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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 22 / 32 / 21 it is the complementary color CMYK 54 / 17 / 0 / 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 22 / 32 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 22 / 32 / 21: CMYK 0 / 24 / 36 / 19, CMYK 0 / 22 / 32 / 13, CMYK 0 / 20 / 29 / 6, CMYK 0 / 17 / 26 / 0 and CMYK 0 / 10 / 18 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 22 / 32 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 22 / 32 / 21: CMYK 0 / 22 / 32 / 21, CMYK 0 / 24 / 36 / 28, CMYK 0 / 28 / 41 / 35, CMYK 0 / 31 / 47 / 41 and CMYK 0 / 36 / 54 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 32 / 21

HEX #C99D89

RGB 201 157 137

HSL 18.75, 0.37%, 0.66%

LAB 68.27, 13.52, 16.72

 

Complementary color

CMYK 54 / 17 / 0 / 54

HEX #366276

RGB 54 98 118

HSL 198.75, 0.37%, 0.34%

LAB 39.29, -9.08, -15.94

 

CMYK 0 / 24 / 36 / 19

HEX #CE9D84

RGB 206 157 132

HSL 20.27, 0.43%, 0.66%

LAB 68.68, 14.85, 20.13

 

CMYK 0 / 22 / 32 / 13

HEX #DFAF97

RGB 223 175 151

HSL 20, 0.53%, 0.73%

LAB 75.19, 14.16, 18.99

 

CMYK 0 / 20 / 29 / 6

HEX #F0C1AA

RGB 240 193 170

HSL 19.71, 0.7%, 0.8%

LAB 81.6, 13.54, 17.94

 

CMYK 0 / 17 / 26 / 0

HEX #FFD3BD

RGB 255 211 189

HSL 20, 1%, 0.87%

LAB 87.74, 12.25, 16.67

 

CMYK 0 / 10 / 18 / 0

HEX #FFE5D0

RGB 255 229 208

HSL 26.81, 1%, 0.91%

LAB 92.51, 5.64, 13.47

 

CMYK 0 / 22 / 32 / 21

HEX #C99D89

RGB 201 157 137

HSL 18.75, 0.37%, 0.66%

LAB 68.27, 13.52, 16.72

 

CMYK 0 / 24 / 36 / 28

HEX #B88B76

RGB 184 139 118

HSL 19.09, 0.32%, 0.59%

LAB 61.62, 14.23, 17.87

 

CMYK 0 / 28 / 41 / 35

HEX #A77963

RGB 167 121 99

HSL 19.41, 0.28%, 0.52%

LAB 54.86, 15.05, 19.14

 

CMYK 0 / 31 / 47 / 41

HEX #966750

RGB 150 103 80

HSL 19.71, 0.3%, 0.45%

LAB 47.96, 16.02, 20.56

 

CMYK 0 / 36 / 54 / 48

HEX #85553D

RGB 133 85 61

HSL 20, 0.37%, 0.38%

LAB 40.93, 17.18, 22.17

 

CMYK 0 / 22 / 32 / 21

HEX #C99D89

RGB 201 157 137

HSL 18.75, 0.37%, 0.66%

LAB 68.27, 13.52, 16.72

 

CMYK 0 / 17 / 32 / 22

HEX #C8A688

RGB 200 166 136

HSL 28.13, 0.37%, 0.66%

LAB 70.41, 8.09, 20.21

 

CMYK 0 / 12 / 32 / 22

HEX #C8B088

RGB 200 176 136

HSL 37.5, 0.37%, 0.66%

LAB 72.96, 2.71, 23.69

 

CMYK 0 / 7 / 32 / 22

HEX #C8BB88

RGB 200 187 136

HSL 47.81, 0.37%, 0.66%

LAB 75.82, -3.12, 27.54

 

CMYK 0 / 1 / 32 / 22

HEX #C8C688

RGB 200 198 136

HSL 58.13, 0.37%, 0.66%

LAB 78.72, -8.85, 31.39

 

CMYK 0 / 22 / 32 / 21

HEX #C99D89

RGB 201 157 137

HSL 18.75, 0.37%, 0.66%

LAB 68.27, 13.52, 16.72

 

CMYK 0 / 22 / 32 / 1

HEX #FCC5AC

RGB 252 197 172

HSL 18.75, 0.93%, 0.83%

LAB 83.76, 16.22, 20.05

 

CMYK 0 / 23 / 31 / 81

HEX #302521

RGB 48 37 33

HSL 16, 0.19%, 0.16%

LAB 15.81, 4.42, 4.62

 

CMYK 0 / 22 / 32 / 61

HEX #634D43

RGB 99 77 67

HSL 18.75, 0.19%, 0.33%

LAB 34.73, 7.63, 9.46

 

CMYK 0 / 22 / 32 / 41

HEX #967566

RGB 150 117 102

HSL 18.75, 0.19%, 0.49%

LAB 52.02, 10.67, 13.22

 

CMYK 0 / 22 / 32 / 21

HEX #C99D89

RGB 201 157 137

HSL 18.75, 0.37%, 0.66%

LAB 68.27, 13.52, 16.72

 

CMYK 16 / 0 / 32 / 22

HEX #A8C888

RGB 168 200 136

HSL 90, 0.37%, 0.66%

LAB 76.93, -22, 28.59

 

CMYK 32 / 29 / 0 / 22

HEX #888EC8

RGB 136 142 200

HSL 234.38, 0.37%, 0.66%

LAB 60.56, 11.38, -30.68

 

CMYK 0 / 22 / 32 / 21

HEX #C99D89

RGB 201 157 137

HSL 18.75, 0.37%, 0.66%

LAB 68.27, 13.52, 16.72

 

CMYK 32 / 0 / 23 / 22

HEX #88C89B

RGB 136 200 155

HSL 137.81, 0.37%, 0.66%

LAB 75.39, -29.77, 16.13

 

CMYK 23 / 32 / 0 / 22

HEX #9B88C8

RGB 155 136 200

HSL 257.81, 0.37%, 0.66%

LAB 60.56, 20.53, -30.56

 

CMYK 0 / 22 / 32 / 21

HEX #C99D89

RGB 201 157 137

HSL 18.75, 0.37%, 0.66%

LAB 68.27, 13.52, 16.72

 

CMYK 16 / 0 / 32 / 22

HEX #A8C888

RGB 168 200 136

HSL 90, 0.37%, 0.66%

LAB 76.93, -22, 28.59

 

CMYK 32 / 10 / 0 / 22

HEX #88B5C8

RGB 136 181 200

HSL 197.81, 0.37%, 0.66%

LAB 71.18, -10.36, -14.46

 

CMYK 16 / 32 / 0 / 22

HEX #A888C8

RGB 168 136 200

HSL 270, 0.37%, 0.66%

LAB 61.74, 24.57, -28.63

 

CMYK 0 / 22 / 32 / 21

HEX #C99D89

RGB 201 157 137

HSL 18.75, 0.37%, 0.66%

LAB 68.27, 13.52, 16.72

 

CMYK 26 / 0 / 32 / 22

HEX #95C888

RGB 149 200 136

HSL 107.81, 0.37%, 0.66%

LAB 75.75, -28.76, 26.8

 

CMYK 32 / 10 / 0 / 22

HEX #88B5C8

RGB 136 181 200

HSL 197.81, 0.37%, 0.66%

LAB 71.18, -10.36, -14.46

 

CMYK 7 / 32 / 0 / 22

HEX #BB88C8

RGB 187 136 200

HSL 287.81, 0.37%, 0.66%

LAB 63.63, 30.61, -25.58

 

Description

Color code: CMYK 0 / 22 / 32 / 21 | qconv.com Color code: CMYK 0 / 22 / 32 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 157 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 157 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 32 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 32% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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