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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 35 / 53 / 2 it is the complementary color CMYK 96 / 33 / 0 / 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 35 / 53 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 35 / 53 / 2: CMYK 0 / 36 / 56 / 0, CMYK 0 / 29 / 49 / 0, CMYK 0 / 22 / 41 / 0, CMYK 0 / 15 / 34 / 0 and CMYK 0 / 8 / 26 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 35 / 53 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 35 / 53 / 2: CMYK 0 / 35 / 53 / 2, CMYK 0 / 38 / 58 / 9, CMYK 0 / 42 / 63 / 15, CMYK 0 / 46 / 70 / 22 and CMYK 0 / 51 / 77 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 53 / 2

HEX #FAA275

RGB 250 162 117

HSL 20.3, 0.93%, 0.72%

LAB 74.48, 28.07, 36.78

 

Complementary color

CMYK 96 / 33 / 0 / 46

HEX #055D8A

RGB 5 93 138

HSL 200.3, 0.93%, 0.28%

LAB 37.29, -5.54, -31.34

 

CMYK 0 / 36 / 56 / 0

HEX #FFA270

RGB 255 162 112

HSL 20.98, 1%, 0.72%

LAB 75, 29.64, 40.18

 

CMYK 0 / 29 / 49 / 0

HEX #FFB483

RGB 255 180 131

HSL 23.71, 1%, 0.76%

LAB 79.35, 21.83, 35.8

 

CMYK 0 / 22 / 41 / 0

HEX #FFC696

RGB 255 198 150

HSL 27.43, 1%, 0.79%

LAB 83.89, 14.3, 31.84

 

CMYK 0 / 15 / 34 / 0

HEX #FFD8A9

RGB 255 216 169

HSL 32.79, 1%, 0.83%

LAB 88.56, 7.11, 28.24

 

CMYK 0 / 8 / 26 / 0

HEX #FFEABC

RGB 255 234 188

HSL 41.19, 1%, 0.87%

LAB 93.34, 0.3, 24.96

 

CMYK 0 / 35 / 53 / 2

HEX #FAA275

RGB 250 162 117

HSL 20.3, 0.93%, 0.72%

LAB 74.48, 28.07, 36.78

 

CMYK 0 / 38 / 58 / 9

HEX #E99062

RGB 233 144 98

HSL 20.44, 0.75%, 0.65%

LAB 68.13, 29.3, 38.41

 

CMYK 0 / 42 / 63 / 15

HEX #D87E4F

RGB 216 126 79

HSL 20.58, 0.64%, 0.58%

LAB 61.73, 30.68, 40.18

 

CMYK 0 / 46 / 70 / 22

HEX #C76C3C

RGB 199 108 60

HSL 20.72, 0.55%, 0.51%

LAB 55.27, 32.21, 42.06

 

CMYK 0 / 51 / 77 / 29

HEX #B65A29

RGB 182 90 41

HSL 20.85, 0.63%, 0.44%

LAB 48.78, 33.91, 43.96

 

CMYK 0 / 35 / 53 / 2

HEX #FAA275

RGB 250 162 117

HSL 20.3, 0.93%, 0.72%

LAB 74.48, 28.07, 36.78

 

CMYK 0 / 27 / 53 / 2

HEX #FAB775

RGB 250 183 117

HSL 29.77, 0.93%, 0.72%

LAB 79.31, 17.05, 42.86

 

CMYK 0 / 18 / 53 / 2

HEX #FACD75

RGB 250 205 117

HSL 39.7, 0.93%, 0.72%

LAB 84.62, 5.59, 49.36

 

CMYK 0 / 9 / 53 / 2

HEX #FAE375

RGB 250 227 117

HSL 49.62, 0.93%, 0.72%

LAB 90.11, -5.62, 55.91

 

CMYK 0 / 0 / 53 / 2

HEX #FAFA75

RGB 250 250 117

HSL 60, 0.93%, 0.72%

LAB 95.99, -16.96, 62.73

 

CMYK 0 / 35 / 53 / 2

HEX #FAA275

RGB 250 162 117

HSL 20.3, 0.93%, 0.72%

LAB 74.48, 28.07, 36.78

 

CMYK 0 / 35 / 52 / 82

HEX #2E1E16

RGB 46 30 22

HSL 20, 0.35%, 0.13%

LAB 13.03, 6.54, 8.59

 

CMYK 0 / 35 / 54 / 62

HEX #613F2D

RGB 97 63 45

HSL 20.77, 0.37%, 0.28%

LAB 30.12, 12.57, 17.06

 

CMYK 0 / 35 / 53 / 42

HEX #946045

RGB 148 96 69

HSL 20.51, 0.36%, 0.43%

LAB 45.76, 18.08, 24.05

 

CMYK 0 / 35 / 53 / 22

HEX #C7815D

RGB 199 129 93

HSL 20.38, 0.49%, 0.57%

LAB 60.46, 23.21, 30.58

 

CMYK 0 / 35 / 53 / 2

HEX #FAA275

RGB 250 162 117

HSL 20.3, 0.93%, 0.72%

LAB 74.48, 28.07, 36.78

 

CMYK 28 / 0 / 53 / 2

HEX #B3FA75

RGB 179 250 117

HSL 92.03, 0.93%, 0.72%

LAB 91.34, -43.55, 56.14

 

CMYK 53 / 50 / 0 / 2

HEX #757EFA

RGB 117 126 250

HSL 235.94, 0.93%, 0.72%

LAB 57.66, 30.52, -63.23

 

CMYK 0 / 35 / 53 / 2

HEX #FAA275

RGB 250 162 117

HSL 20.3, 0.93%, 0.72%

LAB 74.48, 28.07, 36.78

 

CMYK 53 / 0 / 36 / 2

HEX #75FAA1

RGB 117 250 161

HSL 139.85, 0.93%, 0.72%

LAB 89.26, -55.68, 31.84

 

CMYK 36 / 53 / 0 / 2

HEX #A175FA

RGB 161 117 250

HSL 259.85, 0.93%, 0.72%

LAB 59.16, 45.39, -60.63

 

CMYK 0 / 35 / 53 / 2

HEX #FAA275

RGB 250 162 117

HSL 20.3, 0.93%, 0.72%

LAB 74.48, 28.07, 36.78

 

CMYK 28 / 0 / 53 / 2

HEX #B3FA75

RGB 179 250 117

HSL 92.03, 0.93%, 0.72%

LAB 91.34, -43.55, 56.14

 

CMYK 53 / 18 / 0 / 2

HEX #75CDFA

RGB 117 205 250

HSL 200.3, 0.93%, 0.72%

LAB 78.66, -14.27, -30.21

 

CMYK 25 / 53 / 0 / 2

HEX #BC75FA

RGB 188 117 250

HSL 272.03, 0.93%, 0.72%

LAB 61.93, 51.94, -56.05

 

CMYK 0 / 35 / 53 / 2

HEX #FAA275

RGB 250 162 117

HSL 20.3, 0.93%, 0.72%

LAB 74.48, 28.07, 36.78

 

CMYK 44 / 0 / 53 / 2

HEX #8BFA75

RGB 139 250 117

HSL 110.08, 0.93%, 0.72%

LAB 89.46, -56.28, 53.44

 

CMYK 53 / 18 / 0 / 2

HEX #75CDFA

RGB 117 205 250

HSL 200.3, 0.93%, 0.72%

LAB 78.66, -14.27, -30.21

 

CMYK 9 / 53 / 0 / 2

HEX #E375FA

RGB 227 117 250

HSL 289.62, 0.93%, 0.72%

LAB 66.49, 61.86, -48.54

 

Description

Color code: CMYK 0 / 35 / 53 / 2 | qconv.com Color code: CMYK 0 / 35 / 53 / 2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 162 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 162 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 53 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 53% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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