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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 12 / 18 / 60 it is the complementary color CMYK 11 / 4 / 0 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 12 / 18 / 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 12 / 18 / 60: CMYK 0 / 16 / 26 / 58, CMYK 0 / 13 / 21 / 51, CMYK 0 / 11 / 17 / 45, CMYK 0 / 9 / 14 / 38 and CMYK 0 / 7 / 11 / 31

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 12 / 18 / 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 12 / 18 / 60: CMYK 0 / 12 / 18 / 60, CMYK 0 / 15 / 24 / 67, CMYK 0 / 21 / 32 / 73, CMYK 0 / 29 / 47 / 80 and CMYK 0 / 47 / 76 / 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 18 / 60

HEX #665A54

RGB 102 90 84

HSL 20, 0.1%, 0.36%

LAB 39.2, 3.75, 5.24

 

Complementary color

CMYK 11 / 4 / 0 / 33

HEX #99A5AB

RGB 153 165 171

HSL 200, 0.1%, 0.64%

LAB 66.99, -2.99, -4.56

 

CMYK 0 / 16 / 26 / 58

HEX #6B5A4F

RGB 107 90 79

HSL 23.57, 0.15%, 0.36%

LAB 39.58, 5.03, 8.93

 

CMYK 0 / 13 / 21 / 51

HEX #7C6C62

RGB 124 108 98

HSL 23.08, 0.12%, 0.44%

LAB 46.83, 4.55, 7.9

 

CMYK 0 / 11 / 17 / 45

HEX #8D7E75

RGB 141 126 117

HSL 22.5, 0.1%, 0.51%

LAB 53.89, 4.15, 6.98

 

CMYK 0 / 9 / 14 / 38

HEX #9E9088

RGB 158 144 136

HSL 21.82, 0.1%, 0.58%

LAB 60.78, 3.8, 6.13

 

CMYK 0 / 7 / 11 / 31

HEX #AFA29B

RGB 175 162 155

HSL 21, 0.11%, 0.65%

LAB 67.52, 3.5, 5.33

 

CMYK 0 / 12 / 18 / 60

HEX #665A54

RGB 102 90 84

HSL 20, 0.1%, 0.36%

LAB 39.2, 3.75, 5.24

 

CMYK 0 / 15 / 24 / 67

HEX #554841

RGB 85 72 65

HSL 21, 0.13%, 0.29%

LAB 31.69, 4.21, 6.23

 

CMYK 0 / 21 / 32 / 73

HEX #44362E

RGB 68 54 46

HSL 21.82, 0.19%, 0.22%

LAB 23.88, 4.8, 7.38

 

CMYK 0 / 29 / 47 / 80

HEX #33241B

RGB 51 36 27

HSL 22.5, 0.31%, 0.15%

LAB 15.72, 5.64, 8.79

 

CMYK 0 / 47 / 76 / 87

HEX #221208

RGB 34 18 8

HSL 23.08, 0.62%, 0.08%

LAB 7.14, 6.82, 7.53

 

CMYK 0 / 12 / 18 / 60

HEX #665A54

RGB 102 90 84

HSL 20, 0.1%, 0.36%

LAB 39.2, 3.75, 5.24

 

CMYK 0 / 9 / 18 / 61

HEX #645B52

RGB 100 91 82

HSL 30, 0.1%, 0.36%

LAB 39.24, 1.95, 6.5

 

CMYK 0 / 6 / 18 / 61

HEX #645E52

RGB 100 94 82

HSL 40, 0.1%, 0.36%

LAB 40.12, 0.14, 7.74

 

CMYK 0 / 3 / 18 / 61

HEX #646152

RGB 100 97 82

HSL 50, 0.1%, 0.36%

LAB 41.01, -1.66, 8.99

 

CMYK 0 / 0 / 18 / 61

HEX #646452

RGB 100 100 82

HSL 60, 0.1%, 0.36%

LAB 41.9, -3.44, 10.24

 

CMYK 0 / 12 / 18 / 60

HEX #665A54

RGB 102 90 84

HSL 20, 0.1%, 0.36%

LAB 39.2, 3.75, 5.24

 

CMYK 0 / 12 / 18 / 40

HEX #99877E

RGB 153 135 126

HSL 20, 0.12%, 0.55%

LAB 57.66, 5.25, 7.32

 

CMYK 0 / 12 / 18 / 20

HEX #CCB4A8

RGB 204 180 168

HSL 20, 0.26%, 0.73%

LAB 75.02, 6.66, 9.26

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 12 / 18 / 80

HEX #332D2A

RGB 51 45 42

HSL 20, 0.1%, 0.18%

LAB 19, 2.09, 2.93

 

CMYK 0 / 12 / 18 / 60

HEX #665A54

RGB 102 90 84

HSL 20, 0.1%, 0.36%

LAB 39.2, 3.75, 5.24

 

CMYK 9 / 0 / 18 / 61

HEX #5B6452

RGB 91 100 82

HSL 90, 0.1%, 0.36%

LAB 41.13, -7.16, 9.06

 

CMYK 18 / 17 / 0 / 61

HEX #525364

RGB 82 83 100

HSL 236.67, 0.1%, 0.36%

LAB 35.79, 3.58, -9.95

 

CMYK 0 / 12 / 18 / 60

HEX #665A54

RGB 102 90 84

HSL 20, 0.1%, 0.36%

LAB 39.2, 3.75, 5.24

 

CMYK 18 / 0 / 12 / 61

HEX #526458

RGB 82 100 88

HSL 140, 0.1%, 0.36%

LAB 40.59, -9.49, 4.55

 

CMYK 12 / 18 / 0 / 61

HEX #585264

RGB 88 82 100

HSL 260, 0.1%, 0.36%

LAB 36.04, 6.43, -9.53

 

CMYK 0 / 12 / 18 / 60

HEX #665A54

RGB 102 90 84

HSL 20, 0.1%, 0.36%

LAB 39.2, 3.75, 5.24

 

CMYK 9 / 0 / 18 / 61

HEX #5B6452

RGB 91 100 82

HSL 90, 0.1%, 0.36%

LAB 41.13, -7.16, 9.06

 

CMYK 18 / 6 / 0 / 61

HEX #525E64

RGB 82 94 100

HSL 200, 0.1%, 0.36%

LAB 39.1, -3.2, -4.99

 

CMYK 8 / 18 / 0 / 61

HEX #5C5264

RGB 92 82 100

HSL 273.33, 0.1%, 0.36%

LAB 36.42, 7.95, -8.91

 

CMYK 0 / 12 / 18 / 60

HEX #665A54

RGB 102 90 84

HSL 20, 0.1%, 0.36%

LAB 39.2, 3.75, 5.24

 

CMYK 15 / 0 / 18 / 61

HEX #556452

RGB 85 100 82

HSL 110, 0.1%, 0.36%

LAB 40.66, -9.56, 8.33

 

CMYK 18 / 6 / 0 / 61

HEX #525E64

RGB 82 94 100

HSL 200, 0.1%, 0.36%

LAB 39.1, -3.2, -4.99

 

CMYK 3 / 18 / 0 / 61

HEX #615264

RGB 97 82 100

HSL 290, 0.1%, 0.36%

LAB 36.92, 9.86, -8.11

 

Description

Color code: CMYK 0 / 12 / 18 / 60 | qconv.com Color code: CMYK 0 / 12 / 18 / 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 90 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 90 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 18 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 18% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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