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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 2 / 32 / 52 it is the complementary color CMYK 23 / 22 / 0 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 2 / 32 / 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 2 / 32 / 52: CMYK 0 / 6 / 39 / 50, CMYK 0 / 4 / 33 / 44, CMYK 0 / 3 / 28 / 37, CMYK 0 / 2 / 24 / 30 and CMYK 0 / 2 / 21 / 24

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 2 / 32 / 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 2 / 32 / 52: CMYK 0 / 2 / 32 / 52, CMYK 0 / 3 / 39 / 59, CMYK 0 / 5 / 49 / 65, CMYK 0 / 7 / 63 / 72 and CMYK 0 / 11 / 87 / 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 32 / 52

HEX #7A7853

RGB 122 120 83

HSL 56.92, 0.19%, 0.4%

LAB 49.73, -5.51, 20.65

 

Complementary color

CMYK 23 / 22 / 0 / 33

HEX #8587AC

RGB 133 135 172

HSL 236.92, 0.19%, 0.6%

LAB 57.36, 7.46, -19.74

 

CMYK 0 / 6 / 39 / 50

HEX #7F784E

RGB 127 120 78

HSL 51.43, 0.24%, 0.4%

LAB 50.09, -4.03, 24.05

 

CMYK 0 / 4 / 33 / 44

HEX #908A61

RGB 144 138 97

HSL 52.34, 0.2%, 0.47%

LAB 57.05, -4.42, 22.81

 

CMYK 0 / 3 / 28 / 37

HEX #A19C74

RGB 161 156 116

HSL 53.33, 0.19%, 0.54%

LAB 63.85, -4.73, 21.66

 

CMYK 0 / 2 / 24 / 30

HEX #B2AE87

RGB 178 174 135

HSL 54.42, 0.22%, 0.61%

LAB 70.52, -4.99, 20.58

 

CMYK 0 / 2 / 21 / 24

HEX #C3C09A

RGB 195 192 154

HSL 55.61, 0.25%, 0.68%

LAB 77.06, -5.21, 19.58

 

CMYK 0 / 2 / 32 / 52

HEX #7A7853

RGB 122 120 83

HSL 56.92, 0.19%, 0.4%

LAB 49.73, -5.51, 20.65

 

CMYK 0 / 3 / 39 / 59

HEX #696640

RGB 105 102 64

HSL 55.61, 0.24%, 0.33%

LAB 42.58, -5.17, 21.92

 

CMYK 0 / 5 / 49 / 65

HEX #58542D

RGB 88 84 45

HSL 54.42, 0.32%, 0.26%

LAB 35.21, -4.69, 23.29

 

CMYK 0 / 7 / 63 / 72

HEX #47421A

RGB 71 66 26

HSL 53.33, 0.46%, 0.19%

LAB 27.6, -3.99, 24.68

 

CMYK 0 / 11 / 87 / 79

HEX #363007

RGB 54 48 7

HSL 52.34, 0.77%, 0.12%

LAB 19.69, -2.88, 25.01

 

CMYK 0 / 2 / 32 / 52

HEX #7A7853

RGB 122 120 83

HSL 56.92, 0.19%, 0.4%

LAB 49.73, -5.51, 20.65

 

CMYK 3 / 0 / 32 / 53

HEX #757952

RGB 117 121 82

HSL 66.15, 0.19%, 0.4%

LAB 49.58, -8.33, 20.93

 

CMYK 8 / 0 / 32 / 53

HEX #6F7952

RGB 111 121 82

HSL 75.38, 0.19%, 0.4%

LAB 49.09, -10.84, 20.19

 

CMYK 14 / 0 / 32 / 53

HEX #687952

RGB 104 121 82

HSL 86.15, 0.19%, 0.4%

LAB 48.54, -13.72, 19.38

 

CMYK 19 / 0 / 32 / 53

HEX #627952

RGB 98 121 82

HSL 95.38, 0.19%, 0.4%

LAB 48.11, -16.12, 18.72

 

CMYK 0 / 2 / 32 / 52

HEX #7A7853

RGB 122 120 83

HSL 56.92, 0.19%, 0.4%

LAB 49.73, -5.51, 20.65

 

CMYK 0 / 2 / 32 / 32

HEX #ADAA76

RGB 173 170 118

HSL 56.73, 0.25%, 0.57%

LAB 68.71, -7.16, 27.25

 

CMYK 0 / 2 / 32 / 12

HEX #E0DC98

RGB 224 220 152

HSL 56.67, 0.54%, 0.74%

LAB 86.65, -8.83, 33.97

 

CMYK 0 / 0 / 30 / 92

HEX #14140E

RGB 20 20 14

HSL 60, 0.18%, 0.07%

LAB 6.15, -1.19, 3.25

 

CMYK 0 / 1 / 32 / 72

HEX #474630

RGB 71 70 48

HSL 57.39, 0.19%, 0.23%

LAB 29.24, -3.73, 13.45

 

CMYK 0 / 2 / 32 / 52

HEX #7A7853

RGB 122 120 83

HSL 56.92, 0.19%, 0.4%

LAB 49.73, -5.51, 20.65

 

CMYK 32 / 0 / 28 / 53

HEX #527957

RGB 82 121 87

HSL 127.69, 0.19%, 0.4%

LAB 47.18, -21.23, 14.39

 

CMYK 15 / 32 / 0 / 53

HEX #675279

RGB 103 82 121

HSL 272.31, 0.19%, 0.4%

LAB 38.37, 16.9, -18.87

 

CMYK 0 / 2 / 32 / 52

HEX #7A7853

RGB 122 120 83

HSL 56.92, 0.19%, 0.4%

LAB 49.73, -5.51, 20.65

 

CMYK 32 / 0 / 2 / 53

HEX #527976

RGB 82 121 118

HSL 175.38, 0.19%, 0.4%

LAB 47.98, -14.33, -2.74

 

CMYK 2 / 32 / 0 / 53

HEX #765279

RGB 118 82 121

HSL 295.38, 0.19%, 0.4%

LAB 40.03, 22.19, -16.19

 

CMYK 0 / 2 / 32 / 52

HEX #7A7853

RGB 122 120 83

HSL 56.92, 0.19%, 0.4%

LAB 49.73, -5.51, 20.65

 

CMYK 32 / 0 / 28 / 53

HEX #527957

RGB 82 121 87

HSL 127.69, 0.19%, 0.4%

LAB 47.18, -21.23, 14.39

 

CMYK 32 / 30 / 0 / 53

HEX #525579

RGB 82 85 121

HSL 235.38, 0.19%, 0.4%

LAB 37.25, 7.94, -20.78

 

CMYK 0 / 32 / 4 / 53

HEX #795274

RGB 121 82 116

HSL 307.69, 0.19%, 0.4%

LAB 40.18, 22.24, -12.85

 

CMYK 0 / 2 / 32 / 52

HEX #7A7853

RGB 122 120 83

HSL 56.92, 0.19%, 0.4%

LAB 49.73, -5.51, 20.65

 

CMYK 32 / 0 / 18 / 53

HEX #527963

RGB 82 121 99

HSL 146.15, 0.19%, 0.4%

LAB 47.46, -18.78, 7.74

 

CMYK 32 / 30 / 0 / 53

HEX #525579

RGB 82 85 121

HSL 235.38, 0.19%, 0.4%

LAB 37.25, 7.94, -20.78

 

CMYK 0 / 32 / 14 / 53

HEX #795268

RGB 121 82 104

HSL 326.15, 0.19%, 0.4%

LAB 39.75, 19.95, -6.09

 

Description

Color code: CMYK 0 / 2 / 32 / 52 | qconv.com Color code: CMYK 0 / 2 / 32 / 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 120 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 120 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 32 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 32% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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