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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 26 / 39 / 25 it is the complementary color CMYK 54 / 18 / 0 / 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 26 / 39 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 26 / 39 / 25: CMYK 0 / 28 / 43 / 23, CMYK 0 / 25 / 38 / 16, CMYK 0 / 23 / 35 / 10, CMYK 0 / 21 / 32 / 3 and CMYK 0 / 16 / 26 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 26 / 39 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 26 / 39 / 25: CMYK 0 / 26 / 39 / 25, CMYK 0 / 29 / 44 / 32, CMYK 0 / 32 / 50 / 38, CMYK 0 / 37 / 57 / 45 and CMYK 0 / 43 / 67 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 39 / 25

HEX #BF8E75

RGB 191 142 117

HSL 20.27, 0.37%, 0.6%

LAB 63.1, 15.27, 20.57

 

Complementary color

CMYK 54 / 18 / 0 / 46

HEX #40718A

RGB 64 113 138

HSL 200.27, 0.37%, 0.4%

LAB 45.27, -9.1, -18.8

 

CMYK 0 / 28 / 43 / 23

HEX #C48E70

RGB 196 142 112

HSL 21.43, 0.42%, 0.6%

LAB 63.55, 16.73, 24.06

 

CMYK 0 / 25 / 38 / 16

HEX #D5A083

RGB 213 160 131

HSL 21.22, 0.49%, 0.67%

LAB 70.12, 15.88, 22.77

 

CMYK 0 / 23 / 35 / 10

HEX #E6B296

RGB 230 178 150

HSL 21, 0.62%, 0.75%

LAB 76.6, 15.14, 21.58

 

CMYK 0 / 21 / 32 / 3

HEX #F7C4A9

RGB 247 196 169

HSL 20.77, 0.83%, 0.82%

LAB 82.98, 14.48, 20.48

 

CMYK 0 / 16 / 26 / 0

HEX #FFD6BC

RGB 255 214 188

HSL 23.28, 1%, 0.87%

LAB 88.44, 10.55, 18.18

 

CMYK 0 / 26 / 39 / 25

HEX #BF8E75

RGB 191 142 117

HSL 20.27, 0.37%, 0.6%

LAB 63.1, 15.27, 20.57

 

CMYK 0 / 29 / 44 / 32

HEX #AE7C62

RGB 174 124 98

HSL 20.53, 0.32%, 0.53%

LAB 56.38, 16.15, 21.9

 

CMYK 0 / 32 / 50 / 38

HEX #9D6A4F

RGB 157 106 79

HSL 20.77, 0.33%, 0.46%

LAB 49.55, 17.18, 23.38

 

CMYK 0 / 37 / 57 / 45

HEX #8C583C

RGB 140 88 60

HSL 21, 0.4%, 0.39%

LAB 42.58, 18.41, 25.05

 

CMYK 0 / 43 / 67 / 52

HEX #7B4629

RGB 123 70 41

HSL 21.22, 0.5%, 0.32%

LAB 35.5, 19.88, 26.95

 

CMYK 0 / 26 / 39 / 25

HEX #BF8E75

RGB 191 142 117

HSL 20.27, 0.37%, 0.6%

LAB 63.1, 15.27, 20.57

 

CMYK 0 / 19 / 39 / 25

HEX #BE9973

RGB 190 153 115

HSL 30.4, 0.37%, 0.6%

LAB 65.72, 8.57, 25.19

 

CMYK 0 / 13 / 39 / 25

HEX #BEA573

RGB 190 165 115

HSL 40, 0.37%, 0.6%

LAB 68.82, 2.04, 29.29

 

CMYK 0 / 6 / 39 / 25

HEX #BEB273

RGB 190 178 115

HSL 50.4, 0.37%, 0.6%

LAB 72.25, -4.9, 33.74

 

CMYK 0 / 0 / 39 / 25

HEX #BEBE73

RGB 190 190 115

HSL 60, 0.37%, 0.6%

LAB 75.46, -11.15, 37.84

 

CMYK 0 / 26 / 39 / 25

HEX #BF8E75

RGB 191 142 117

HSL 20.27, 0.37%, 0.6%

LAB 63.1, 15.27, 20.57

 

CMYK 0 / 26 / 39 / 5

HEX #F2B494

RGB 242 180 148

HSL 20.43, 0.78%, 0.76%

LAB 78.26, 18.49, 25.12

 

CMYK 0 / 26 / 39 / 85

HEX #261C17

RGB 38 28 23

HSL 20, 0.25%, 0.12%

LAB 11.31, 3.96, 5.33

 

CMYK 0 / 26 / 38 / 65

HEX #594237

RGB 89 66 55

HSL 19.41, 0.24%, 0.28%

LAB 30.15, 8.22, 10.55

 

CMYK 0 / 26 / 39 / 45

HEX #8C6856

RGB 140 104 86

HSL 20, 0.24%, 0.44%

LAB 47.17, 11.88, 15.76

 

CMYK 0 / 26 / 39 / 25

HEX #BF8E75

RGB 191 142 117

HSL 20.27, 0.37%, 0.6%

LAB 63.1, 15.27, 20.57

 

CMYK 21 / 0 / 39 / 25

HEX #96BE73

RGB 150 190 115

HSL 92, 0.37%, 0.6%

LAB 72.59, -26.64, 33.6

 

CMYK 39 / 37 / 0 / 25

HEX #7378BE

RGB 115 120 190

HSL 236, 0.37%, 0.6%

LAB 52.72, 15.71, -37.35

 

CMYK 0 / 26 / 39 / 25

HEX #BF8E75

RGB 191 142 117

HSL 20.27, 0.37%, 0.6%

LAB 63.1, 15.27, 20.57

 

CMYK 39 / 0 / 26 / 25

HEX #73BE8C

RGB 115 190 140

HSL 140, 0.37%, 0.6%

LAB 71.12, -34.27, 18.08

 

CMYK 26 / 39 / 0 / 25

HEX #8C73BE

RGB 140 115 190

HSL 260, 0.37%, 0.6%

LAB 53.55, 25.78, -35.9

 

CMYK 0 / 26 / 39 / 25

HEX #BF8E75

RGB 191 142 117

HSL 20.27, 0.37%, 0.6%

LAB 63.1, 15.27, 20.57

 

CMYK 21 / 0 / 39 / 25

HEX #96BE73

RGB 150 190 115

HSL 92, 0.37%, 0.6%

LAB 72.59, -26.64, 33.6

 

CMYK 39 / 13 / 0 / 25

HEX #73A5BE

RGB 115 165 190

HSL 200, 0.37%, 0.6%

LAB 65.18, -10.16, -18.11

 

CMYK 18 / 39 / 0 / 25

HEX #9B73BE

RGB 155 115 190

HSL 272, 0.37%, 0.6%

LAB 55.02, 30.27, -33.5

 

CMYK 0 / 26 / 39 / 25

HEX #BF8E75

RGB 191 142 117

HSL 20.27, 0.37%, 0.6%

LAB 63.1, 15.27, 20.57

 

CMYK 33 / 0 / 39 / 25

HEX #7FBE73

RGB 127 190 115

HSL 110.4, 0.37%, 0.6%

LAB 71.27, -34.74, 31.62

 

CMYK 39 / 13 / 0 / 25

HEX #73A5BE

RGB 115 165 190

HSL 200, 0.37%, 0.6%

LAB 65.18, -10.16, -18.11

 

CMYK 6 / 39 / 0 / 25

HEX #B273BE

RGB 178 115 190

HSL 290.4, 0.37%, 0.6%

LAB 57.51, 37.35, -29.44

 

Description

Color code: CMYK 0 / 26 / 39 / 25 | qconv.com Color code: CMYK 0 / 26 / 39 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 142 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 142 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 39 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 39% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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