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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - PMD-13 Periwinkle Blossom it is the complementary color Behr - PPU7-02 Tree Swing. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - PMD-13 Periwinkle Blossom. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - PMD-13 Periwinkle Blossom: Behr - S540-4 Vintage Ribbon, Behr - 610D-4 Bellflower, Behr - MQ5-45 Movie Magic, Behr - 580A-3 Rain Song and Behr - P530-1 Loyal

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - PMD-13 Periwinkle Blossom. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - PMD-13 Periwinkle Blossom: Behr - PMD-13 Periwinkle Blossom, Behr - 590F-5 Magic Spell, Behr - 620D-6 Royal Intrigue, Behr - 610D-6 Enduring and Behr - M530-7 Elegant Navy

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 17 / 0 / 27

HEX #8B9AB9

RGB 139 154 185

HSL 220.43, 0.25%, 0.64%

LAB 63.43, 1.66, -17.83

Behr
PMD-13 Periwinkle Blossom

Complementary color

CMYK 0 / 15 / 40 / 55

HEX #726144

RGB 114 97 68

HSL 37.83, 0.25%, 0.36%

LAB 42.07, 2.32, 19.08

Behr
PPU7-02 Tree Swing

CMYK 20 / 16 / 0 / 29

HEX #9097B4

RGB 144 151 180 1

HSL 228.33, 0.19%, 0.64%

LAB 62.81, 3.76, -15.92

Behr
S540-4 Vintage Ribbon

CMYK 19 / 13 / 0 / 22

HEX #A2AFC8

RGB 162 175 200 1

HSL 219.47, 0.26%, 0.71%

LAB 71.22, 0.77, -14.23

Behr
610D-4 Bellflower

CMYK 16 / 10 / 0 / 16

HEX #B2BFD5

RGB 178 191 213 1

HSL 217.71, 0.29%, 0.77%

LAB 77, 0.06, -12.53

Behr
MQ5-45 Movie Magic

CMYK 15 / 9 / 0 / 9

HEX #C5D5E9

RGB 197 213 233 1

HSL 213.33, 0.45%, 0.84%

LAB 84.66, -1.35, -11.65

Behr
580A-3 Rain Song

CMYK 13 / 6 / 0 / 6

HEX #D2E1F0

RGB 210 225 240 1

HSL 210, 0.5%, 0.88%

LAB 88.85, -2.06, -9.02

Behr
P530-1 Loyal

CMYK 25 / 17 / 0 / 27

HEX #8B9AB9

RGB 139 154 185 1

HSL 220.43, 0.25%, 0.64%

LAB 63.43, 1.66, -17.83

Behr
PMD-13 Periwinkle Blossom

CMYK 28 / 15 / 0 / 35

HEX #778CA5

RGB 119 140 165 1

HSL 212.61, 0.2%, 0.56%

LAB 57.46, -1.58, -15.68

Behr
590F-5 Magic Spell

CMYK 30 / 24 / 0 / 42

HEX #687094

RGB 104 112 148 1

HSL 229.09, 0.17%, 0.49%

LAB 47.84, 5.7, -20.57

Behr
620D-6 Royal Intrigue

CMYK 33 / 22 / 0 / 49

HEX #586683

RGB 88 102 131 1

HSL 220.47, 0.2%, 0.43%

LAB 43.09, 2.09, -17.83

Behr
610D-6 Enduring

CMYK 32 / 24 / 0 / 58

HEX #48516A

RGB 72 81 106 1

HSL 224.12, 0.19%, 0.35%

LAB 34.61, 2.95, -15.59

Behr
M530-7 Elegant Navy

CMYK 25 / 17 / 0 / 27

HEX #8B9AB9

RGB 139 154 185 1

HSL 220.43, 0.25%, 0.64%

LAB 63.43, 1.66, -17.83

Behr
PMD-13 Periwinkle Blossom

CMYK 23 / 26 / 0 / 27

HEX #908ABA

RGB 144 138 186 1

HSL 247.5, 0.26%, 0.64%

LAB 59.57, 12.61, -24.25

Behr
630B-6 Butterfly Garden

CMYK 23 / 26 / 0 / 27

HEX #908ABA

RGB 144 138 186 1

HSL 247.5, 0.26%, 0.64%

LAB 59.57, 12.61, -24.25

Behr
630B-6 Butterfly Garden

CMYK 23 / 26 / 0 / 27

HEX #908ABA

RGB 144 138 186 1

HSL 247.5, 0.26%, 0.64%

LAB 59.57, 12.61, -24.25

Behr
630B-6 Butterfly Garden

CMYK 25 / 17 / 0 / 27

HEX #8B9AB9

RGB 139 154 185 1

HSL 220.43, 0.25%, 0.64%

LAB 63.43, 1.66, -17.83

Behr
PMD-13 Periwinkle Blossom

CMYK 25 / 14 / 0 / 9

HEX #AFC7E8

RGB 175 199 232 1

HSL 214.74, 0.55%, 0.8%

LAB 79.49, -0.92, -19.03

Behr
P530-2 Promise Keeping

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 27 / 15 / 0 / 67

HEX #3E4855

RGB 62 72 85 1

HSL 213.91, 0.16%, 0.29%

LAB 30.19, -0.65, -9.06

Behr
PPU14-20 Starless Night

CMYK 29 / 18 / 0 / 45

HEX #63728B

RGB 99 114 139 1

HSL 217.5, 0.17%, 0.47%

LAB 47.69, 0.53, -15.51

Behr
600F-6 Atlantic Blue

CMYK 25 / 17 / 0 / 27

HEX #8B9AB9

RGB 139 154 185 1

HSL 220.43, 0.25%, 0.64%

LAB 63.43, 1.66, -17.83

Behr
PMD-13 Periwinkle Blossom

CMYK 9 / 22 / 0 / 28

HEX #A890B8

RGB 168 144 184 1

HSL 276, 0.22%, 0.64%

LAB 63.12, 16.57, -17.51

Behr
650B-5 Garden Pansy

CMYK 10 / 0 / 24 / 26

HEX #ABBD90

RGB 171 189 144 1

HSL 84, 0.25%, 0.65%

LAB 74.23, -14.16, 20.74

Behr
M370-4 Chervil Leaves

CMYK 25 / 17 / 0 / 27

HEX #8B9AB9

RGB 139 154 185 1

HSL 220.43, 0.25%, 0.64%

LAB 63.43, 1.66, -17.83

Behr
PMD-13 Periwinkle Blossom

CMYK 0 / 24 / 21 / 26

HEX #BD9095

RGB 189 144 149 1

HSL 353.33, 0.25%, 0.65%

LAB 64.11, 17.75, 3.95

Behr
S130-4 Cherry Juice

CMYK 16 / 0 / 20 / 28

HEX #99B792

RGB 153 183 146 1

HSL 108.65, 0.2%, 0.65%

LAB 71.36, -17.29, 15.5

Behr
M400-4 Brookview

CMYK 25 / 17 / 0 / 27

HEX #8B9AB9

RGB 139 154 185 1

HSL 220.43, 0.25%, 0.64%

LAB 63.43, 1.66, -17.83

Behr
PMD-13 Periwinkle Blossom

CMYK 9 / 22 / 0 / 28

HEX #A890B8

RGB 168 144 184 1

HSL 276, 0.22%, 0.64%

LAB 63.12, 16.57, -17.51

Behr
650B-5 Garden Pansy

CMYK 16 / 0 / 20 / 28

HEX #99B792

RGB 153 183 146 1

HSL 108.65, 0.2%, 0.65%

LAB 71.36, -17.29, 15.5

Behr
M400-4 Brookview

CMYK 25 / 17 / 0 / 27

HEX #8B9AB9

RGB 139 154 185 1

HSL 220.43, 0.25%, 0.64%

LAB 63.43, 1.66, -17.83

Behr
PMD-13 Periwinkle Blossom

CMYK 0 / 21 / 6 / 27

HEX #BA93AF

RGB 186 147 175 1

HSL 316.92, 0.22%, 0.65%

LAB 65.28, 19.35, -9.03

Behr
HDC-MD-10 Blooming Lilac

CMYK 26 / 0 / 20 / 26

HEX #8CBD97

RGB 140 189 151 1

HSL 133.47, 0.27%, 0.65%

LAB 72.37, -23.88, 14.07

Behr
M410-4 Garden Swing

Description

Color code: Behr - PMD-13 Periwinkle Blossom | qconv.com Color code: Behr - PMD-13 Periwinkle Blossom | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 154 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 154 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 17 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 17% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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