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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 15 / 32 / 25 it is the complementary color CMYK 49 / 26 / 0 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 15 / 32 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 15 / 32 / 25: CMYK 0 / 17 / 36 / 23, CMYK 0 / 15 / 32 / 16, CMYK 0 / 13 / 29 / 10, CMYK 0 / 12 / 26 / 3 and CMYK 0 / 8 / 21 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 15 / 32 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 15 / 32 / 25: CMYK 0 / 15 / 32 / 25, CMYK 0 / 17 / 36 / 32, CMYK 0 / 19 / 41 / 38, CMYK 0 / 22 / 48 / 45 and CMYK 0 / 26 / 56 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 32 / 25

HEX #BFA382

RGB 191 163 130

HSL 32.46, 0.32%, 0.63%

LAB 68.67, 5.37, 20.97

 

Complementary color

CMYK 49 / 26 / 0 / 51

HEX #405C7D

RGB 64 92 125

HSL 212.46, 0.32%, 0.37%

LAB 38.24, -0.61, -21.79

 

CMYK 0 / 17 / 36 / 23

HEX #C4A37D

RGB 196 163 125

HSL 32.11, 0.38%, 0.63%

LAB 69.05, 6.74, 24.29

 

CMYK 0 / 15 / 32 / 16

HEX #D5B590

RGB 213 181 144

HSL 32.17, 0.45%, 0.7%

LAB 75.58, 6.17, 23.15

 

CMYK 0 / 13 / 29 / 10

HEX #E6C7A3

RGB 230 199 163

HSL 32.24, 0.57%, 0.77%

LAB 82.01, 5.67, 22.08

 

CMYK 0 / 12 / 26 / 3

HEX #F7D9B6

RGB 247 217 182

HSL 32.31, 0.8%, 0.84%

LAB 88.34, 5.23, 21.07

 

CMYK 0 / 8 / 21 / 0

HEX #FFEBC9

RGB 255 235 201

HSL 37.78, 1%, 0.89%

LAB 93.84, 1.56, 18.97

 

CMYK 0 / 15 / 32 / 25

HEX #BFA382

RGB 191 163 130

HSL 32.46, 0.32%, 0.63%

LAB 68.67, 5.37, 20.97

 

CMYK 0 / 17 / 36 / 32

HEX #AE916F

RGB 174 145 111

HSL 32.38, 0.28%, 0.56%

LAB 62, 5.94, 22.13

 

CMYK 0 / 19 / 41 / 38

HEX #9D7F5C

RGB 157 127 92

HSL 32.31, 0.26%, 0.49%

LAB 55.2, 6.61, 23.38

 

CMYK 0 / 22 / 48 / 45

HEX #8C6D49

RGB 140 109 73

HSL 32.24, 0.31%, 0.42%

LAB 48.25, 7.43, 24.76

 

CMYK 0 / 26 / 56 / 52

HEX #7B5B36

RGB 123 91 54

HSL 32.17, 0.39%, 0.35%

LAB 41.15, 8.44, 26.28

 

CMYK 0 / 15 / 32 / 25

HEX #BFA382

RGB 191 163 130

HSL 32.46, 0.32%, 0.63%

LAB 68.67, 5.37, 20.97

 

CMYK 0 / 9 / 32 / 25

HEX #BEAC82

RGB 190 172 130

HSL 42, 0.32%, 0.63%

LAB 70.91, 0.11, 24

 

CMYK 0 / 4 / 32 / 25

HEX #BEB682

RGB 190 182 130

HSL 52, 0.32%, 0.63%

LAB 73.56, -5.2, 27.54

 

CMYK 1 / 0 / 32 / 25

HEX #BCBE82

RGB 188 190 130

HSL 62, 0.32%, 0.63%

LAB 75.53, -10.16, 30.14

 

CMYK 6 / 0 / 32 / 25

HEX #B2BE82

RGB 178 190 130

HSL 72, 0.32%, 0.63%

LAB 74.76, -14.04, 28.98

 

CMYK 0 / 15 / 32 / 25

HEX #BFA382

RGB 191 163 130

HSL 32.46, 0.32%, 0.63%

LAB 68.67, 5.37, 20.97

 

CMYK 0 / 14 / 32 / 5

HEX #F2CFA5

RGB 242 207 165

HSL 32.73, 0.75%, 0.8%

LAB 85.11, 6.33, 25.44

 

CMYK 0 / 16 / 32 / 85

HEX #26201A

RGB 38 32 26

HSL 30, 0.19%, 0.13%

LAB 12.73, 1.63, 5.14

 

CMYK 0 / 15 / 31 / 65

HEX #594C3D

RGB 89 76 61

HSL 32.14, 0.19%, 0.29%

LAB 33.2, 2.84, 10.94

 

CMYK 0 / 15 / 32 / 45

HEX #8C775F

RGB 140 119 95

HSL 32, 0.19%, 0.46%

LAB 51.38, 4.37, 16.24

 

CMYK 0 / 15 / 32 / 25

HEX #BFA382

RGB 191 163 130

HSL 32.46, 0.32%, 0.63%

LAB 68.67, 5.37, 20.97

 

CMYK 23 / 0 / 32 / 25

HEX #92BE82

RGB 146 190 130

HSL 104, 0.32%, 0.63%

LAB 72.59, -25.91, 25.7

 

CMYK 27 / 32 / 0 / 25

HEX #8A82BE

RGB 138 130 190

HSL 248, 0.32%, 0.63%

LAB 57.16, 16.39, -30.29

 

CMYK 0 / 15 / 32 / 25

HEX #BFA382

RGB 191 163 130

HSL 32.46, 0.32%, 0.63%

LAB 68.67, 5.37, 20.97

 

CMYK 32 / 0 / 15 / 25

HEX #82BEA2

RGB 130 190 162

HSL 152, 0.32%, 0.63%

LAB 72.35, -25.39, 8.01

 

CMYK 15 / 32 / 0 / 25

HEX #A282BE

RGB 162 130 190

HSL 272, 0.32%, 0.63%

LAB 59.31, 23.86, -26.79

 

CMYK 0 / 15 / 32 / 25

HEX #BFA382

RGB 191 163 130

HSL 32.46, 0.32%, 0.63%

LAB 68.67, 5.37, 20.97

 

CMYK 23 / 0 / 32 / 25

HEX #92BE82

RGB 146 190 130

HSL 104, 0.32%, 0.63%

LAB 72.59, -25.91, 25.7

 

CMYK 32 / 17 / 0 / 25

HEX #829EBE

RGB 130 158 190

HSL 212, 0.32%, 0.63%

LAB 64.09, -2.07, -19.68

 

CMYK 8 / 32 / 0 / 25

HEX #AE82BE

RGB 174 130 190

HSL 284, 0.32%, 0.63%

LAB 60.5, 27.73, -24.86

 

CMYK 0 / 15 / 32 / 25

HEX #BFA382

RGB 191 163 130

HSL 32.46, 0.32%, 0.63%

LAB 68.67, 5.37, 20.97

 

CMYK 32 / 0 / 31 / 25

HEX #82BE84

RGB 130 190 132

HSL 122, 0.32%, 0.63%

LAB 71.72, -31.04, 23.3

 

CMYK 32 / 17 / 0 / 25

HEX #829EBE

RGB 130 158 190

HSL 212, 0.32%, 0.63%

LAB 64.09, -2.07, -19.68

 

CMYK 0 / 32 / 1 / 25

HEX #BE82BC

RGB 190 130 188

HSL 302, 0.32%, 0.63%

LAB 62.12, 32.57, -21.09

 

Description

Color code: CMYK 0 / 15 / 32 / 25 | qconv.com Color code: CMYK 0 / 15 / 32 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 163 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 163 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 32 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 32% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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