81%

LAB 80.51, 23.03, 23.08

 

CMYK 0 / 38 / 23 / 0

HEX #FF9EC4

RGB 255 158 196

HSL 336.49, 1%, 0.81%

LAB 75.88, 40.89, -4.15

 

CMYK 0 / 37 / 24 / 80

HEX #332027

RGB 51 32 39

HSL 337.89, 0.23%, 0.16%

LAB 14.86, 10.49, -0.97

 

CMYK 0 / 38 / 24 / 60

HEX #663F4E

RGB 102 63 78

HSL 336.92, 0.24%, 0.32%

LAB 31.65, 19.37, -1.93

 

CMYK 0 / 38 / 23 / 40

HEX #995F76

RGB 153 95 118

HSL 336.21, 0.23%, 0.49%

LAB 47.32, 26.92, -2.98

 

CMYK 0 / 38 / 23 / 20

HEX #CC7E9D

RGB 204 126 157

HSL 336.15, 0.43%, 0.65%

LAB 61.82, 34.35, -3.74

 

CMYK 0 / 38 / 23 / 0

HEX #FF9EC4

RGB 255 158 196

HSL 336.49, 1%, 0.81%

LAB 75.88, 40.89, -4.15

 

CMYK 0 / 8 / 38 / 0

HEX #FFEB9E

RGB 255 235 158

HSL 47.63, 1%, 0.81%

LAB 93.08, -3.81, 39.83

 

CMYK 38 / 8 / 0 / 0

HEX #9EEBFF

RGB 158 235 255

HSL 192.37, 1%, 0.81%

LAB 88.88, -18.76, -17.15

 

CMYK 0 / 38 / 23 / 0

HEX #FF9EC4

RGB 255 158 196

HSL 336.49, 1%, 0.81%

LAB 75.88, 40.89, -4.15

 

CMYK 23 / 0 / 38 / 0

HEX #C4FF9E

RGB 196 255 158

HSL 96.49, 1%, 0.81%

LAB 94.19, -35.15, 40.48

 

CMYK 38 / 23 / 0 / 0

HEX #9EC4FF

RGB 158 196 255

HSL 216.49, 1%, 0.81%

LAB 78.44, 1.57, -33.04

 

CMYK 0 / 38 / 23 / 0

HEX #FF9EC4

RGB 255 158 196

HSL 336.49, 1%, 0.81%

LAB 75.88, 40.89, -4.15

 

CMYK 0 / 8 / 38 / 0

HEX #FFEB9E

RGB 255 235 158

HSL 47.63, 1%, 0.81%

LAB 93.08, -3.81, 39.83

 

CMYK 38 / 0 / 15 / 0

HEX #9EFFD8

RGB 158 255 216

HSL 155.88, 1%, 0.81%

LAB 93.34, -37.07, 9.68

 

CMYK 38 / 31 / 0 / 0

HEX #9EB1FF

RGB 158 177 255

HSL 228.25, 1%, 0.81%

LAB 73.5, 12.03, -40.71

 

CMYK 0 / 38 / 23 / 0

HEX #FF9EC4

RGB 255 158 196

HSL 336.49, 1%, 0.81%

LAB 75.88, 40.89, -4.15

 

CMYK 4 / 0 / 38 / 0

HEX #F5FF9E

RGB 245 255 158

HSL 66.19, 1%, 0.81%

LAB 97.39, -17.48, 45.23

 

CMYK 38 / 0 / 15 / 0

HEX #9EFFD8

RGB 158 255 216

HSL 155.88, 1%, 0.81%

LAB 93.34, -37.07, 9.68

 

CMYK 35 / 38 / 0 / 0

HEX #A79EFF

RGB 167 158 255

HSL 245.57, 1%, 0.81%

LAB 69.39, 25.11, -47.1

 

Description

Color code: CMYK 0 / 38 / 23 / 0 | qconv.com Color code: CMYK 0 / 38 / 23 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 158 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 158 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 23 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 23% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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