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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 20 / 29 / 21 it is the complementary color CMYK 52 / 16 / 0 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 20 / 29 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 20 / 29 / 21: CMYK 0 / 22 / 33 / 19, CMYK 0 / 20 / 30 / 13, CMYK 0 / 18 / 27 / 6, CMYK 0 / 16 / 24 / 0 and CMYK 0 / 9 / 16 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 20 / 29 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 20 / 29 / 21: CMYK 0 / 20 / 29 / 21, CMYK 0 / 22 / 33 / 28, CMYK 0 / 25 / 37 / 35, CMYK 0 / 29 / 43 / 41 and CMYK 0 / 33 / 50 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 29 / 21

HEX #C9A18F

RGB 201 161 143

HSL 18.62, 0.35%, 0.67%

LAB 69.39, 12.14, 14.97

 

Complementary color

CMYK 52 / 16 / 0 / 56

HEX #365E70

RGB 54 94 112

HSL 198.62, 0.35%, 0.33%

LAB 37.77, -8.62, -14.58

 

CMYK 0 / 22 / 33 / 19

HEX #CEA18A

RGB 206 161 138

HSL 20.29, 0.41%, 0.67%

LAB 69.79, 13.43, 18.35

 

CMYK 0 / 20 / 30 / 13

HEX #DFB39D

RGB 223 179 157

HSL 20, 0.51%, 0.75%

LAB 76.29, 12.8, 17.28

 

CMYK 0 / 18 / 27 / 6

HEX #F0C5B0

RGB 240 197 176

HSL 19.69, 0.68%, 0.82%

LAB 82.7, 12.23, 16.27

 

CMYK 0 / 16 / 24 / 0

HEX #FFD7C3

RGB 255 215 195

HSL 20, 1%, 0.88%

LAB 88.83, 10.99, 15.06

 

CMYK 0 / 9 / 16 / 0

HEX #FFE9D6

RGB 255 233 214

HSL 27.8, 1%, 0.92%

LAB 93.62, 4.48, 11.93

 

CMYK 0 / 20 / 29 / 21

HEX #C9A18F

RGB 201 161 143

HSL 18.62, 0.35%, 0.67%

LAB 69.39, 12.14, 14.97

 

CMYK 0 / 22 / 33 / 28

HEX #B88F7C

RGB 184 143 124

HSL 19, 0.3%, 0.6%

LAB 62.75, 12.78, 16.05

 

CMYK 0 / 25 / 37 / 35

HEX #A77D69

RGB 167 125 105

HSL 19.35, 0.26%, 0.53%

LAB 55.99, 13.52, 17.24

 

CMYK 0 / 29 / 43 / 41

HEX #966B56

RGB 150 107 86

HSL 19.69, 0.27%, 0.46%

LAB 49.09, 14.39, 18.56

 

CMYK 0 / 33 / 50 / 48

HEX #855943

RGB 133 89 67

HSL 20, 0.33%, 0.39%

LAB 42.06, 15.43, 20.06

 

CMYK 0 / 20 / 29 / 21

HEX #C9A18F

RGB 201 161 143

HSL 18.62, 0.35%, 0.67%

LAB 69.39, 12.14, 14.97

 

CMYK 0 / 16 / 30 / 22

HEX #C8A88D

RGB 200 168 141

HSL 27.46, 0.35%, 0.67%

LAB 71.01, 7.67, 18.31

 

CMYK 0 / 11 / 30 / 22

HEX #C8B28D

RGB 200 178 141

HSL 37.63, 0.35%, 0.67%

LAB 73.57, 2.29, 21.83

 

CMYK 0 / 6 / 30 / 22

HEX #C8BC8D

RGB 200 188 141

HSL 47.8, 0.35%, 0.67%

LAB 76.17, -3, 25.36

 

CMYK 0 / 1 / 30 / 22

HEX #C8C68D

RGB 200 198 141

HSL 57.97, 0.35%, 0.67%

LAB 78.8, -8.21, 28.89

 

CMYK 0 / 20 / 29 / 21

HEX #C9A18F

RGB 201 161 143

HSL 18.62, 0.35%, 0.67%

LAB 69.39, 12.14, 14.97

 

CMYK 0 / 20 / 29 / 1

HEX #FCCAB3

RGB 252 202 179

HSL 18.9, 0.92%, 0.85%

LAB 85.09, 14.49, 18.2

 

CMYK 0 / 21 / 29 / 81

HEX #302622

RGB 48 38 34

HSL 17.14, 0.17%, 0.16%

LAB 16.16, 3.91, 4.41

 

CMYK 0 / 20 / 29 / 61

HEX #634F46

RGB 99 79 70

HSL 18.62, 0.17%, 0.33%

LAB 35.37, 6.85, 8.48

 

CMYK 0 / 20 / 29 / 41

HEX #96786B

RGB 150 120 107

HSL 18.14, 0.17%, 0.5%

LAB 52.93, 9.66, 11.56

 

CMYK 0 / 20 / 29 / 21

HEX #C9A18F

RGB 201 161 143

HSL 18.62, 0.35%, 0.67%

LAB 69.39, 12.14, 14.97

 

CMYK 15 / 0 / 30 / 22

HEX #AAC88D

RGB 170 200 141

HSL 90.51, 0.35%, 0.67%

LAB 77.15, -20.54, 26.29

 

CMYK 30 / 27 / 0 / 22

HEX #8D93C8

RGB 141 147 200

HSL 233.9, 0.35%, 0.67%

LAB 62.25, 9.97, -28.03

 

CMYK 0 / 20 / 29 / 21

HEX #C9A18F

RGB 201 161 143

HSL 18.62, 0.35%, 0.67%

LAB 69.39, 12.14, 14.97

 

CMYK 30 / 0 / 21 / 22

HEX #8DC89F

RGB 141 200 159

HSL 138.31, 0.35%, 0.67%

LAB 75.75, -27.45, 14.52

 

CMYK 21 / 30 / 0 / 22

HEX #9F8DC8

RGB 159 141 200

HSL 258.31, 0.35%, 0.67%

LAB 62.16, 18.9, -28.06

 

CMYK 0 / 20 / 29 / 21

HEX #C9A18F

RGB 201 161 143

HSL 18.62, 0.35%, 0.67%

LAB 69.39, 12.14, 14.97

 

CMYK 15 / 0 / 30 / 22

HEX #AAC88D

RGB 170 200 141

HSL 90.51, 0.35%, 0.67%

LAB 77.15, -20.54, 26.29

 

CMYK 30 / 9 / 0 / 22

HEX #8DB6C8

RGB 141 182 200

HSL 198.31, 0.35%, 0.67%

LAB 71.75, -9.45, -13.57

 

CMYK 15 / 30 / 0 / 22

HEX #AA8DC8

RGB 170 141 200

HSL 269.49, 0.35%, 0.67%

LAB 63.15, 22.36, -26.45

 

CMYK 0 / 20 / 29 / 21

HEX #C9A18F

RGB 201 161 143

HSL 18.62, 0.35%, 0.67%

LAB 69.39, 12.14, 14.97

 

CMYK 24 / 0 / 30 / 22

HEX #99C88D

RGB 153 200 141

HSL 107.8, 0.35%, 0.67%

LAB 76.07, -26.59, 24.65

 

CMYK 30 / 9 / 0 / 22

HEX #8DB6C8

RGB 141 182 200

HSL 198.31, 0.35%, 0.67%

LAB 71.75, -9.45, -13.57

 

CMYK 6 / 30 / 0 / 22

HEX #BC8DC8

RGB 188 141 200

HSL 287.8, 0.35%, 0.67%

LAB 64.89, 28.16, -23.62

 

Description

Color code: CMYK 0 / 20 / 29 / 21 | qconv.com Color code: CMYK 0 / 20 / 29 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 161 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 161 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 29 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 29% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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