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Color name
CMYK 0 / 20 / 8 / 32

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 20 / 8 / 32 it is the complementary color CMYK 29 / 0 / 18 / 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 20 / 8 / 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 20 / 8 / 32 shade: CMYK 0 / 22 / 13 / 30, CMYK 0 / 19 / 11 / 24, CMYK 0 / 17 / 9 / 17, CMYK 0 / 16 / 7 / 10 and CMYK 0 / 14 / 6 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 20 / 8 / 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 20 / 8 / 32 shade: CMYK 0 / 20 / 8 / 32, CMYK 0 / 22 / 10 / 39, CMYK 0 / 26 / 12 / 45, CMYK 0 / 30 / 16 / 52 and CMYK 0 / 36 / 20 / 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 20 / 8 / 32 shade: CMYK 0 / 19 / 7 / 33, CMYK 0 / 19 / 13 / 33, CMYK 0 / 19 / 18 / 33 and CMYK 0 / 19 / 19 / 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 20 / 8 / 32 shade: CMYK 0 / 19 / 7 / 33, CMYK 0 / 19 / 2 / 33, CMYK 3 / 19 / 0 / 33, CMYK 8 / 19 / 0 / 33 and CMYK 13 / 19 / 0 / 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 20 / 8 / 32 shade matches the following richer shades: CMYK 0 / 19 / 7 / 33, CMYK 0 / 35 / 14 / 26, CMYK 0 / 48 / 19 / 20, CMYK 0 / 59 / 23 / 13 and CMYK 0 / 69 / 26 / 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 20 / 8 / 32 shade: CMYK 0 / 19 / 7 / 33, CMYK 0 / 1 / 0 / 39, CMYK 18 / 0 / 11 / 33, CMYK 34 / 0 / 21 / 27 and CMYK 47 / 0 / 29 / 20

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 20 / 8 / 32 shade: CMYK 3 / 19 / 0 / 33, CMYK 0 / 19 / 2 / 33, CMYK 0 / 19 / 7 / 33, CMYK 0 / 19 / 12 / 33 and CMYK 0 / 19 / 17 / 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 20 / 8 / 32 shade: CMYK 0 / 29 / 11 / 47, CMYK 0 / 26 / 10 / 39, CMYK 0 / 19 / 7 / 33, CMYK 0 / 14 / 6 / 25 and CMYK 0 / 10 / 4 / 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 20 / 8 / 32 shade: CMYK 0 / 20 / 8 / 32, CMYK 0 / 8 / 19 / 33 and CMYK 19 / 0 / 1 / 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 20 / 8 / 32 shade: CMYK 0 / 20 / 8 / 32, CMYK 7 / 0 / 19 / 33 and CMYK 19 / 7 / 0 / 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 20 / 8 / 32 shade: CMYK 0 / 20 / 8 / 32, CMYK 0 / 8 / 19 / 33, CMYK 19 / 0 / 12 / 33 and CMYK 19 / 11 / 0 / 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 20 / 8 / 32 shade: CMYK 0 / 20 / 8 / 32, CMYK 0 / 2 / 19 / 33, CMYK 19 / 0 / 12 / 33 and CMYK 19 / 17 / 0 / 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 8 / 32

HEX #AD8BA0

RGB 173 139 160

HSL 322.94, 0.17%, 0.61%

LAB 61.56, 16.45, -6.22

 

Complementary color

CMYK 29 / 0 / 18 / 55

HEX #52745F

RGB 82 116 95

HSL 142.94, 0.17%, 0.39%

LAB 45.79, -16.95, 7.74

 

CMYK 0 / 22 / 13 / 30

HEX #B28B9B

RGB 178 139 155

HSL 335.38, 0.2%, 0.62%

LAB 61.91, 17.4, -2.8

 

CMYK 0 / 19 / 11 / 24

HEX #C39DAE

RGB 195 157 174

HSL 333.16, 0.24%, 0.69%

LAB 68.59, 16.86, -3.47

 

CMYK 0 / 17 / 9 / 17

HEX #D4AFC1

RGB 212 175 193

HSL 330.81, 0.3%, 0.76%

LAB 75.14, 16.36, -4.11

 

CMYK 0 / 16 / 7 / 10

HEX #E5C1D4

RGB 229 193 212

HSL 328.33, 0.41%, 0.83%

LAB 81.59, 15.9, -4.72

 

CMYK 0 / 14 / 6 / 4

HEX #F6D3E7

RGB 246 211 231

HSL 325.71, 0.66%, 0.9%

LAB 87.94, 15.48, -5.3

 

CMYK 0 / 20 / 8 / 32

HEX #AD8BA0

RGB 173 139 160

HSL 322.94, 0.17%, 0.61%

LAB 61.56, 16.45, -6.22

 

CMYK 0 / 22 / 10 / 39

HEX #9C798D

RGB 156 121 141

HSL 325.71, 0.15%, 0.54%

LAB 54.73, 17.02, -5.6

 

CMYK 0 / 26 / 12 / 45

HEX #8B677A

RGB 139 103 122

HSL 328.33, 0.15%, 0.47%

LAB 47.75, 17.64, -4.93

 

CMYK 0 / 30 / 16 / 52

HEX #7A5567

RGB 122 85 103

HSL 330.81, 0.18%, 0.41%

LAB 40.6, 18.36, -4.2

 

CMYK 0 / 36 / 20 / 59

HEX #694354

RGB 105 67 84

HSL 333.16, 0.22%, 0.34%

LAB 33.26, 19.17, -3.36

 

CMYK 0 / 19 / 7 / 33

HEX #AC8BA0

RGB 172 139 160

HSL 321.82, 0.17%, 0.61%

LAB 61.46, 16.09, -6.38

 

CMYK 0 / 19 / 13 / 33

HEX #AC8B96

RGB 172 139 150

HSL 340, 0.17%, 0.61%

LAB 61.17, 14.32, -1.11

 

CMYK 0 / 19 / 18 / 33

HEX #AC8B8D

RGB 172 139 141

HSL 356.36, 0.17%, 0.61%

LAB 60.92, 12.81, 3.66

 

CMYK 0 / 19 / 19 / 33

HEX #AC8B8B

RGB 172 139 139

HSL 0, 0.17%, 0.61%

LAB 60.87, 12.49, 4.73

 

CMYK 0 / 19 / 7 / 33

HEX #AC8BA0

RGB 172 139 160

HSL 321.82, 0.17%, 0.61%

LAB 61.46, 16.09, -6.38

 

CMYK 0 / 19 / 2 / 33

HEX #AC8BA9

RGB 172 139 169

HSL 305.45, 0.17%, 0.61%

LAB 61.74, 17.77, -11.07

 

CMYK 3 / 19 / 0 / 33

HEX #A78BAC

RGB 167 139 172

HSL 290.91, 0.17%, 0.61%

LAB 61.36, 16.61, -13.4

 

CMYK 8 / 19 / 0 / 33

HEX #9E8BAC

RGB 158 139 172

HSL 274.55, 0.17%, 0.61%

LAB 60.53, 13.5, -14.73

 

CMYK 13 / 19 / 0 / 33

HEX #958BAC

RGB 149 139 172

HSL 258.18, 0.17%, 0.61%

LAB 59.74, 10.43, -16

 

CMYK 0 / 19 / 7 / 33

HEX #AC8BA0

RGB 172 139 160

HSL 321.82, 0.17%, 0.61%

LAB 61.46, 16.09, -6.38

 

CMYK 0 / 35 / 14 / 26

HEX #BD7BA3

RGB 189 123 163

HSL 323.64, 0.33%, 0.61%

LAB 59.55, 31.63, -10.74

 

CMYK 0 / 48 / 19 / 20

HEX #CD6AA7

RGB 205 106 167

HSL 323.03, 0.5%, 0.61%

LAB 58.11, 46.65, -15.02

 

CMYK 0 / 59 / 23 / 13

HEX #DD5AAB

RGB 221 90 171

HSL 322.9, 0.66%, 0.61%

LAB 57.68, 59.67, -17.77

 

CMYK 0 / 69 / 26 / 7

HEX #ED4AAF

RGB 237 74 175

HSL 322.82, 0.82%, 0.61%

LAB 58.03, 70.91, -19.31

 

CMYK 0 / 19 / 7 / 33

HEX #AC8BA0

RGB 172 139 160

HSL 321.82, 0.17%, 0.61%

LAB 61.46, 16.09, -6.38

 

CMYK 0 / 1 / 0 / 39

HEX #9C9B9C

RGB 156 155 156

HSL 300, 0.01%, 0.61%

LAB 64.09, 0.56, -0.4

 

CMYK 18 / 0 / 11 / 33

HEX #8CAB98

RGB 140 171 152

HSL 143.23, 0.16%, 0.61%

LAB 67.25, -14.51, 6.27

 

CMYK 34 / 0 / 21 / 27

HEX #7CBB94

RGB 124 187 148

HSL 142.86, 0.32%, 0.61%

LAB 70.85, -28.59, 13.44

 

CMYK 47 / 0 / 29 / 20

HEX #6CCB90

RGB 108 203 144

HSL 142.74, 0.48%, 0.61%

LAB 74.77, -41.35, 20.92

 

CMYK 3 / 19 / 0 / 33

HEX #A78BAC

RGB 167 139 172

HSL 290.91, 0.17%, 0.61%

LAB 61.36, 16.61, -13.4

 

CMYK 0 / 19 / 2 / 33

HEX #AC8BA9

RGB 172 139 169

HSL 305.45, 0.17%, 0.61%

LAB 61.74, 17.77, -11.07

 

CMYK 0 / 19 / 7 / 33

HEX #AC8BA0

RGB 172 139 160

HSL 321.82, 0.17%, 0.61%

LAB 61.46, 16.09, -6.38

 

CMYK 0 / 19 / 12 / 33

HEX #AC8B97

RGB 172 139 151

HSL 338.18, 0.17%, 0.61%

LAB 61.19, 14.49, -1.64

 

CMYK 0 / 19 / 17 / 33

HEX #AC8B8E

RGB 172 139 142

HSL 354.55, 0.17%, 0.61%

LAB 60.95, 12.98, 3.13

 

CMYK 0 / 29 / 11 / 47

HEX #865F77

RGB 134 95 119

HSL 323.08, 0.17%, 0.45%

LAB 45.06, 19.92, -7.18

 

CMYK 0 / 26 / 10 / 39

HEX #9B738C

RGB 155 115 140

HSL 322.5, 0.17%, 0.53%

LAB 53.08, 19.92, -7.47

 

CMYK 0 / 19 / 7 / 33

HEX #AC8BA0

RGB 172 139 160

HSL 321.82, 0.17%, 0.61%

LAB 61.46, 16.09, -6.38

 

CMYK 0 / 14 / 6 / 25

HEX #BEA3B3

RGB 190 163 179

HSL 324.44, 0.17%, 0.69%

LAB 69.75, 12.64, -4.59

 

CMYK 0 / 10 / 4 / 19

HEX #CFBBC7

RGB 207 187 199

HSL 324, 0.17%, 0.77%

LAB 77.83, 9.18, -3.46

 

CMYK 0 / 20 / 8 / 32

HEX #AD8BA0

RGB 173 139 160

HSL 322.94, 0.17%, 0.61%

LAB 61.56, 16.45, -6.22

 

CMYK 0 / 8 / 19 / 33

HEX #AC9E8B

RGB 172 158 139

HSL 34.55, 0.17%, 0.61%

LAB 65.82, 1.93, 11.78

 

CMYK 19 / 0 / 1 / 33

HEX #8BACAB

RGB 139 172 171

HSL 178.18, 0.17%, 0.61%

LAB 67.97, -11.41, -3.22

 

CMYK 0 / 20 / 8 / 32

HEX #AD8BA0

RGB 173 139 160

HSL 322.94, 0.17%, 0.61%

LAB 61.56, 16.45, -6.22

 

CMYK 7 / 0 / 19 / 33

HEX #A0AC8B

RGB 160 172 139

HSL 81.82, 0.17%, 0.61%

LAB 68.64, -10.19, 15.59

 

CMYK 19 / 7 / 0 / 33

HEX #8BA0AC

RGB 139 160 172

HSL 201.82, 0.17%, 0.61%

LAB 64.65, -4.71, -8.7

 

CMYK 0 / 20 / 8 / 32

HEX #AD8BA0

RGB 173 139 160

HSL 322.94, 0.17%, 0.61%

LAB 61.56, 16.45, -6.22

 

CMYK 0 / 8 / 19 / 33

HEX #AC9E8B

RGB 172 158 139

HSL 34.55, 0.17%, 0.61%

LAB 65.82, 1.93, 11.78

 

CMYK 19 / 0 / 12 / 33

HEX #8BAC97

RGB 139 172 151

HSL 141.82, 0.17%, 0.61%

LAB 67.45, -15.57, 7.09

 

CMYK 19 / 11 / 0 / 33

HEX #8B99AC

RGB 139 153 172

HSL 214.55, 0.17%, 0.61%

LAB 62.72, -0.83, -11.59

 

CMYK 0 / 20 / 8 / 32

HEX #AD8BA0

RGB 173 139 160

HSL 322.94, 0.17%, 0.61%

LAB 61.56, 16.45, -6.22

 

CMYK 0 / 2 / 19 / 33

HEX #ACA88B

RGB 172 168 139

HSL 52.73, 0.17%, 0.61%

LAB 68.49, -3.5, 15.52

 

CMYK 19 / 0 / 12 / 33

HEX #8BAC97

RGB 139 172 151

HSL 141.82, 0.17%, 0.61%

LAB 67.45, -15.57, 7.09

 

CMYK 19 / 17 / 0 / 33

HEX #8B8FAC

RGB 139 143 172

HSL 232.73, 0.17%, 0.61%

LAB 59.99, 4.82, -15.7

 

Description

Color code: CMYK 0 / 20 / 8 / 32 | qconv.com Color code: CMYK 0 / 20 / 8 / 32 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 139 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 139 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 8 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 8% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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