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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 25 / 16 / 26 it is the complementary color CMYK 42 / 0 / 15 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 25 / 16 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 25 / 16 / 26: CMYK 0 / 27 / 21 / 24, CMYK 0 / 24 / 18 / 17, CMYK 0 / 22 / 16 / 11, CMYK 0 / 20 / 14 / 4 and CMYK 0 / 16 / 10 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 25 / 16 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 25 / 16 / 26: CMYK 0 / 25 / 16 / 26, CMYK 0 / 28 / 19 / 33, CMYK 0 / 32 / 22 / 39, CMYK 0 / 36 / 26 / 46 and CMYK 0 / 42 / 31 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 16 / 26

HEX #BD8E9F

RGB 189 142 159

HSL 338.3, 0.26%, 0.65%

LAB 63.89, 20.45, -2.02

 

Complementary color

CMYK 42 / 0 / 15 / 56

HEX #427160

RGB 66 113 96

HSL 158.3, 0.26%, 0.35%

LAB 43.96, -20.37, 4.42

 

CMYK 0 / 27 / 21 / 24

HEX #C28E9A

RGB 194 142 154

HSL 346.15, 0.3%, 0.66%

LAB 64.28, 21.51, 1.44

 

CMYK 0 / 24 / 18 / 17

HEX #D3A0AD

RGB 211 160 173

HSL 344.71, 0.37%, 0.73%

LAB 70.88, 20.86, 0.63

 

CMYK 0 / 22 / 16 / 11

HEX #E4B2C0

RGB 228 178 192

HSL 343.2, 0.48%, 0.8%

LAB 77.36, 20.27, -0.13

 

CMYK 0 / 20 / 14 / 4

HEX #F5C4D3

RGB 245 196 211

HSL 341.63, 0.71%, 0.86%

LAB 83.75, 19.73, -0.84

 

CMYK 0 / 16 / 10 / 0

HEX #FFD6E6

RGB 255 214 230

HSL 336.59, 1%, 0.92%

LAB 89.42, 16.82, -2.5

 

CMYK 0 / 25 / 16 / 26

HEX #BD8E9F

RGB 189 142 159

HSL 338.3, 0.26%, 0.65%

LAB 63.89, 20.45, -2.02

 

CMYK 0 / 28 / 19 / 33

HEX #AC7C8C

RGB 172 124 140

HSL 340, 0.22%, 0.58%

LAB 57.15, 21.12, -1.25

 

CMYK 0 / 32 / 22 / 39

HEX #9B6A79

RGB 155 106 121

HSL 341.63, 0.2%, 0.51%

LAB 50.28, 21.86, -0.39

 

CMYK 0 / 36 / 26 / 46

HEX #8A5866

RGB 138 88 102

HSL 343.2, 0.22%, 0.44%

LAB 43.27, 22.69, 0.58

 

CMYK 0 / 42 / 31 / 53

HEX #794653

RGB 121 70 83

HSL 344.71, 0.27%, 0.37%

LAB 36.12, 23.63, 1.71

 

CMYK 0 / 25 / 16 / 26

HEX #BD8E9F

RGB 189 142 159

HSL 338.3, 0.26%, 0.65%

LAB 63.89, 20.45, -2.02

 

CMYK 0 / 24 / 20 / 26

HEX #BC8E97

RGB 188 142 151

HSL 348.26, 0.26%, 0.65%

LAB 63.57, 18.8, 2.02

 

CMYK 0 / 24 / 23 / 26

HEX #BC8E90

RGB 188 142 144

HSL 357.39, 0.26%, 0.65%

LAB 63.38, 17.72, 5.72

 

CMYK 0 / 21 / 24 / 26

HEX #BC948E

RGB 188 148 142

HSL 7.83, 0.26%, 0.65%

LAB 64.82, 14.1, 8.9

 

CMYK 0 / 17 / 24 / 26

HEX #BC9C8E

RGB 188 156 142

HSL 18.26, 0.26%, 0.65%

LAB 66.84, 9.68, 11.76

 

CMYK 0 / 25 / 16 / 26

HEX #BD8E9F

RGB 189 142 159

HSL 338.3, 0.26%, 0.65%

LAB 63.89, 20.45, -2.02

 

CMYK 0 / 25 / 16 / 6

HEX #F0B4CA

RGB 240 180 202

HSL 338, 0.67%, 0.82%

LAB 79.29, 25.03, -2.59

 

CMYK 0 / 25 / 17 / 86

HEX #241B1E

RGB 36 27 30

HSL 340, 0.14%, 0.12%

LAB 10.94, 5.08, -0.39

 

CMYK 0 / 25 / 16 / 66

HEX #574149

RGB 87 65 73

HSL 338.18, 0.14%, 0.3%

LAB 30.13, 10.99, -1.15

 

CMYK 0 / 25 / 16 / 46

HEX #8A6874

RGB 138 104 116

HSL 338.82, 0.14%, 0.47%

LAB 47.71, 15.6, -1.41

 

CMYK 0 / 25 / 16 / 26

HEX #BD8E9F

RGB 189 142 159

HSL 338.3, 0.26%, 0.65%

LAB 63.89, 20.45, -2.02

 

CMYK 0 / 4 / 24 / 26

HEX #BCB58E

RGB 188 181 142

HSL 50.87, 0.26%, 0.65%

LAB 73.35, -3.83, 20.81

 

CMYK 24 / 5 / 0 / 26

HEX #8EB2BC

RGB 142 178 188

HSL 193.04, 0.26%, 0.65%

LAB 70.33, -9.84, -9.1

 

CMYK 0 / 25 / 16 / 26

HEX #BD8E9F

RGB 189 142 159

HSL 338.3, 0.26%, 0.65%

LAB 63.89, 20.45, -2.02

 

CMYK 15 / 0 / 24 / 26

HEX #9FBC8E

RGB 159 188 142

HSL 97.83, 0.26%, 0.65%

LAB 73.08, -18.36, 20.1

 

CMYK 24 / 15 / 0 / 26

HEX #8E9FBC

RGB 142 159 188

HSL 217.83, 0.26%, 0.65%

LAB 65.1, 0.52, -16.95

Pantone® 535 C

CMYK 0 / 25 / 16 / 26

HEX #BD8E9F

RGB 189 142 159

HSL 338.3, 0.26%, 0.65%

LAB 63.89, 20.45, -2.02

 

CMYK 0 / 4 / 24 / 26

HEX #BCB58E

RGB 188 181 142

HSL 50.87, 0.26%, 0.65%

LAB 73.35, -3.83, 20.81

 

CMYK 24 / 0 / 9 / 26

HEX #8EBCAB

RGB 142 188 171

HSL 157.83, 0.26%, 0.65%

LAB 72.67, -18.79, 3.65

 

CMYK 24 / 20 / 0 / 26

HEX #8E96BC

RGB 142 150 188

HSL 229.57, 0.26%, 0.65%

LAB 62.67, 5.59, -20.65

 

CMYK 0 / 25 / 16 / 26

HEX #BD8E9F

RGB 189 142 159

HSL 338.3, 0.26%, 0.65%

LAB 63.89, 20.45, -2.02

 

CMYK 3 / 0 / 24 / 26

HEX #B6BC8E

RGB 182 188 142

HSL 67.83, 0.26%, 0.65%

LAB 74.74, -9.81, 22.64

 

CMYK 24 / 0 / 9 / 26

HEX #8EBCAB

RGB 142 188 171

HSL 157.83, 0.26%, 0.65%

LAB 72.67, -18.79, 3.65

 

CMYK 21 / 24 / 0 / 26

HEX #948EBC

RGB 148 142 188

HSL 247.83, 0.26%, 0.65%

LAB 61.02, 12.05, -23.13

 

Description

Color code: CMYK 0 / 25 / 16 / 26 | qconv.com Color code: CMYK 0 / 25 / 16 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 142 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 142 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 16 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 16% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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