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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 10 / 72 / 6 it is the complementary color CMYK 92 / 79 / 0 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 10 / 72 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 10 / 72 / 6: CMYK 0 / 12 / 75 / 4, CMYK 0 / 8 / 68 / 0, CMYK 0 / 1 / 61 / 0, CMYK 0 / 0 / 53 / 0 and CMYK 0 / 0 / 46 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 10 / 72 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 10 / 72 / 6: CMYK 0 / 10 / 72 / 6, CMYK 0 / 11 / 78 / 13, CMYK 0 / 13 / 86 / 19, CMYK 0 / 14 / 95 / 26 and CMYK 0 / 16 / 100 / 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 72 / 6

HEX #F0D843

RGB 240 216 67

HSL 51.68, 0.85%, 0.6%

LAB 86.03, -7.3, 72.15

 

Complementary color

CMYK 92 / 79 / 0 / 26

HEX #0F27BC

RGB 15 39 188

HSL 231.68, 0.85%, 0.4%

LAB 27.25, 49.61, -77.7

 

CMYK 0 / 12 / 75 / 4

HEX #F5D83E

RGB 245 216 62

HSL 50.49, 0.9%, 0.6%

LAB 86.44, -5.42, 74.43

 

CMYK 0 / 8 / 68 / 0

HEX #FFEA51

RGB 255 234 81

HSL 52.76, 1%, 0.66%

LAB 92, -9.4, 73.36

 

CMYK 0 / 1 / 61 / 0

HEX #FFFC64

RGB 255 252 100

HSL 58.84, 1%, 0.7%

LAB 96.74, -17.12, 70.86

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 10 / 72 / 6

HEX #F0D843

RGB 240 216 67

HSL 51.68, 0.85%, 0.6%

LAB 86.03, -7.3, 72.15

 

CMYK 0 / 11 / 78 / 13

HEX #DFC630

RGB 223 198 48

HSL 51.43, 0.73%, 0.53%

LAB 79.78, -6.12, 72.09

 

CMYK 0 / 13 / 86 / 19

HEX #CEB41D

RGB 206 180 29

HSL 51.19, 0.75%, 0.46%

LAB 73.45, -4.73, 71.16

 

CMYK 0 / 14 / 95 / 26

HEX #BDA20A

RGB 189 162 10

HSL 50.95, 0.9%, 0.39%

LAB 67.04, -3.12, 68.89

 

CMYK 0 / 16 / 100 / 33

HEX #AC9000

RGB 172 144 0

HSL 50.23, 1%, 0.34%

LAB 60.53, -1.25, 64.8

 

CMYK 0 / 10 / 72 / 6

HEX #F0D843

RGB 240 216 67

HSL 51.68, 0.85%, 0.6%

LAB 86.03, -7.3, 72.15

 

CMYK 1 / 0 / 72 / 6

HEX #ECEF42

RGB 236 239 66

HSL 61.04, 0.84%, 0.6%

LAB 91.67, -20.33, 77.76

 

CMYK 13 / 0 / 72 / 6

HEX #CFEF42

RGB 207 239 66

HSL 71.1, 0.84%, 0.6%

LAB 89.58, -31.99, 75.03

 

CMYK 25 / 0 / 72 / 6

HEX #B3EF42

RGB 179 239 66

HSL 80.81, 0.84%, 0.6%

LAB 87.83, -42.73, 72.74

 

CMYK 37 / 0 / 72 / 6

HEX #96EF42

RGB 150 239 66

HSL 90.87, 0.84%, 0.6%

LAB 86.31, -52.96, 70.74

 

CMYK 0 / 10 / 72 / 6

HEX #F0D843

RGB 240 216 67

HSL 51.68, 0.85%, 0.6%

LAB 86.03, -7.3, 72.15

 

CMYK 0 / 11 / 72 / 86

HEX #24200A

RGB 36 32 10

HSL 50.77, 0.57%, 0.09%

LAB 12.16, -1.82, 13.88

 

CMYK 0 / 10 / 72 / 66

HEX #574E18

RGB 87 78 24

HSL 51.43, 0.57%, 0.22%

LAB 33.01, -3.47, 32.08

 

CMYK 0 / 10 / 72 / 46

HEX #8A7C27

RGB 138 124 39

HSL 51.52, 0.56%, 0.35%

LAB 51.8, -4.81, 46.14

 

CMYK 0 / 10 / 72 / 26

HEX #BDAA35

RGB 189 170 53

HSL 51.62, 0.56%, 0.47%

LAB 69.34, -6.09, 59.52

 

CMYK 0 / 10 / 72 / 6

HEX #F0D843

RGB 240 216 67

HSL 51.68, 0.85%, 0.6%

LAB 86.03, -7.3, 72.15

 

CMYK 72 / 0 / 69 / 6

HEX #42EF4A

RGB 66 239 74

HSL 122.77, 0.84%, 0.6%

LAB 83.64, -73.36, 64.31

 

CMYK 40 / 72 / 0 / 6

HEX #9042EF

RGB 144 66 239

HSL 267.05, 0.84%, 0.6%

LAB 47.05, 64.95, -74.16

 

CMYK 0 / 10 / 72 / 6

HEX #F0D843

RGB 240 216 67

HSL 51.68, 0.85%, 0.6%

LAB 86.03, -7.3, 72.15

 

CMYK 72 / 0 / 11 / 6

HEX #42EFD5

RGB 66 239 213

HSL 170.98, 0.84%, 0.6%

LAB 85.85, -48.97, 0.06

 

CMYK 11 / 72 / 0 / 6

HEX #D542EF

RGB 213 66 239

HSL 290.98, 0.84%, 0.6%

LAB 56.36, 77.7, -58.65

 

CMYK 0 / 10 / 72 / 6

HEX #F0D843

RGB 240 216 67

HSL 51.68, 0.85%, 0.6%

LAB 86.03, -7.3, 72.15

 

CMYK 72 / 0 / 69 / 6

HEX #42EF4A

RGB 66 239 74

HSL 122.77, 0.84%, 0.6%

LAB 83.64, -73.36, 64.31

 

CMYK 72 / 62 / 0 / 6

HEX #425CEF

RGB 66 92 239

HSL 230.98, 0.84%, 0.6%

LAB 45.7, 39.45, -76.64

 

CMYK 0 / 72 / 3 / 6

HEX #EF42E7

RGB 239 66 231

HSL 302.77, 0.84%, 0.6%

LAB 59.9, 81.68, -48.29

 

CMYK 0 / 10 / 72 / 6

HEX #F0D843

RGB 240 216 67

HSL 51.68, 0.85%, 0.6%

LAB 86.03, -7.3, 72.15

 

CMYK 72 / 0 / 47 / 6

HEX #42EF7E

RGB 66 239 126

HSL 140.81, 0.84%, 0.6%

LAB 84.17, -67.09, 42.24

 

CMYK 72 / 62 / 0 / 6

HEX #425CEF

RGB 66 92 239

HSL 230.98, 0.84%, 0.6%

LAB 45.7, 39.45, -76.64

 

CMYK 0 / 72 / 25 / 6

HEX #EF42B3

RGB 239 66 179

HSL 320.81, 0.84%, 0.6%

LAB 57.56, 74.58, -22.32

 

Description

Color code: CMYK 0 / 10 / 72 / 6 | qconv.com Color code: CMYK 0 / 10 / 72 / 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 216 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 216 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 72 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 72% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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