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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Akzo Nobel Colormap FD - 490B3 it is the complementary color Akzo Nobel Colormap FD - 456B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Akzo Nobel Colormap FD - 490B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Akzo Nobel Colormap FD - 490B3: Akzo Nobel Colormap FD - 490B3, Akzo Nobel Colormap FD - 491B3, Akzo Nobel Colormap FD - 491A4, Akzo Nobel Colormap FD - 488A5 and Akzo Nobel Colormap FD - 488A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Akzo Nobel Colormap FD - 490B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Akzo Nobel Colormap FD - 490B3: Akzo Nobel Colormap FD - 490B3, Akzo Nobel Colormap FD - 401C1, Akzo Nobel Colormap FD - 401D1, Akzo Nobel Colormap FD - 401D2 and Akzo Nobel Colormap FD - 401F2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 16 / 30

HEX #B28295

RGB 178 130 149

HSL 336.25, 0.24%, 0.6%

LAB 59.53, 21.45, -2.88

Akzo Nobel Colormap FD
490B3

Complementary color

CMYK 40 / 0 / 12 / 50

HEX #4C7F70

RGB 76 127 112

HSL 162.35, 0.25%, 0.4%

LAB 49.36, -20.87, 2.78

Akzo Nobel Colormap FD
456B1

CMYK 0 / 27 / 16 / 30

HEX #B28295

RGB 178 130 149 1

HSL 336.25, 0.24%, 0.6%

LAB 59.53, 21.45, -2.88

Akzo Nobel Colormap FD
490B3

CMYK 0 / 29 / 18 / 21

HEX #C98EA5

RGB 201 142 165 1

HSL 336.61, 0.35%, 0.67%

LAB 65.34, 25.8, -3.13

Akzo Nobel Colormap FD
491B3

CMYK 0 / 27 / 16 / 30

HEX #B28295

RGB 178 130 149 1

HSL 336.25, 0.24%, 0.6%

LAB 59.53, 21.45, -2.88

Akzo Nobel Colormap FD
490B3

CMYK 0 / 23 / 20 / 37

HEX #A17C81

RGB 161 124 129 1

HSL 351.89, 0.16%, 0.56%

LAB 55.66, 15.14, 2.82

Akzo Nobel Colormap FD
401C1

CMYK 0 / 32 / 27 / 44

HEX #8E6068

RGB 142 96 104 1

HSL 349.57, 0.19%, 0.47%

LAB 45.79, 19.91, 3.08

Akzo Nobel Colormap FD
401D1

CMYK 0 / 43 / 35 / 47

HEX #884D59

RGB 136 77 89 1

HSL 347.8, 0.28%, 0.42%

LAB 40.02, 26.37, 3.85

Akzo Nobel Colormap FD
401D2

CMYK 0 / 47 / 36 / 55

HEX #733D4A

RGB 115 61 74 1

HSL 345.56, 0.31%, 0.35%

LAB 32.87, 25.21, 2.65

Akzo Nobel Colormap FD
401F2

CMYK 0 / 27 / 16 / 30

HEX #B28295

RGB 178 130 149 1

HSL 336.25, 0.24%, 0.6%

LAB 59.53, 21.45, -2.88

Akzo Nobel Colormap FD
490B3

CMYK 0 / 27 / 16 / 30

HEX #B28295

RGB 178 130 149 1

HSL 336.25, 0.24%, 0.6%

LAB 59.53, 21.45, -2.88

Akzo Nobel Colormap FD
490B3

CMYK 0 / 33 / 23 / 31

HEX #AF7686

RGB 175 118 134 1

HSL 343.16, 0.26%, 0.57%

LAB 55.88, 24.68, 0.41

Akzo Nobel Colormap FD
401B2

CMYK 0 / 27 / 16 / 30

HEX #B28295

RGB 178 130 149 1

HSL 336.25, 0.24%, 0.6%

LAB 59.53, 21.45, -2.88

Akzo Nobel Colormap FD
490B3

CMYK 0 / 24 / 13 / 13

HEX #DDA9C1

RGB 221 169 193 1

HSL 332.31, 0.43%, 0.76%

LAB 74.57, 22.78, -4.86

Akzo Nobel Colormap FD
490A5

CMYK 0 / 26 / 22 / 89

HEX #1B1415

RGB 27 20 21 1

HSL 351.43, 0.15%, 0.09%

LAB 7.11, 3.65, 0.57

Akzo Nobel Colormap FD
491H2

CMYK 0 / 34 / 18 / 70

HEX #4C323E

RGB 76 50 62 1

HSL 332.31, 0.21%, 0.25%

LAB 24.21, 13.91, -2.76

Akzo Nobel Colormap FD
508G1

CMYK 0 / 27 / 16 / 30

HEX #B28295

RGB 178 130 149 1

HSL 336.25, 0.24%, 0.6%

LAB 59.53, 21.45, -2.88

Akzo Nobel Colormap FD
490B3

CMYK 26 / 5 / 0 / 32

HEX #81A6AE

RGB 129 166 174 1

HSL 190.67, 0.22%, 0.59%

LAB 65.75, -10.68, -8.26

Akzo Nobel Colormap FD
468A1

CMYK 0 / 27 / 16 / 30

HEX #B28295

RGB 178 130 149 1

HSL 336.25, 0.24%, 0.6%

LAB 59.53, 21.45, -2.88

Akzo Nobel Colormap FD
490B3

CMYK 9 / 0 / 20 / 36

HEX #94A382

RGB 148 163 130 1

HSL 87.27, 0.15%, 0.57%

LAB 65.04, -11.41, 15.4

Akzo Nobel Colormap FD
444C6

CMYK 24 / 14 / 0 / 33

HEX #8394AC

RGB 131 148 172 1

HSL 215.12, 0.2%, 0.59%

LAB 60.77, -0.61, -14.58

Akzo Nobel Colormap FD
480A2

CMYK 0 / 27 / 16 / 30

HEX #B28295

RGB 178 130 149 1

HSL 336.25, 0.24%, 0.6%

LAB 59.53, 21.45, -2.88

Akzo Nobel Colormap FD
490B3

CMYK 27 / 0 / 9 / 33

HEX #7CAB9C

RGB 124 171 156 1

HSL 160.85, 0.22%, 0.58%

LAB 66.38, -18.94, 2.66

Akzo Nobel Colormap FD
457A1

CMYK 26 / 25 / 0 / 30

HEX #8385B2

RGB 131 133 178 1

HSL 237.45, 0.23%, 0.61%

LAB 56.89, 9.47, -23.9

Akzo Nobel Colormap FD
484B5

CMYK 0 / 27 / 16 / 30

HEX #B28295

RGB 178 130 149 1

HSL 336.25, 0.24%, 0.6%

LAB 59.53, 21.45, -2.88

Akzo Nobel Colormap FD
490B3

CMYK 1 / 0 / 26 / 32

HEX #ACAE80

RGB 172 174 128 1

HSL 62.61, 0.22%, 0.59%

LAB 69.9, -8.32, 23.45

Akzo Nobel Colormap FD
439E6

CMYK 27 / 0 / 9 / 33

HEX #7CAB9C

RGB 124 171 156 1

HSL 160.85, 0.22%, 0.58%

LAB 66.38, -18.94, 2.66

Akzo Nobel Colormap FD
457A1

CMYK 26 / 25 / 0 / 30

HEX #8385B2

RGB 131 133 178 1

HSL 237.45, 0.23%, 0.61%

LAB 56.89, 9.47, -23.9

Akzo Nobel Colormap FD
484B5

Description

Color code: Akzo Nobel Colormap FD - 490B3 | qconv.com Color code: Akzo Nobel Colormap FD - 490B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 130 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 130 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 16 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 16% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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