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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - MQ1-05 Rialto it is the complementary color Behr - P440-4 March Aquamarine. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - MQ1-05 Rialto. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - MQ1-05 Rialto: Behr - PPU1-11 Crantini, Behr - PPU1-06 Rose Marquee, Behr - MQ1-08 Smell The Roses, Behr - 130D-4 Rose Sachet and Behr - M150-4 Glow Pink

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - MQ1-05 Rialto. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - MQ1-05 Rialto: Behr - MQ1-05 Rialto, Behr - M140-7 Dark Crimson, Behr - BXC-69 Cimarron, Behr - BXC-21 Chicory Root and Behr - T18-04 Nocturne Shade

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 40 / 43

HEX #914D57

RGB 145 77 87

HSL 351.18, 0.31%, 0.44%

LAB 41.24, 29.64, 7.01

Behr
MQ1-05 Rialto

Complementary color

CMYK 42 / 0 / 9 / 24

HEX #6FC1AF

RGB 111 193 175

HSL 166.83, 0.4%, 0.6%

LAB 72.64, -29.35, 1.23

Behr
P440-4 March Aquamarine

CMYK 0 / 49 / 45 / 42

HEX #954C52

RGB 149 76 82 1

HSL 355.07, 0.32%, 0.44%

LAB 41.48, 31.17, 10.52

Behr
PPU1-11 Crantini

CMYK 0 / 39 / 30 / 27

HEX #BB7283

RGB 187 114 131 1

HSL 346.03, 0.35%, 0.59%

LAB 56.33, 30.97, 2.99

Behr
MQ1-08 Smell The Roses

CMYK 0 / 35 / 31 / 19

HEX #CE858F

RGB 206 133 143 1

HSL 351.78, 0.43%, 0.66%

LAB 63.24, 29.34, 6.35

Behr
130D-4 Rose Sachet

CMYK 0 / 30 / 27 / 15

HEX #D8979E

RGB 216 151 158 1

HSL 353.54, 0.45%, 0.72%

LAB 68.9, 25.37, 6.17

Behr
M150-4 Glow Pink

CMYK 0 / 47 / 40 / 43

HEX #914D57

RGB 145 77 87 1

HSL 351.18, 0.31%, 0.44%

LAB 41.24, 29.64, 7.01

Behr
MQ1-05 Rialto

CMYK 0 / 55 / 51 / 48

HEX #843C41

RGB 132 60 65 1

HSL 355.83, 0.38%, 0.38%

LAB 35.04, 31.42, 11.86

Behr
M140-7 Dark Crimson

CMYK 0 / 43 / 48 / 58

HEX #6B3D38

RGB 107 61 56 1

HSL 5.88, 0.31%, 0.32%

LAB 31.23, 19.55, 11.78

Behr
BXC-69 Cimarron

CMYK 0 / 31 / 34 / 63

HEX #5F423F

RGB 95 66 63 1

HSL 5.63, 0.2%, 0.31%

LAB 31.09, 12.12, 6.83

Behr
BXC-21 Chicory Root

CMYK 0 / 20 / 13 / 70

HEX #4C3D42

RGB 76 61 66 1

HSL 340, 0.11%, 0.27%

LAB 27.48, 7.51, -0.6

Behr
T18-04 Nocturne Shade

CMYK 0 / 47 / 40 / 43

HEX #914D57

RGB 145 77 87 1

HSL 351.18, 0.31%, 0.44%

LAB 41.24, 29.64, 7.01

Behr
MQ1-05 Rialto

CMYK 0 / 45 / 46 / 43

HEX #91504F

RGB 145 80 79 1

HSL 0.91, 0.29%, 0.44%

LAB 41.72, 27.02, 12.61

Behr
PPU1-08 Pompeian Red

CMYK 0 / 40 / 45 / 43

HEX #925850

RGB 146 88 80 1

HSL 7.27, 0.29%, 0.44%

LAB 43.76, 22.99, 14.81

Behr
MQ1-21 Rich Brocade

CMYK 0 / 36 / 47 / 42

HEX #935E4E

RGB 147 94 78 1

HSL 13.91, 0.31%, 0.44%

LAB 45.3, 19.73, 18.13

Behr
200F-6 Sequoia Grove

CMYK 0 / 23 / 50 / 43

HEX #927149

RGB 146 113 73 1

HSL 32.88, 0.33%, 0.43%

LAB 49.98, 7.76, 27.11

Behr
N280-7 Brass Button

CMYK 0 / 47 / 40 / 43

HEX #914D57

RGB 145 77 87 1

HSL 351.18, 0.31%, 0.44%

LAB 41.24, 29.64, 7.01

Behr
MQ1-05 Rialto

CMYK 0 / 47 / 40 / 22

HEX #C76A77

RGB 199 106 119 1

HSL 351.61, 0.45%, 0.6%

LAB 55.87, 38.19, 9.55

Behr
P140-5 Lovebirds

CMYK 0 / 43 / 40 / 8

HEX #EB858E

RGB 235 133 142 1

HSL 354.71, 0.72%, 0.72%

LAB 66.82, 39.9, 12.49

Behr
130B-5 Bridesmaid

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 0 / 31 / 34 / 63

HEX #5F423F

RGB 95 66 63 1

HSL 5.63, 0.2%, 0.31%

LAB 31.09, 12.12, 6.83

Behr
BXC-21 Chicory Root

CMYK 0 / 47 / 40 / 43

HEX #914D57

RGB 145 77 87 1

HSL 351.18, 0.31%, 0.44%

LAB 41.24, 29.64, 7.01

Behr
MQ1-05 Rialto

CMYK 9 / 0 / 47 / 42

HEX #87954F

RGB 135 149 79 1

HSL 72, 0.31%, 0.45%

LAB 59.17, -16.31, 35.11

Behr
410D-5 Scotland Isle

CMYK 45 / 24 / 0 / 44

HEX #4F6C8F

RGB 79 108 143 1

HSL 212.81, 0.29%, 0.44%

LAB 44.76, -0.73, -22.5

Behr
590D-6 Wickford Bay

CMYK 0 / 47 / 40 / 43

HEX #914D57

RGB 145 77 87 1

HSL 351.18, 0.31%, 0.44%

LAB 41.24, 29.64, 7.01

Behr
MQ1-05 Rialto

CMYK 40 / 0 / 44 / 45

HEX #558D4F

RGB 85 141 79 1

HSL 114.19, 0.28%, 0.43%

LAB 53.54, -31.47, 27.37

Behr
M390-6 Belfast

CMYK 49 / 41 / 0 / 44

HEX #49548F

RGB 73 84 143 1

HSL 230.57, 0.32%, 0.42%

LAB 37.37, 12.69, -34.08

Behr
P540-7 Canyon Iris

CMYK 0 / 47 / 40 / 43

HEX #914D57

RGB 145 77 87 1

HSL 351.18, 0.31%, 0.44%

LAB 41.24, 29.64, 7.01

Behr
MQ1-05 Rialto

CMYK 9 / 0 / 47 / 42

HEX #87954F

RGB 135 149 79 1

HSL 72, 0.31%, 0.45%

LAB 59.17, -16.31, 35.11

Behr
410D-5 Scotland Isle

CMYK 46 / 0 / 3 / 42

HEX #4F938F

RGB 79 147 143 1

HSL 176.47, 0.3%, 0.44%

LAB 56.6, -22.55, -4.59

Behr
500D-6 Mirage Lake

CMYK 49 / 41 / 0 / 44

HEX #49548F

RGB 73 84 143 1

HSL 230.57, 0.32%, 0.42%

LAB 37.37, 12.69, -34.08

Behr
P540-7 Canyon Iris

CMYK 0 / 47 / 40 / 43

HEX #914D57

RGB 145 77 87 1

HSL 351.18, 0.31%, 0.44%

LAB 41.24, 29.64, 7.01

Behr
MQ1-05 Rialto

CMYK 15 / 0 / 43 / 47

HEX #73884D

RGB 115 136 77 1

HSL 81.36, 0.28%, 0.42%

LAB 53.8, -17.98, 29.16

Behr
HDC-SM14-2 Green Suede

CMYK 46 / 0 / 3 / 42

HEX #4F938F

RGB 79 147 143 1

HSL 176.47, 0.3%, 0.44%

LAB 56.6, -22.55, -4.59

Behr
500D-6 Mirage Lake

CMYK 31 / 33 / 0 / 42

HEX #656293

RGB 101 98 147 1

HSL 243.67, 0.2%, 0.48%

LAB 43.67, 13.02, -26.45

Behr
T15-13 Prime Purple

Description

Color code: Behr - MQ1-05 Rialto | qconv.com Color code: Behr - MQ1-05 Rialto | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 77 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 77 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 40 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 40% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to RGB

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PANTONE® to HEX

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Sherwin Williams® to RGB

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