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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 2 / 23 / 54 it is the complementary color CMYK 16 / 15 / 0 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 2 / 23 / 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 2 / 23 / 54: CMYK 0 / 6 / 30 / 52, CMYK 0 / 4 / 25 / 45, CMYK 0 / 3 / 21 / 39, CMYK 0 / 2 / 18 / 32 and CMYK 0 / 2 / 15 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 2 / 23 / 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 2 / 23 / 54: CMYK 0 / 2 / 23 / 54, CMYK 0 / 3 / 29 / 61, CMYK 0 / 5 / 37 / 67, CMYK 0 / 8 / 50 / 74 and CMYK 0 / 12 / 71 / 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 23 / 54

HEX #75735A

RGB 117 115 90

HSL 55.56, 0.13%, 0.41%

LAB 47.98, -3.73, 14.15

 

Complementary color

CMYK 16 / 15 / 0 / 35

HEX #8A8CA5

RGB 138 140 165

HSL 235.56, 0.13%, 0.59%

LAB 58.86, 4.59, -13.43

 

CMYK 0 / 6 / 30 / 52

HEX #7A7355

RGB 122 115 85

HSL 48.65, 0.18%, 0.41%

LAB 48.33, -2.38, 17.61

 

CMYK 0 / 4 / 25 / 45

HEX #8B8568

RGB 139 133 104

HSL 49.71, 0.14%, 0.48%

LAB 55.34, -2.7, 16.48

 

CMYK 0 / 3 / 21 / 39

HEX #9C977B

RGB 156 151 123

HSL 50.91, 0.14%, 0.55%

LAB 62.2, -2.97, 15.44

 

CMYK 0 / 2 / 18 / 32

HEX #ADA98E

RGB 173 169 142

HSL 52.26, 0.16%, 0.62%

LAB 68.91, -3.19, 14.47

 

CMYK 0 / 2 / 15 / 25

HEX #BEBBA1

RGB 190 187 161

HSL 53.79, 0.18%, 0.69%

LAB 75.49, -3.39, 13.56

 

CMYK 0 / 2 / 23 / 54

HEX #75735A

RGB 117 115 90

HSL 55.56, 0.13%, 0.41%

LAB 47.98, -3.73, 14.15

 

CMYK 0 / 3 / 29 / 61

HEX #646147

RGB 100 97 71

HSL 53.79, 0.17%, 0.34%

LAB 40.76, -3.46, 15.29

 

CMYK 0 / 5 / 37 / 67

HEX #534F34

RGB 83 79 52

HSL 52.26, 0.23%, 0.26%

LAB 33.3, -3.11, 16.57

 

CMYK 0 / 8 / 50 / 74

HEX #423D21

RGB 66 61 33

HSL 50.91, 0.33%, 0.19%

LAB 25.58, -2.6, 18

 

CMYK 0 / 12 / 71 / 81

HEX #312B0E

RGB 49 43 14

HSL 49.71, 0.56%, 0.12%

LAB 17.52, -1.77, 19.27

 

CMYK 0 / 2 / 23 / 54

HEX #75735A

RGB 117 115 90

HSL 55.56, 0.13%, 0.41%

LAB 47.98, -3.73, 14.15

 

CMYK 3 / 0 / 24 / 54

HEX #73765A

RGB 115 118 90

HSL 66.43, 0.13%, 0.41%

LAB 48.69, -6.27, 15.09

 

CMYK 6 / 0 / 24 / 54

HEX #6F765A

RGB 111 118 90

HSL 75, 0.13%, 0.41%

LAB 48.35, -7.91, 14.58

 

CMYK 10 / 0 / 24 / 54

HEX #6A765A

RGB 106 118 90

HSL 85.71, 0.13%, 0.41%

LAB 47.96, -9.94, 13.97

 

CMYK 14 / 0 / 24 / 54

HEX #66765A

RGB 102 118 90

HSL 94.29, 0.13%, 0.41%

LAB 47.65, -11.53, 13.5

 

CMYK 0 / 2 / 23 / 54

HEX #75735A

RGB 117 115 90

HSL 55.56, 0.13%, 0.41%

LAB 47.98, -3.73, 14.15

 

CMYK 0 / 2 / 23 / 34

HEX #A8A581

RGB 168 165 129

HSL 55.38, 0.18%, 0.58%

LAB 67.14, -4.95, 19.1

 

CMYK 0 / 2 / 23 / 14

HEX #DBD7A8

RGB 219 215 168

HSL 55.29, 0.41%, 0.76%

LAB 85.24, -6.1, 23.75

 

CMYK 0 / 0 / 20 / 94

HEX #0F0F0C

RGB 15 15 12

HSL 60, 0.11%, 0.05%

LAB 4.24, -0.5, 1.37

 

CMYK 0 / 2 / 23 / 74

HEX #424133

RGB 66 65 51

HSL 56, 0.13%, 0.23%

LAB 27.24, -2.39, 8.72

 

CMYK 0 / 2 / 23 / 54

HEX #75735A

RGB 117 115 90

HSL 55.56, 0.13%, 0.41%

LAB 47.98, -3.73, 14.15

 

CMYK 24 / 0 / 20 / 54

HEX #5A765E

RGB 90 118 94

HSL 128.57, 0.13%, 0.41%

LAB 46.89, -15.37, 9.97

 

CMYK 11 / 24 / 0 / 54

HEX #695A76

RGB 105 90 118

HSL 272.14, 0.13%, 0.41%

LAB 40.61, 11.95, -13.59

 

CMYK 0 / 2 / 23 / 54

HEX #75735A

RGB 117 115 90

HSL 55.56, 0.13%, 0.41%

LAB 47.98, -3.73, 14.15

 

CMYK 24 / 0 / 3 / 54

HEX #5A7673

RGB 90 118 115

HSL 173.57, 0.13%, 0.41%

LAB 47.45, -10.78, -1.67

 

CMYK 3 / 24 / 0 / 54

HEX #735A76

RGB 115 90 118

HSL 293.57, 0.13%, 0.41%

LAB 41.63, 15.61, -11.94

 

CMYK 0 / 2 / 23 / 54

HEX #75735A

RGB 117 115 90

HSL 55.56, 0.13%, 0.41%

LAB 47.98, -3.73, 14.15

 

CMYK 24 / 0 / 20 / 54

HEX #5A765E

RGB 90 118 94

HSL 128.57, 0.13%, 0.41%

LAB 46.89, -15.37, 9.97

 

CMYK 24 / 21 / 0 / 54

HEX #5A5D76

RGB 90 93 118

HSL 233.57, 0.13%, 0.41%

LAB 40.1, 4.78, -14.49

 

CMYK 0 / 24 / 3 / 54

HEX #765A72

RGB 118 90 114

HSL 308.57, 0.13%, 0.41%

LAB 41.81, 15.9, -9.19

 

CMYK 0 / 2 / 23 / 54

HEX #75735A

RGB 117 115 90

HSL 55.56, 0.13%, 0.41%

LAB 47.98, -3.73, 14.15

 

CMYK 24 / 0 / 14 / 54

HEX #5A7666

RGB 90 118 102

HSL 145.71, 0.13%, 0.41%

LAB 47.09, -13.72, 5.52

 

CMYK 24 / 21 / 0 / 54

HEX #5A5D76

RGB 90 93 118

HSL 233.57, 0.13%, 0.41%

LAB 40.1, 4.78, -14.49

 

CMYK 0 / 24 / 10 / 54

HEX #765A6A

RGB 118 90 106

HSL 325.71, 0.13%, 0.41%

LAB 41.54, 14.33, -4.7

 

Description

Color code: CMYK 0 / 2 / 23 / 54 | qconv.com Color code: CMYK 0 / 2 / 23 / 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 115 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 115 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 23 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 23% 54% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - L’Eclat de Verre, at...
Link: http://eclatdeverre.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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