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Color name
CMYK 0 / 1 / 27 / 42

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 1 / 27 / 42 it is the complementary color CMYK 27 / 26 / 0 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 1 / 27 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 1 / 27 / 42 shade: CMYK 0 / 5 / 33 / 40, CMYK 0 / 4 / 28 / 33, CMYK 0 / 3 / 25 / 27, CMYK 0 / 2 / 22 / 20 and CMYK 0 / 1 / 19 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 1 / 27 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 1 / 27 / 42 shade: CMYK 0 / 1 / 27 / 42, CMYK 0 / 2 / 32 / 49, CMYK 0 / 4 / 39 / 55, CMYK 0 / 5 / 47 / 62 and CMYK 0 / 7 / 60 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 1 / 27 / 42 shade: CMYK 0 / 1 / 27 / 42, CMYK 0 / 9 / 27 / 42, CMYK 0 / 16 / 27 / 42, CMYK 0 / 24 / 27 / 42 and CMYK 0 / 27 / 27 / 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 1 / 27 / 42 shade: CMYK 0 / 1 / 27 / 42, CMYK 6 / 0 / 27 / 42, CMYK 14 / 0 / 27 / 42, CMYK 21 / 0 / 27 / 42 and CMYK 27 / 0 / 27 / 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 1 / 27 / 42 shade matches the following richer shades: CMYK 0 / 1 / 27 / 42, CMYK 0 / 2 / 49 / 34, CMYK 0 / 4 / 66 / 26, CMYK 0 / 4 / 78 / 18 and CMYK 0 / 4 / 90 / 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 1 / 27 / 42 shade: CMYK 0 / 1 / 27 / 42, CMYK 0 / 0 / 0 / 50, CMYK 28 / 27 / 0 / 42, CMYK 49 / 46 / 0 / 34 and CMYK 66 / 62 / 0 / 26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 1 / 27 / 42 shade: CMYK 0 / 16 / 27 / 42, CMYK 0 / 9 / 27 / 42, CMYK 0 / 1 / 27 / 42, CMYK 5 / 0 / 27 / 42 and CMYK 13 / 0 / 27 / 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 1 / 27 / 42 shade: CMYK 0 / 2 / 28 / 61, CMYK 0 / 1 / 28 / 52, CMYK 0 / 1 / 27 / 42, CMYK 0 / 1 / 21 / 35 and CMYK 0 / 1 / 15 / 29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 1 / 27 / 42 shade: CMYK 0 / 1 / 27 / 42, CMYK 27 / 0 / 23 / 42 and CMYK 12 / 27 / 0 / 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 1 / 27 / 42 shade: CMYK 0 / 1 / 27 / 42, CMYK 27 / 0 / 1 / 42 and CMYK 1 / 27 / 0 / 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 1 / 27 / 42 shade: CMYK 0 / 1 / 27 / 42, CMYK 27 / 0 / 23 / 42, CMYK 27 / 26 / 0 / 42 and CMYK 0 / 27 / 4 / 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 1 / 27 / 42 shade: CMYK 0 / 1 / 27 / 42, CMYK 27 / 0 / 15 / 42, CMYK 27 / 26 / 0 / 42 and CMYK 0 / 27 / 12 / 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 27 / 42

HEX #94926C

RGB 148 146 108

HSL 57, 0.16%, 0.5%

LAB 59.83, -5.65, 20.47

 

Complementary color

CMYK 27 / 26 / 0 / 42

HEX #6B6D93

RGB 107 109 147

HSL 237, 0.16%, 0.5%

LAB 47.2, 8.2, -20.95

 

CMYK 0 / 5 / 33 / 40

HEX #999267

RGB 153 146 103

HSL 51.6, 0.2%, 0.5%

LAB 60.17, -4.3, 23.77

 

CMYK 0 / 4 / 28 / 33

HEX #AAA47A

RGB 170 164 122

HSL 52.5, 0.22%, 0.57%

LAB 66.9, -4.62, 22.63

 

CMYK 0 / 3 / 25 / 27

HEX #BBB68D

RGB 187 182 141

HSL 53.48, 0.25%, 0.64%

LAB 73.51, -4.89, 21.56

 

CMYK 0 / 2 / 22 / 20

HEX #CCC8A0

RGB 204 200 160

HSL 54.55, 0.3%, 0.71%

LAB 80, -5.12, 20.55

 

CMYK 0 / 1 / 19 / 13

HEX #DDDAB3

RGB 221 218 179

HSL 55.71, 0.38%, 0.78%

LAB 86.39, -5.32, 19.6

 

CMYK 0 / 1 / 27 / 42

HEX #94926C

RGB 148 146 108

HSL 57, 0.16%, 0.5%

LAB 59.83, -5.65, 20.47

 

CMYK 0 / 2 / 32 / 49

HEX #838059

RGB 131 128 89

HSL 55.71, 0.19%, 0.43%

LAB 52.93, -5.38, 21.63

 

CMYK 0 / 4 / 39 / 55

HEX #726E46

RGB 114 110 70

HSL 54.55, 0.24%, 0.36%

LAB 45.87, -5.02, 22.89

 

CMYK 0 / 5 / 47 / 62

HEX #615C33

RGB 97 92 51

HSL 53.48, 0.31%, 0.29%

LAB 38.61, -4.54, 24.23

 

CMYK 0 / 7 / 60 / 69

HEX #504A20

RGB 80 74 32

HSL 52.5, 0.43%, 0.22%

LAB 31.13, -3.87, 25.62

 

CMYK 0 / 1 / 27 / 42

HEX #93916B

RGB 147 145 107

HSL 57, 0.16%, 0.5%

LAB 59.45, -5.65, 20.49

 

CMYK 0 / 9 / 27 / 42

HEX #93866B

RGB 147 134 107

HSL 40.5, 0.16%, 0.5%

LAB 56.4, 0.45, 16.34

 

CMYK 0 / 16 / 27 / 42

HEX #937B6B

RGB 147 123 107

HSL 24, 0.16%, 0.5%

LAB 53.42, 6.71, 12.2

CMYK 0 / 16 / 27 / 42

CMYK 0 / 24 / 27 / 42

HEX #93706B

RGB 147 112 107

HSL 7.5, 0.16%, 0.5%

LAB 50.51, 13.06, 8.12

CMYK 0 / 24 / 27 / 42

CMYK 0 / 27 / 27 / 42

HEX #936B6B

RGB 147 107 107

HSL 0, 0.16%, 0.5%

LAB 49.23, 15.96, 6.29

CMYK 0 / 27 / 27 / 42

CMYK 0 / 1 / 27 / 42

HEX #93916B

RGB 147 145 107

HSL 57, 0.16%, 0.5%

LAB 59.45, -5.65, 20.49

 

CMYK 6 / 0 / 27 / 42

HEX #8A936B

RGB 138 147 107

HSL 73.5, 0.16%, 0.5%

LAB 59.28, -10.36, 20.14

 

CMYK 14 / 0 / 27 / 42

HEX #7F936B

RGB 127 147 107

HSL 90, 0.16%, 0.5%

LAB 58.45, -14.67, 18.88

 

CMYK 21 / 0 / 27 / 42

HEX #74936B

RGB 116 147 107

HSL 106.5, 0.16%, 0.5%

LAB 57.7, -18.83, 17.72

 

CMYK 27 / 0 / 27 / 42

HEX #6B936C

RGB 107 147 108

HSL 121.5, 0.16%, 0.5%

LAB 57.15, -21.9, 16.32

 

CMYK 0 / 1 / 27 / 42

HEX #93916B

RGB 147 145 107

HSL 57, 0.16%, 0.5%

LAB 59.45, -5.65, 20.49

 

CMYK 0 / 2 / 49 / 34

HEX #A8A456

RGB 168 164 86

HSL 57.07, 0.32%, 0.5%

LAB 66.17, -9.64, 40.67

 

CMYK 0 / 4 / 66 / 26

HEX #BDB641

RGB 189 182 65

HSL 56.61, 0.49%, 0.5%

LAB 72.67, -11.69, 58.11

 

CMYK 0 / 4 / 78 / 18

HEX #D1C92D

RGB 209 201 45

HSL 57.07, 0.65%, 0.5%

LAB 79.34, -13.73, 72.12

 

CMYK 0 / 4 / 90 / 10

HEX #E6DC18

RGB 230 220 24

HSL 57.09, 0.81%, 0.5%

LAB 86.04, -14.8, 83

 

CMYK 0 / 1 / 27 / 42

HEX #93916B

RGB 147 145 107

HSL 57, 0.16%, 0.5%

LAB 59.45, -5.65, 20.49

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 28 / 27 / 0 / 42

HEX #6A6C94

RGB 106 108 148

HSL 237.14, 0.17%, 0.5%

LAB 46.88, 8.75, -22.04

 

CMYK 49 / 46 / 0 / 34

HEX #565AA8

RGB 86 90 168

HSL 237.07, 0.32%, 0.5%

LAB 41.4, 20.12, -42.6

 

CMYK 66 / 62 / 0 / 26

HEX #4147BD

RGB 65 71 189

HSL 237.1, 0.49%, 0.5%

LAB 36.56, 35.07, -62.87

 

CMYK 0 / 16 / 27 / 42

HEX #937C6B

RGB 147 124 107

HSL 25.5, 0.16%, 0.5%

LAB 53.69, 6.13, 12.58

 

CMYK 0 / 9 / 27 / 42

HEX #93866B

RGB 147 134 107

HSL 40.5, 0.16%, 0.5%

LAB 56.4, 0.45, 16.34

 

CMYK 0 / 1 / 27 / 42

HEX #93916B

RGB 147 145 107

HSL 57, 0.16%, 0.5%

LAB 59.45, -5.65, 20.49

 

CMYK 5 / 0 / 27 / 42

HEX #8B936B

RGB 139 147 107

HSL 72, 0.16%, 0.5%

LAB 59.36, -9.96, 20.26

 

CMYK 13 / 0 / 27 / 42

HEX #80936B

RGB 128 147 107

HSL 88.5, 0.16%, 0.5%

LAB 58.53, -14.28, 18.99

 

CMYK 0 / 2 / 28 / 61

HEX #646248

RGB 100 98 72

HSL 55.71, 0.16%, 0.34%

LAB 41.08, -3.9, 15.13

 

CMYK 0 / 1 / 28 / 52

HEX #7B7A59

RGB 123 122 89

HSL 58.24, 0.16%, 0.42%

LAB 50.51, -5.36, 18.26

 

CMYK 0 / 1 / 27 / 42

HEX #93916B

RGB 147 145 107

HSL 57, 0.16%, 0.5%

LAB 59.45, -5.65, 20.49

 

CMYK 0 / 1 / 21 / 35

HEX #A5A383

RGB 165 163 131

HSL 56.47, 0.16%, 0.58%

LAB 66.39, -4.74, 16.93

 

CMYK 0 / 1 / 15 / 29

HEX #B6B59A

RGB 182 181 154

HSL 57.86, 0.16%, 0.66%

LAB 73.11, -4.31, 13.91

 

CMYK 0 / 1 / 27 / 42

HEX #94926C

RGB 148 146 108

HSL 57, 0.16%, 0.5%

LAB 59.83, -5.65, 20.47

 

CMYK 27 / 0 / 23 / 42

HEX #6B9371

RGB 107 147 113

HSL 129, 0.16%, 0.5%

LAB 57.26, -20.97, 13.65

 

CMYK 12 / 27 / 0 / 42

HEX #816B93

RGB 129 107 147

HSL 273, 0.16%, 0.5%

LAB 48.62, 16.74, -18.59

 

CMYK 0 / 1 / 27 / 42

HEX #94926C

RGB 148 146 108

HSL 57, 0.16%, 0.5%

LAB 59.83, -5.65, 20.47

 

CMYK 27 / 0 / 1 / 42

HEX #6B9391

RGB 107 147 145

HSL 177, 0.16%, 0.5%

LAB 58.07, -14.12, -3.4

 

CMYK 1 / 27 / 0 / 42

HEX #916B93

RGB 145 107 147

HSL 297, 0.16%, 0.5%

LAB 50.27, 22.3, -15.94

 

CMYK 0 / 1 / 27 / 42

HEX #94926C

RGB 148 146 108

HSL 57, 0.16%, 0.5%

LAB 59.83, -5.65, 20.47

 

CMYK 27 / 0 / 23 / 42

HEX #6B9371

RGB 107 147 113

HSL 129, 0.16%, 0.5%

LAB 57.26, -20.97, 13.65

 

CMYK 27 / 26 / 0 / 42

HEX #6B6D93

RGB 107 109 147

HSL 237, 0.16%, 0.5%

LAB 47.2, 8.2, -20.95

 

CMYK 0 / 27 / 4 / 42

HEX #936B8D

RGB 147 107 141

HSL 309, 0.16%, 0.5%

LAB 50.27, 21.82, -12.37

 

CMYK 0 / 1 / 27 / 42

HEX #94926C

RGB 148 146 108

HSL 57, 0.16%, 0.5%

LAB 59.83, -5.65, 20.47

 

CMYK 27 / 0 / 15 / 42

HEX #6B937D

RGB 107 147 125

HSL 147, 0.16%, 0.5%

LAB 57.53, -18.58, 7.23

 

CMYK 27 / 26 / 0 / 42

HEX #6B6D93

RGB 107 109 147

HSL 237, 0.16%, 0.5%

LAB 47.2, 8.2, -20.95

 

CMYK 0 / 27 / 12 / 42

HEX #936B81

RGB 147 107 129

HSL 327, 0.16%, 0.5%

LAB 49.86, 19.59, -5.87

 

Description

Color code: CMYK 0 / 1 / 27 / 42 | qconv.com Color code: CMYK 0 / 1 / 27 / 42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 146 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 146 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 27 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 27% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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