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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 11 / 8 / 33 it is the complementary color CMYK 18 / 0 / 5 / 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 11 / 8 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 11 / 8 / 33: CMYK 0 / 14 / 14 / 31, CMYK 0 / 12 / 11 / 24, CMYK 0 / 10 / 10 / 18, CMYK 0 / 9 / 8 / 11 and CMYK 0 / 8 / 7 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 11 / 8 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 11 / 8 / 33: CMYK 0 / 11 / 8 / 33, CMYK 0 / 13 / 10 / 40, CMYK 0 / 15 / 13 / 46, CMYK 0 / 18 / 17 / 53 and CMYK 0 / 22 / 21 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 8 / 33

HEX #AB989D

RGB 171 152 157

HSL 344.21, 0.1%, 0.63%

LAB 64.6, 7.89, -0.06

Complementary color

CMYK 18 / 0 / 5 / 60

HEX #546762

RGB 84 103 98

HSL 164.21, 0.1%, 0.37%

LAB 41.95, -8.27, 0.44

 

CMYK 0 / 14 / 14 / 31

HEX #B09898

RGB 176 152 152

HSL 0, 0.13%, 0.64%

LAB 64.93, 8.88, 3.28

 

CMYK 0 / 12 / 11 / 24

HEX #C1AAAB

RGB 193 170 171

HSL 357.39, 0.16%, 0.71%

LAB 71.57, 8.49, 2.53

 

CMYK 0 / 10 / 10 / 18

HEX #D2BCBE

RGB 210 188 190

HSL 354.55, 0.2%, 0.78%

LAB 78.1, 8.13, 1.83

 

CMYK 0 / 9 / 8 / 11

HEX #E3CED1

RGB 227 206 209

HSL 351.43, 0.27%, 0.85%

LAB 84.52, 7.81, 1.16

 

CMYK 0 / 8 / 7 / 4

HEX #F4E0E4

RGB 244 224 228

HSL 348, 0.48%, 0.92%

LAB 90.85, 7.51, 0.52

 

CMYK 0 / 11 / 8 / 33

HEX #AB989D

RGB 171 152 157

HSL 344.21, 0.1%, 0.63%

LAB 64.6, 7.89, -0.06

Pantone® 436 C

CMYK 0 / 13 / 10 / 40

HEX #9A868A

RGB 154 134 138

HSL 348, 0.09%, 0.56%

LAB 57.8, 8.27, 0.64

 

CMYK 0 / 15 / 13 / 46

HEX #897477

RGB 137 116 119

HSL 351.43, 0.08%, 0.5%

LAB 50.85, 8.7, 1.39

 

CMYK 0 / 18 / 17 / 53

HEX #786264

RGB 120 98 100

HSL 354.55, 0.1%, 0.43%

LAB 43.72, 9.2, 2.19

 

CMYK 0 / 22 / 21 / 60

HEX #675051

RGB 103 80 81

HSL 357.39, 0.13%, 0.36%

LAB 36.39, 9.79, 3.09

 

CMYK 0 / 11 / 8 / 33

HEX #AB989D

RGB 171 152 157

HSL 344.21, 0.1%, 0.63%

LAB 64.6, 7.89, -0.06

Pantone® 436 C

CMYK 0 / 11 / 10 / 33

HEX #AA9799

RGB 170 151 153

HSL 353.68, 0.1%, 0.63%

LAB 64.14, 7.37, 1.51

 

CMYK 0 / 11 / 11 / 33

HEX #AA9897

RGB 170 152 151

HSL 3.16, 0.1%, 0.63%

LAB 64.35, 6.46, 2.94

 

CMYK 0 / 9 / 11 / 33

HEX #AA9B97

RGB 170 155 151

HSL 12.63, 0.1%, 0.63%

LAB 65.14, 4.8, 4.08

 

CMYK 0 / 7 / 11 / 33

HEX #AA9E97

RGB 170 158 151

HSL 22.11, 0.1%, 0.63%

LAB 65.93, 3.14, 5.22

 

CMYK 0 / 11 / 8 / 33

HEX #AB989D

RGB 171 152 157

HSL 344.21, 0.1%, 0.63%

LAB 64.6, 7.89, -0.06

Pantone® 436 C

CMYK 0 / 11 / 8 / 13

HEX #DEC5CC

RGB 222 197 204

HSL 343.2, 0.27%, 0.82%

LAB 81.74, 9.96, -0.28

 

CMYK 0 / 11 / 6 / 93

HEX #121011

RGB 18 16 17

HSL 330, 0.06%, 0.07%

LAB 4.87, 0.94, -0.27

 

CMYK 0 / 12 / 9 / 73

HEX #453D3F

RGB 69 61 63

HSL 345, 0.06%, 0.25%

LAB 26.63, 3.87, 0.03

 

CMYK 0 / 11 / 8 / 53

HEX #786B6E

RGB 120 107 110

HSL 346.15, 0.06%, 0.45%

LAB 46.49, 5.67, 0.18

 

CMYK 0 / 11 / 8 / 33

HEX #AB989D

RGB 171 152 157

HSL 344.21, 0.1%, 0.63%

LAB 64.6, 7.89, -0.06

Pantone® 436 C

CMYK 0 / 1 / 11 / 33

HEX #AAA897

RGB 170 168 151

HSL 53.68, 0.1%, 0.63%

LAB 68.6, -2.32, 9.04

 

CMYK 11 / 4 / 0 / 33

HEX #97A3AA

RGB 151 163 170

HSL 202.11, 0.1%, 0.63%

LAB 66.27, -2.79, -5.08

 

CMYK 0 / 11 / 8 / 33

HEX #AB989D

RGB 171 152 157

HSL 344.21, 0.1%, 0.63%

LAB 64.6, 7.89, -0.06

Pantone® 436 C

CMYK 8 / 0 / 11 / 33

HEX #9CAA97

RGB 156 170 151

HSL 104.21, 0.1%, 0.63%

LAB 68.06, -8.53, 8.12

 

CMYK 11 / 8 / 0 / 33

HEX #979CAA

RGB 151 156 170

HSL 224.21, 0.1%, 0.63%

LAB 64.37, 1.08, -7.9

 

CMYK 0 / 11 / 8 / 33

HEX #AB989D

RGB 171 152 157

HSL 344.21, 0.1%, 0.63%

LAB 64.6, 7.89, -0.06

Pantone® 436 C

CMYK 0 / 1 / 11 / 33

HEX #AAA897

RGB 170 168 151

HSL 53.68, 0.1%, 0.63%

LAB 68.6, -2.32, 9.04

 

CMYK 11 / 0 / 3 / 33

HEX #97AAA5

RGB 151 170 165

HSL 164.21, 0.1%, 0.63%

LAB 68.05, -7.61, 0.32

 

CMYK 11 / 11 / 0 / 33

HEX #9798AA

RGB 151 152 170

HSL 236.84, 0.1%, 0.63%

LAB 63.29, 3.31, -9.51

 

CMYK 0 / 11 / 8 / 33

HEX #AB989D

RGB 171 152 157

HSL 344.21, 0.1%, 0.63%

LAB 64.6, 7.89, -0.06

Pantone® 436 C

CMYK 3 / 0 / 11 / 33

HEX #A5AA97

RGB 165 170 151

HSL 75.79, 0.1%, 0.63%

LAB 68.74, -5.25, 9.19

 

CMYK 11 / 0 / 3 / 33

HEX #97AAA5

RGB 151 170 165

HSL 164.21, 0.1%, 0.63%

LAB 68.05, -7.61, 0.32

 

CMYK 9 / 11 / 0 / 33

HEX #9B97AA

RGB 155 151 170

HSL 252.63, 0.1%, 0.63%

LAB 63.35, 5.24, -9.39

 

Description

Color code: CMYK 0 / 11 / 8 / 33 | qconv.com Color code: CMYK 0 / 11 / 8 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 152 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 152 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 8 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 8% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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