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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 35 / 31 / 2 it is the complementary color CMYK 95 / 0 / 11 / 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 35 / 31 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 35 / 31 / 2: CMYK 0 / 36 / 35 / 0, CMYK 0 / 29 / 27 / 0, CMYK 0 / 22 / 20 / 0, CMYK 0 / 15 / 12 / 0 and CMYK 0 / 8 / 5 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 35 / 31 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 35 / 31 / 2: CMYK 0 / 35 / 31 / 2, CMYK 0 / 38 / 34 / 9, CMYK 0 / 42 / 38 / 15, CMYK 0 / 46 / 42 / 22 and CMYK 0 / 51 / 47 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 31 / 2

HEX #FAA2AC

RGB 250 162 172

HSL 353.18, 0.9%, 0.81%

LAB 75.54, 33.85, 8.45

 

Complementary color

CMYK 95 / 0 / 11 / 64

HEX #055D53

RGB 5 93 83

HSL 173.18, 0.9%, 0.19%

LAB 34.97, -25.87, -0.91

 

CMYK 0 / 36 / 35 / 0

HEX #FFA2A7

RGB 255 162 167

HSL 356.77, 1%, 0.82%

LAB 76, 35.05, 11.93

 

CMYK 0 / 29 / 27 / 0

HEX #FFB4BA

RGB 255 180 186

HSL 355.2, 1%, 0.85%

LAB 80.43, 28.06, 7.91

 

CMYK 0 / 22 / 20 / 0

HEX #FFC6CD

RGB 255 198 205

HSL 352.63, 1%, 0.89%

LAB 85.02, 21.3, 4.33

 

CMYK 0 / 15 / 12 / 0

HEX #FFD8E0

RGB 255 216 224

HSL 347.69, 1%, 0.92%

LAB 89.74, 14.81, 1.12

 

CMYK 0 / 8 / 5 / 0

HEX #FFEAF3

RGB 255 234 243

HSL 334.29, 1%, 0.96%

LAB 94.56, 8.63, -1.78

 

CMYK 0 / 35 / 31 / 2

HEX #FAA2AC

RGB 250 162 172

HSL 353.18, 0.9%, 0.81%

LAB 75.54, 33.85, 8.45

 

CMYK 0 / 38 / 34 / 9

HEX #E99099

RGB 233 144 153

HSL 353.93, 0.67%, 0.74%

LAB 69.16, 34.73, 9.6

 

CMYK 0 / 42 / 38 / 15

HEX #D87E86

RGB 216 126 134

HSL 354.67, 0.54%, 0.67%

LAB 62.71, 35.68, 10.88

 

CMYK 0 / 46 / 42 / 22

HEX #C76C73

RGB 199 108 115

HSL 355.38, 0.45%, 0.6%

LAB 56.19, 36.7, 12.35

 

CMYK 0 / 51 / 47 / 29

HEX #B65A60

RGB 182 90 96

HSL 356.09, 0.39%, 0.53%

LAB 49.62, 37.77, 14.05

 

CMYK 0 / 35 / 31 / 2

HEX #FAA2AC

RGB 250 162 172

HSL 353.18, 0.9%, 0.81%

LAB 75.54, 33.85, 8.45

 

CMYK 0 / 33 / 35 / 2

HEX #FAA7A2

RGB 250 167 162

HSL 3.41, 0.9%, 0.81%

LAB 76.42, 30, 15.16

 

CMYK 0 / 28 / 35 / 2

HEX #FAB5A2

RGB 250 181 162

HSL 12.95, 0.9%, 0.81%

LAB 79.6, 22.64, 19.6

 

CMYK 0 / 22 / 35 / 2

HEX #FAC4A2

RGB 250 196 162

HSL 23.18, 0.9%, 0.81%

LAB 83.13, 14.77, 24.45

 

CMYK 0 / 16 / 35 / 2

HEX #FAD2A2

RGB 250 210 162

HSL 32.73, 0.9%, 0.81%

LAB 86.52, 7.47, 29.04

 

CMYK 0 / 35 / 31 / 2

HEX #FAA2AC

RGB 250 162 172

HSL 353.18, 0.9%, 0.81%

LAB 75.54, 33.85, 8.45

 

CMYK 0 / 35 / 30 / 82

HEX #2E1E20

RGB 46 30 32

HSL 352.5, 0.21%, 0.15%

LAB 13.31, 8.19, 1.75

 

CMYK 0 / 35 / 31 / 62

HEX #613F43

RGB 97 63 67

HSL 352.94, 0.21%, 0.31%

LAB 30.64, 15.49, 3.65

 

CMYK 0 / 35 / 31 / 42

HEX #946066

RGB 148 96 102

HSL 353.08, 0.21%, 0.48%

LAB 46.47, 22.01, 5.36

 

CMYK 0 / 35 / 31 / 22

HEX #C78189

RGB 199 129 137

HSL 353.14, 0.38%, 0.64%

LAB 61.35, 28.09, 6.95

 

CMYK 0 / 35 / 31 / 2

HEX #FAA2AC

RGB 250 162 172

HSL 353.18, 0.9%, 0.81%

LAB 75.54, 33.85, 8.45

 

CMYK 3 / 0 / 35 / 2

HEX #F2FAA2

RGB 242 250 162

HSL 65.45, 0.9%, 0.81%

LAB 95.94, -15.72, 41.36

 

CMYK 35 / 17 / 0 / 2

HEX #A2D0FA

RGB 162 208 250

HSL 208.64, 0.9%, 0.81%

LAB 81.67, -5.07, -25.41

 

CMYK 0 / 35 / 31 / 2

HEX #FAA2AC

RGB 250 162 172

HSL 353.18, 0.9%, 0.81%

LAB 75.54, 33.85, 8.45

 

CMYK 31 / 0 / 35 / 2

HEX #ADFAA2

RGB 173 250 162

HSL 112.5, 0.9%, 0.81%

LAB 91.62, -39.94, 34.9

 

CMYK 35 / 31 / 0 / 2

HEX #A2ADFA

RGB 162 173 250

HSL 232.5, 0.9%, 0.81%

LAB 72.54, 14.02, -39.48

 

CMYK 0 / 35 / 31 / 2

HEX #FAA2AC

RGB 250 162 172

HSL 353.18, 0.9%, 0.81%

LAB 75.54, 33.85, 8.45

 

CMYK 3 / 0 / 35 / 2

HEX #F2FAA2

RGB 242 250 162

HSL 65.45, 0.9%, 0.81%

LAB 95.94, -15.72, 41.36

 

CMYK 35 / 0 / 4 / 2

HEX #A2FAEF

RGB 162 250 239

HSL 172.5, 0.9%, 0.81%

LAB 92.7, -28.78, -3.11

 

CMYK 32 / 35 / 0 / 2

HEX #AAA2FA

RGB 170 162 250

HSL 245.45, 0.9%, 0.81%

LAB 70.38, 22.38, -42.82

 

CMYK 0 / 35 / 31 / 2

HEX #FAA2AC

RGB 250 162 172

HSL 353.18, 0.9%, 0.81%

LAB 75.54, 33.85, 8.45

 

CMYK 14 / 0 / 35 / 2

HEX #D8FAA2

RGB 216 250 162

HSL 83.18, 0.9%, 0.81%

LAB 94.13, -25.28, 38.67

 

CMYK 35 / 0 / 4 / 2

HEX #A2FAEF

RGB 162 250 239

HSL 172.5, 0.9%, 0.81%

LAB 92.7, -28.78, -3.11

 

CMYK 22 / 35 / 0 / 2

HEX #C4A2FA

RGB 196 162 250

HSL 263.18, 0.9%, 0.81%

LAB 72.55, 29.72, -39.27

 

Description

Color code: CMYK 0 / 35 / 31 / 2 | qconv.com Color code: CMYK 0 / 35 / 31 / 2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 162 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 162 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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