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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 14 / 32 / 5 it is the complementary color CMYK 86 / 48 / 0 / 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 14 / 32 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 14 / 32 / 5: CMYK 0 / 16 / 35 / 3, CMYK 0 / 11 / 30 / 0, CMYK 0 / 4 / 22 / 0, CMYK 0 / 0 / 15 / 0 and CMYK 0 / 0 / 7 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 14 / 32 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 14 / 32 / 5: CMYK 0 / 14 / 32 / 5, CMYK 0 / 16 / 35 / 12, CMYK 0 / 17 / 39 / 18, CMYK 0 / 19 / 43 / 25 and CMYK 0 / 22 / 49 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 32 / 5

HEX #F2D0A5

RGB 242 208 165

HSL 33.51, 0.75%, 0.8%

LAB 85.36, 5.81, 25.78

 

Complementary color

CMYK 86 / 48 / 0 / 65

HEX #0D2F5A

RGB 13 47 90

HSL 213.51, 0.75%, 0.2%

LAB 19.46, 5.66, -29.29

 

CMYK 0 / 16 / 35 / 3

HEX #F7D0A0

RGB 247 208 160

HSL 33.1, 0.84%, 0.8%

LAB 85.72, 7.12, 28.95

 

CMYK 0 / 11 / 30 / 0

HEX #FFE2B3

RGB 255 226 179

HSL 37.11, 1%, 0.85%

LAB 91.19, 3.21, 26.66

 

CMYK 0 / 4 / 22 / 0

HEX #FFF4C6

RGB 255 244 198

HSL 48.42, 1%, 0.89%

LAB 96.01, -3.4, 23.53

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 0 / 14 / 32 / 5

HEX #F2D0A5

RGB 242 208 165

HSL 33.51, 0.75%, 0.8%

LAB 85.36, 5.81, 25.78

 

CMYK 0 / 16 / 35 / 12

HEX #E1BE92

RGB 225 190 146

HSL 33.42, 0.57%, 0.73%

LAB 78.99, 6.34, 26.89

 

CMYK 0 / 17 / 39 / 18

HEX #D0AC7F

RGB 208 172 127

HSL 33.33, 0.46%, 0.66%

LAB 72.53, 6.95, 28.06

 

CMYK 0 / 19 / 43 / 25

HEX #BF9A6C

RGB 191 154 108

HSL 33.25, 0.39%, 0.59%

LAB 65.96, 7.65, 29.33

 

CMYK 0 / 22 / 49 / 32

HEX #AE8859

RGB 174 136 89

HSL 33.18, 0.34%, 0.52%

LAB 59.28, 8.47, 30.69

 

CMYK 0 / 14 / 32 / 5

HEX #F2D0A5

RGB 242 208 165

HSL 33.51, 0.75%, 0.8%

LAB 85.36, 5.81, 25.78

 

CMYK 0 / 9 / 32 / 5

HEX #F2DCA5

RGB 242 220 165

HSL 42.86, 0.75%, 0.8%

LAB 88.34, -0.37, 29.82

 

CMYK 0 / 4 / 32 / 5

HEX #F2E9A5

RGB 242 233 165

HSL 52.99, 0.75%, 0.8%

LAB 91.63, -6.96, 34.21

 

CMYK 2 / 0 / 32 / 5

HEX #EEF2A5

RGB 238 242 165

HSL 63.12, 0.75%, 0.8%

LAB 93.62, -12.95, 36.79

 

CMYK 7 / 0 / 32 / 5

HEX #E1F2A5

RGB 225 242 165

HSL 73.25, 0.75%, 0.8%

LAB 92.68, -17.77, 35.37

 

CMYK 0 / 14 / 32 / 5

HEX #F2D0A5

RGB 242 208 165

HSL 33.51, 0.75%, 0.8%

LAB 85.36, 5.81, 25.78

 

CMYK 0 / 13 / 32 / 85

HEX #26211A

RGB 38 33 26

HSL 35, 0.19%, 0.13%

LAB 13.07, 0.92, 5.61

 

CMYK 0 / 15 / 31 / 65

HEX #594C3D

RGB 89 76 61

HSL 32.14, 0.19%, 0.29%

LAB 33.2, 2.84, 10.94

 

CMYK 0 / 14 / 32 / 45

HEX #8C785F

RGB 140 120 95

HSL 33.33, 0.19%, 0.46%

LAB 51.65, 3.79, 16.61

 

CMYK 0 / 14 / 32 / 25

HEX #BFA482

RGB 191 164 130

HSL 33.44, 0.32%, 0.63%

LAB 68.92, 4.83, 21.32

 

CMYK 0 / 14 / 32 / 5

HEX #F2D0A5

RGB 242 208 165

HSL 33.51, 0.75%, 0.8%

LAB 85.36, 5.81, 25.78

 

CMYK 24 / 0 / 32 / 5

HEX #B8F2A5

RGB 184 242 165

HSL 105.19, 0.75%, 0.8%

LAB 90.05, -32.26, 31.4

 

CMYK 27 / 32 / 0 / 5

HEX #B1A5F2

RGB 177 165 242

HSL 249.35, 0.75%, 0.8%

LAB 71.33, 20.68, -36.94

 

CMYK 0 / 14 / 32 / 5

HEX #F2D0A5

RGB 242 208 165

HSL 33.51, 0.75%, 0.8%

LAB 85.36, 5.81, 25.78

 

CMYK 32 / 0 / 14 / 5

HEX #A5F2CF

RGB 165 242 207

HSL 152.73, 0.75%, 0.8%

LAB 89.86, -30.92, 9.4

 

CMYK 14 / 32 / 0 / 5

HEX #CFA5F2

RGB 207 165 242

HSL 272.73, 0.75%, 0.8%

LAB 73.92, 29.59, -32.71

 

CMYK 0 / 14 / 32 / 5

HEX #F2D0A5

RGB 242 208 165

HSL 33.51, 0.75%, 0.8%

LAB 85.36, 5.81, 25.78

 

CMYK 24 / 0 / 32 / 5

HEX #B8F2A5

RGB 184 242 165

HSL 105.19, 0.75%, 0.8%

LAB 90.05, -32.26, 31.4

 

CMYK 32 / 17 / 0 / 5

HEX #A5C8F2

RGB 165 200 242

HSL 212.73, 0.75%, 0.8%

LAB 79.45, -1.98, -24.51

 

CMYK 8 / 32 / 0 / 5

HEX #DFA5F2

RGB 223 165 242

HSL 285.19, 0.75%, 0.8%

LAB 75.46, 34.5, -30.23

 

CMYK 0 / 14 / 32 / 5

HEX #F2D0A5

RGB 242 208 165

HSL 33.51, 0.75%, 0.8%

LAB 85.36, 5.81, 25.78

 

CMYK 32 / 0 / 30 / 5

HEX #A5F2A9

RGB 165 242 169

HSL 123.12, 0.75%, 0.8%

LAB 89.1, -37.79, 27.91

 

CMYK 32 / 17 / 0 / 5

HEX #A5C8F2

RGB 165 200 242

HSL 212.73, 0.75%, 0.8%

LAB 79.45, -1.98, -24.51

 

CMYK 0 / 32 / 2 / 5

HEX #F2A5EE

RGB 242 165 238

HSL 303.12, 0.75%, 0.8%

LAB 77.26, 39.68, -25.13

 

Description

Color code: CMYK 0 / 14 / 32 / 5 | qconv.com Color code: CMYK 0 / 14 / 32 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 208 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 208 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 32 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 32% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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