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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 1 / 29 / 68 it is the complementary color CMYK 12 / 12 / 0 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 1 / 29 / 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 1 / 29 / 68: CMYK 0 / 7 / 39 / 66, CMYK 0 / 5 / 31 / 59, CMYK 0 / 3 / 25 / 53, CMYK 0 / 2 / 20 / 46 and CMYK 0 / 1 / 17 / 39

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 1 / 29 / 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 1 / 29 / 68: CMYK 0 / 1 / 29 / 68, CMYK 0 / 3 / 40 / 75, CMYK 0 / 6 / 58 / 81, CMYK 0 / 13 / 97 / 88 and CMYK 0 / 36 / 100 / 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 29 / 68

HEX #52513A

RGB 82 81 58

HSL 57.5, 0.17%, 0.27%

LAB 33.95, -3.88, 13.72

 

Complementary color

CMYK 12 / 12 / 0 / 23

HEX #ADAEC5

RGB 173 174 197

HSL 237.5, 0.17%, 0.73%

LAB 71.68, 4.25, -11.8

 

CMYK 0 / 7 / 39 / 66

HEX #575135

RGB 87 81 53

HSL 49.41, 0.24%, 0.27%

LAB 34.33, -2.34, 17.38

 

CMYK 0 / 5 / 31 / 59

HEX #686348

RGB 104 99 72

HSL 50.63, 0.18%, 0.35%

LAB 41.74, -2.74, 16.09

 

CMYK 0 / 3 / 25 / 53

HEX #79755B

RGB 121 117 91

HSL 52, 0.14%, 0.42%

LAB 48.94, -3.05, 14.93

 

CMYK 0 / 2 / 20 / 46

HEX #8A876E

RGB 138 135 110

HSL 53.57, 0.11%, 0.49%

LAB 55.94, -3.3, 13.87

 

CMYK 0 / 1 / 17 / 39

HEX #9B9981

RGB 155 153 129

HSL 55.38, 0.12%, 0.56%

LAB 62.79, -3.51, 12.9

 

CMYK 0 / 1 / 29 / 68

HEX #52513A

RGB 82 81 58

HSL 57.5, 0.17%, 0.27%

LAB 33.95, -3.88, 13.72

 

CMYK 0 / 3 / 40 / 75

HEX #413F27

RGB 65 63 39

HSL 55.38, 0.25%, 0.2%

LAB 26.23, -3.54, 15.05

 

CMYK 0 / 6 / 58 / 81

HEX #302D14

RGB 48 45 20

HSL 53.57, 0.41%, 0.13%

LAB 18.17, -3, 16.55

 

CMYK 0 / 13 / 97 / 88

HEX #1F1B01

RGB 31 27 1

HSL 52, 0.94%, 0.06%

LAB 9.62, -2.26, 13.93

 

CMYK 0 / 36 / 100 / 95

HEX #0E0900

RGB 14 9 0

HSL 38.57, 1%, 0.03%

LAB 2.61, 0.18, 3.91

 

CMYK 0 / 1 / 29 / 68

HEX #52513A

RGB 82 81 58

HSL 57.5, 0.17%, 0.27%

LAB 33.95, -3.88, 13.72

 

CMYK 4 / 0 / 29 / 69

HEX #4D5039

RGB 77 80 57

HSL 67.83, 0.17%, 0.27%

LAB 33.16, -5.68, 13.19

 

CMYK 9 / 0 / 29 / 69

HEX #495039

RGB 73 80 57

HSL 78.26, 0.17%, 0.27%

LAB 32.81, -7.45, 12.66

 

CMYK 13 / 0 / 29 / 69

HEX #465039

RGB 70 80 57

HSL 86.09, 0.17%, 0.27%

LAB 32.56, -8.75, 12.27

 

CMYK 18 / 0 / 29 / 69

HEX #425039

RGB 66 80 57

HSL 96.52, 0.17%, 0.27%

LAB 32.24, -10.46, 11.79

 

CMYK 0 / 1 / 29 / 68

HEX #52513A

RGB 82 81 58

HSL 57.5, 0.17%, 0.27%

LAB 33.95, -3.88, 13.72

 

CMYK 0 / 2 / 29 / 48

HEX #85835E

RGB 133 131 94

HSL 56.92, 0.17%, 0.45%

LAB 54.06, -5.52, 20.33

 

CMYK 0 / 1 / 29 / 28

HEX #B8B682

RGB 184 182 130

HSL 57.78, 0.28%, 0.62%

LAB 73.06, -7.56, 26.8

 

CMYK 0 / 1 / 29 / 8

HEX #EBE8A6

RGB 235 232 166

HSL 57.39, 0.63%, 0.79%

LAB 90.84, -8.98, 32.55

 

CMYK 0 / 0 / 29 / 88

HEX #1F1F16

RGB 31 31 22

HSL 60, 0.17%, 0.1%

LAB 11.48, -2.02, 6.17

 

CMYK 0 / 1 / 29 / 68

HEX #52513A

RGB 82 81 58

HSL 57.5, 0.17%, 0.27%

LAB 33.95, -3.88, 13.72

 

CMYK 29 / 0 / 25 / 69

HEX #39503C

RGB 57 80 60

HSL 127.83, 0.17%, 0.27%

LAB 31.65, -13.53, 9

 

CMYK 13 / 29 / 0 / 69

HEX #463950

RGB 70 57 80

HSL 273.91, 0.17%, 0.27%

LAB 26.18, 10.85, -11.84

 

CMYK 0 / 1 / 29 / 68

HEX #52513A

RGB 82 81 58

HSL 57.5, 0.17%, 0.27%

LAB 33.95, -3.88, 13.72

 

CMYK 29 / 0 / 1 / 69

HEX #39504F

RGB 57 80 79

HSL 177.39, 0.17%, 0.27%

LAB 32.19, -9.01, -2.27

 

CMYK 1 / 29 / 0 / 69

HEX #4F3950

RGB 79 57 80

HSL 297.39, 0.17%, 0.27%

LAB 27.21, 14.34, -10.18

 

CMYK 0 / 1 / 29 / 68

HEX #52513A

RGB 82 81 58

HSL 57.5, 0.17%, 0.27%

LAB 33.95, -3.88, 13.72

 

CMYK 29 / 0 / 25 / 69

HEX #39503C

RGB 57 80 60

HSL 127.83, 0.17%, 0.27%

LAB 31.65, -13.53, 9

 

CMYK 29 / 28 / 0 / 69

HEX #393A50

RGB 57 58 80

HSL 237.39, 0.17%, 0.27%

LAB 25.18, 5.33, -13.48

 

CMYK 0 / 29 / 4 / 69

HEX #50394D

RGB 80 57 77

HSL 307.83, 0.17%, 0.27%

LAB 27.21, 14.07, -8.2

 

CMYK 0 / 1 / 29 / 68

HEX #52513A

RGB 82 81 58

HSL 57.5, 0.17%, 0.27%

LAB 33.95, -3.88, 13.72

 

CMYK 29 / 0 / 16 / 69

HEX #395043

RGB 57 80 67

HSL 146.09, 0.17%, 0.27%

LAB 31.84, -11.98, 4.83

 

CMYK 29 / 28 / 0 / 69

HEX #393A50

RGB 57 58 80

HSL 237.39, 0.17%, 0.27%

LAB 25.18, 5.33, -13.48

 

CMYK 0 / 29 / 13 / 69

HEX #503946

RGB 80 57 70

HSL 326.09, 0.17%, 0.27%

LAB 26.94, 12.61, -3.98

 

Description

Color code: CMYK 0 / 1 / 29 / 68 | qconv.com Color code: CMYK 0 / 1 / 29 / 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 81 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 81 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 29 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 29% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Leonardo.da.Vinci.Mo...
Link: http://www.ruggedelegantliving.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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