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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 1 / 85 / 15 it is the complementary color CMYK 83 / 82 / 0 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 1 / 85 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 1 / 85 / 15: CMYK 0 / 3 / 87 / 13, CMYK 0 / 3 / 80 / 6, CMYK 0 / 2 / 74 / 0, CMYK 0 / 0 / 67 / 0 and CMYK 0 / 0 / 59 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 1 / 85 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 1 / 85 / 15: CMYK 0 / 1 / 85 / 15, CMYK 0 / 1 / 93 / 22, CMYK 0 / 2 / 100 / 28, CMYK 0 / 3 / 100 / 35 and CMYK 0 / 4 / 100 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 85 / 15

HEX #D9D721

RGB 217 215 33

HSL 59.35, 0.74%, 0.49%

LAB 83.69, -17.64, 79.05

 

Complementary color

CMYK 83 / 82 / 0 / 13

HEX #2628DE

RGB 38 40 222

HSL 239.35, 0.74%, 0.51%

LAB 32.27, 60.61, -89.17

 

CMYK 0 / 3 / 87 / 13

HEX #DED71C

RGB 222 215 28

HSL 57.84, 0.78%, 0.49%

LAB 84.08, -15.64, 80.5

 

CMYK 0 / 3 / 80 / 6

HEX #EFE92F

RGB 239 233 47

HSL 58.13, 0.86%, 0.56%

LAB 90.25, -16.88, 82.04

 

CMYK 0 / 2 / 74 / 0

HEX #FFFB42

RGB 255 251 66

HSL 58.73, 1%, 0.63%

LAB 96.26, -18.36, 82.57

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 1 / 85 / 15

HEX #D9D721

RGB 217 215 33

HSL 59.35, 0.74%, 0.49%

LAB 83.69, -17.64, 79.05

 

CMYK 0 / 1 / 93 / 22

HEX #C8C50E

RGB 200 197 14

HSL 59.03, 0.87%, 0.42%

LAB 77.43, -16.31, 76.66

 

CMYK 0 / 2 / 100 / 28

HEX #B7B300

RGB 183 179 0

HSL 58.69, 1%, 0.36%

LAB 71.08, -14.77, 72.84

 

CMYK 0 / 3 / 100 / 35

HEX #A6A100

RGB 166 161 0

HSL 58.19, 1%, 0.33%

LAB 64.64, -13.04, 67.49

 

CMYK 0 / 4 / 100 / 42

HEX #958F00

RGB 149 143 0

HSL 57.58, 1%, 0.29%

LAB 58.07, -11.27, 62.04

 

CMYK 0 / 1 / 85 / 15

HEX #D9D721

RGB 217 215 33

HSL 59.35, 0.74%, 0.49%

LAB 83.69, -17.64, 79.05

 

CMYK 13 / 0 / 85 / 15

HEX #BDD920

RGB 189 217 32

HSL 69.08, 0.74%, 0.49%

LAB 82.14, -30.26, 77.12

 

CMYK 27 / 0 / 85 / 15

HEX #9ED920

RGB 158 217 32

HSL 79.14, 0.74%, 0.49%

LAB 80.18, -42.47, 74.69

 

CMYK 41 / 0 / 85 / 15

HEX #80D920

RGB 128 217 32

HSL 88.86, 0.74%, 0.49%

LAB 78.65, -53.11, 72.77

 

CMYK 55 / 0 / 85 / 15

HEX #61D920

RGB 97 217 32

HSL 98.92, 0.74%, 0.49%

LAB 77.44, -62.33, 71.25

 

CMYK 0 / 1 / 85 / 15

HEX #D9D721

RGB 217 215 33

HSL 59.35, 0.74%, 0.49%

LAB 83.69, -17.64, 79.05

 

CMYK 0 / 0 / 85 / 95

HEX #0D0D02

RGB 13 13 2

HSL 60, 0.73%, 0.03%

LAB 3.41, -1.57, 4.26

 

CMYK 0 / 2 / 84 / 75

HEX #403F0A

RGB 64 63 10

HSL 58.89, 0.73%, 0.15%

LAB 25.76, -6.88, 30.4

 

CMYK 0 / 1 / 85 / 55

HEX #737211

RGB 115 114 17

HSL 59.39, 0.74%, 0.26%

LAB 46.6, -10.99, 48.42

 

CMYK 0 / 1 / 85 / 35

HEX #A6A419

RGB 166 164 25

HSL 59.15, 0.74%, 0.37%

LAB 65.54, -14.16, 64.11

 

CMYK 0 / 1 / 85 / 15

HEX #D9D721

RGB 217 215 33

HSL 59.35, 0.74%, 0.49%

LAB 83.69, -17.64, 79.05

 

CMYK 85 / 0 / 70 / 15

HEX #20D942

RGB 32 217 66

HSL 131.03, 0.74%, 0.49%

LAB 76.27, -71.51, 59.41

 

CMYK 35 / 85 / 0 / 15

HEX #8C20D9

RGB 140 32 217

HSL 275.03, 0.74%, 0.49%

LAB 40.6, 71.42, -72.21

 

CMYK 0 / 1 / 85 / 15

HEX #D9D721

RGB 217 215 33

HSL 59.35, 0.74%, 0.49%

LAB 83.69, -17.64, 79.05

 

CMYK 85 / 0 / 1 / 15

HEX #20D9D6

RGB 32 217 214

HSL 179.03, 0.74%, 0.49%

LAB 78.92, -42.26, -10.76

 

CMYK 1 / 85 / 0 / 15

HEX #D620D9

RGB 214 32 217

HSL 299.03, 0.74%, 0.49%

LAB 52.22, 83.05, -52.85

 

CMYK 0 / 1 / 85 / 15

HEX #D9D721

RGB 217 215 33

HSL 59.35, 0.74%, 0.49%

LAB 83.69, -17.64, 79.05

 

CMYK 85 / 0 / 70 / 15

HEX #20D942

RGB 32 217 66

HSL 131.03, 0.74%, 0.49%

LAB 76.27, -71.51, 59.41

 

CMYK 85 / 84 / 0 / 15

HEX #2023D9

RGB 32 35 217

HSL 239.03, 0.74%, 0.49%

LAB 30.69, 61.06, -88.92

 

CMYK 0 / 85 / 16 / 15

HEX #D920B7

RGB 217 32 183

HSL 311.03, 0.74%, 0.49%

LAB 50.92, 78.83, -35.25

 

CMYK 0 / 1 / 85 / 15

HEX #D9D721

RGB 217 215 33

HSL 59.35, 0.74%, 0.49%

LAB 83.69, -17.64, 79.05

 

CMYK 85 / 0 / 44 / 15

HEX #20D979

RGB 32 217 121

HSL 148.86, 0.74%, 0.49%

LAB 76.87, -64.23, 35.29

 

CMYK 85 / 84 / 0 / 15

HEX #2023D9

RGB 32 35 217

HSL 239.03, 0.74%, 0.49%

LAB 30.69, 61.06, -88.92

 

CMYK 0 / 85 / 41 / 15

HEX #D92080

RGB 217 32 128

HSL 328.86, 0.74%, 0.49%

LAB 48.69, 72.69, -5.88

 

Description

Color code: CMYK 0 / 1 / 85 / 15 | qconv.com Color code: CMYK 0 / 1 / 85 / 15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 215 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 215 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 85 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 85% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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