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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - 110B-7 Raspberry Pudding it is the complementary color Behr - P420-4 Menthol. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - 110B-7 Raspberry Pudding. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - 110B-7 Raspberry Pudding: Behr - HDC-CL-04 French Rose, Behr - 110B-6 Cran Brook, Behr - 120D-4 Mulberry, Behr - 130D-4 Rose Sachet and Behr - 120C-3 Rose Marquis

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - 110B-7 Raspberry Pudding. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - 110B-7 Raspberry Pudding: Behr - 110B-7 Raspberry Pudding, Behr - S-H-120 Antique Ruby, Behr - UL110-1 Tuscan Russet, Behr - BXC-69 Cimarron and Behr - UL110-23 Polished Leather

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 39 / 42

HEX #94435A

RGB 148 67 90

HSL 342.96, 0.38%, 0.42%

LAB 39.66, 36.53, 2.94

Behr
110B-7 Raspberry Pudding

Complementary color

CMYK 41 / 0 / 16 / 23

HEX #73C4A4

RGB 115 196 164

HSL 156.3, 0.41%, 0.61%

LAB 73.42, -32.2, 8.35

Behr
P420-4 Menthol

CMYK 0 / 56 / 46 / 41

HEX #974352

RGB 151 67 82 1

HSL 349.29, 0.39%, 0.43%

LAB 39.92, 36.72, 8.38

Behr
HDC-CL-04 French Rose

CMYK 0 / 49 / 33 / 35

HEX #A65570

RGB 166 85 112 1

HSL 340, 0.32%, 0.49%

LAB 46.68, 36.37, -0.09

Behr
110B-6 Cran Brook

CMYK 0 / 46 / 36 / 25

HEX #BE667A

RGB 190 102 122 1

HSL 346.36, 0.4%, 0.57%

LAB 53.87, 37.35, 4.78

Behr
120D-4 Mulberry

CMYK 0 / 35 / 31 / 19

HEX #CE858F

RGB 206 133 143 1

HSL 351.78, 0.43%, 0.66%

LAB 63.24, 29.34, 6.35

Behr
130D-4 Rose Sachet

CMYK 0 / 33 / 27 / 13

HEX #DD94A1

RGB 221 148 161 1

HSL 349.32, 0.52%, 0.72%

LAB 68.84, 29.25, 4.48

Behr
120C-3 Rose Marquis

CMYK 0 / 55 / 39 / 42

HEX #94435A

RGB 148 67 90 1

HSL 342.96, 0.38%, 0.42%

LAB 39.66, 36.53, 2.94

Behr
110B-7 Raspberry Pudding

CMYK 0 / 53 / 46 / 48

HEX #853F48

RGB 133 63 72 1

HSL 352.29, 0.36%, 0.38%

LAB 36, 30.93, 8.77

Behr
S-H-120 Antique Ruby

CMYK 0 / 46 / 48 / 55

HEX #723D3B

RGB 114 61 59 1

HSL 2.18, 0.32%, 0.34%

LAB 32.33, 22.9, 11.52

Behr
UL110-1 Tuscan Russet

CMYK 0 / 43 / 48 / 58

HEX #6B3D38

RGB 107 61 56 1

HSL 5.88, 0.31%, 0.32%

LAB 31.23, 19.55, 11.78

Behr
BXC-69 Cimarron

CMYK 0 / 55 / 39 / 42

HEX #94435A

RGB 148 67 90 1

HSL 342.96, 0.38%, 0.42%

LAB 39.66, 36.53, 2.94

Behr
110B-7 Raspberry Pudding

CMYK 0 / 56 / 46 / 41

HEX #974352

RGB 151 67 82 1

HSL 349.29, 0.39%, 0.43%

LAB 39.92, 36.72, 8.38

Behr
HDC-CL-04 French Rose

CMYK 0 / 51 / 54 / 44

HEX #8E4541

RGB 142 69 65 1

HSL 3.12, 0.37%, 0.41%

LAB 38.53, 30.5, 16.85

Behr
160D-7 Cranberry Whip

CMYK 0 / 45 / 52 / 42

HEX #955247

RGB 149 82 71 1

HSL 8.46, 0.35%, 0.43%

LAB 42.58, 26.7, 18.74

Behr
UL120-21 Powdered Brick

CMYK 0 / 29 / 53 / 45

HEX #8C6342

RGB 140 99 66 1

HSL 26.76, 0.36%, 0.4%

LAB 45.49, 12.54, 25.24

Behr
260F-7 Caramel Latte

CMYK 0 / 55 / 39 / 42

HEX #94435A

RGB 148 67 90 1

HSL 342.96, 0.38%, 0.42%

LAB 39.66, 36.53, 2.94

Behr
110B-7 Raspberry Pudding

CMYK 0 / 54 / 38 / 24

HEX #C15877

RGB 193 88 119 1

HSL 342.29, 0.46%, 0.55%

LAB 51.44, 45.2, 3.1

Behr
T16-02 Pagoda

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 0 / 55 / 39 / 42

HEX #94435A

RGB 148 67 90 1

HSL 342.96, 0.38%, 0.42%

LAB 39.66, 36.53, 2.94

Behr
110B-7 Raspberry Pudding

CMYK 0 / 5 / 54 / 42

HEX #958D45

RGB 149 141 69 1

HSL 54, 0.37%, 0.43%

LAB 57.91, -7.04, 39.01

Behr
PPU9-03 Retro Avocado

CMYK 58 / 14 / 0 / 42

HEX #3E8094

RGB 62 128 148 1

HSL 193.95, 0.41%, 0.41%

LAB 50.22, -14.91, -17.14

Behr
540D-6 Wipeout

CMYK 0 / 55 / 39 / 42

HEX #94435A

RGB 148 67 90 1

HSL 342.96, 0.38%, 0.42%

LAB 39.66, 36.53, 2.94

Behr
110B-7 Raspberry Pudding

CMYK 39 / 0 / 53 / 41

HEX #5C9747

RGB 92 151 71 1

HSL 104.25, 0.36%, 0.44%

LAB 56.94, -34.82, 35.88

Behr
430B-7 Cress Green

CMYK 58 / 40 / 0 / 39

HEX #415E9C

RGB 65 94 156 1

HSL 220.88, 0.41%, 0.43%

LAB 40.46, 8.75, -37.05

Behr
BIC-21 Blue Dahlia

CMYK 0 / 55 / 39 / 42

HEX #94435A

RGB 148 67 90 1

HSL 342.96, 0.38%, 0.42%

LAB 39.66, 36.53, 2.94

Behr
110B-7 Raspberry Pudding

CMYK 0 / 5 / 54 / 42

HEX #958D45

RGB 149 141 69 1

HSL 54, 0.37%, 0.43%

LAB 57.91, -7.04, 39.01

Behr
PPU9-03 Retro Avocado

CMYK 57 / 0 / 23 / 39

HEX #429B77

RGB 66 155 119 1

HSL 155.73, 0.4%, 0.43%

LAB 57.97, -35.5, 10.99

Behr
MQ6-42 Dancing Jewel

CMYK 50 / 41 / 0 / 49

HEX #424D83

RGB 66 77 131 1

HSL 229.85, 0.33%, 0.39%

LAB 34.2, 11.5, -31.8

Behr
MQ5-48 Boudoir Blue

CMYK 0 / 55 / 39 / 42

HEX #94435A

RGB 148 67 90 1

HSL 342.96, 0.38%, 0.42%

LAB 39.66, 36.53, 2.94

Behr
110B-7 Raspberry Pudding

CMYK 15 / 0 / 61 / 38

HEX #869E3E

RGB 134 158 62 1

HSL 75, 0.44%, 0.43%

LAB 61.54, -22.98, 46.2

Behr
T14-18 New Shoot

CMYK 57 / 0 / 23 / 39

HEX #429B77

RGB 66 155 119 1

HSL 155.73, 0.4%, 0.43%

LAB 57.97, -35.5, 10.99

Behr
MQ6-42 Dancing Jewel

CMYK 49 / 41 / 0 / 44

HEX #49548F

RGB 73 84 143 1

HSL 230.57, 0.32%, 0.42%

LAB 37.37, 12.69, -34.08

Behr
P540-7 Canyon Iris

Description

Color code: Behr - 110B-7 Raspberry Pudding | qconv.com Color code: Behr - 110B-7 Raspberry Pudding | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 67 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 67 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 39 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 39% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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