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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Akzo Nobel Colormap FD - 480A3 it is the complementary color Akzo Nobel Colormap FD - 418H1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Akzo Nobel Colormap FD - 480A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Akzo Nobel Colormap FD - 480A3: Akzo Nobel Colormap FD - 480A3, Akzo Nobel Colormap FD - 476A2, Akzo Nobel Colormap FD - 480A1, Akzo Nobel Colormap FD - 477A5 and Akzo Nobel Colormap FD - 469A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Akzo Nobel Colormap FD - 480A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Akzo Nobel Colormap FD - 480A3: Akzo Nobel Colormap FD - 480A3, Akzo Nobel Colormap FD - 507B5, Akzo Nobel Colormap FD - 507C5, Akzo Nobel Colormap FD - 476D2 and Akzo Nobel Colormap FD - 482D2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 19 / 0 / 30

HEX #7591B2

RGB 117 145 178

HSL 212.46, 0.28%, 0.58%

LAB 59.2, -1.68, -20.45

Akzo Nobel Colormap FD
480A3

Complementary color

CMYK 0 / 19 / 39 / 47

HEX #866D52

RGB 134 109 82

HSL 31.15, 0.24%, 0.42%

LAB 47.77, 5.86, 18.81

Akzo Nobel Colormap FD
418H1

CMYK 34 / 19 / 0 / 30

HEX #7591B2

RGB 117 145 178 1

HSL 212.46, 0.28%, 0.58%

LAB 59.2, -1.68, -20.45

Akzo Nobel Colormap FD
480A3

CMYK 27 / 11 / 0 / 24

HEX #8DABC1

RGB 141 171 193 1

HSL 205.38, 0.3%, 0.65%

LAB 68.49, -5.2, -14.62

Akzo Nobel Colormap FD
476A2

CMYK 23 / 13 / 0 / 20

HEX #9EB1CC

RGB 158 177 204 1

HSL 215.22, 0.31%, 0.71%

LAB 71.6, -0.67, -15.87

Akzo Nobel Colormap FD
480A1

CMYK 22 / 10 / 0 / 16

HEX #A8C2D7

RGB 168 194 215 1

HSL 206.81, 0.37%, 0.75%

LAB 77.17, -4.24, -13.42

Akzo Nobel Colormap FD
477A5

CMYK 34 / 19 / 0 / 30

HEX #7591B2

RGB 117 145 178 1

HSL 212.46, 0.28%, 0.58%

LAB 59.2, -1.68, -20.45

Akzo Nobel Colormap FD
480A3

CMYK 32 / 15 / 0 / 42

HEX #657F95

RGB 101 127 149 1

HSL 207.5, 0.19%, 0.49%

LAB 51.97, -3.82, -14.88

Akzo Nobel Colormap FD
507B5

CMYK 41 / 24 / 0 / 46

HEX #52698A

RGB 82 105 138 1

HSL 215.36, 0.25%, 0.43%

LAB 43.85, 0.44, -20.9

Akzo Nobel Colormap FD
507C5

CMYK 48 / 23 / 0 / 54

HEX #3D5A75

RGB 61 90 117 1

HSL 208.93, 0.31%, 0.35%

LAB 37.09, -2.73, -18.66

Akzo Nobel Colormap FD
476D2

CMYK 50 / 32 / 0 / 60

HEX #344667

RGB 52 70 103 1

HSL 218.82, 0.33%, 0.3%

LAB 29.64, 2.97, -21.51

Akzo Nobel Colormap FD
482D2

CMYK 34 / 19 / 0 / 30

HEX #7591B2

RGB 117 145 178 1

HSL 212.46, 0.28%, 0.58%

LAB 59.2, -1.68, -20.45

Akzo Nobel Colormap FD
480A3

CMYK 34 / 19 / 0 / 30

HEX #7591B2

RGB 117 145 178 1

HSL 212.46, 0.28%, 0.58%

LAB 59.2, -1.68, -20.45

Akzo Nobel Colormap FD
480A3

CMYK 25 / 27 / 0 / 37

HEX #7875A0

RGB 120 117 160 1

HSL 244.19, 0.18%, 0.54%

LAB 50.98, 10.9, -22.68

Akzo Nobel Colormap FD
485B4

CMYK 26 / 25 / 0 / 30

HEX #8385B2

RGB 131 133 178 1

HSL 237.45, 0.23%, 0.61%

LAB 56.89, 9.47, -23.9

Akzo Nobel Colormap FD
484B5

CMYK 34 / 19 / 0 / 30

HEX #7591B2

RGB 117 145 178 1

HSL 212.46, 0.28%, 0.58%

LAB 59.2, -1.68, -20.45

Akzo Nobel Colormap FD
480A3

CMYK 25 / 9 / 0 / 18

HEX #9BBED0

RGB 155 190 208 1

HSL 200.38, 0.36%, 0.71%

LAB 75.04, -7.66, -12.9

Akzo Nobel Colormap FD
473A6

CMYK 41 / 22 / 0 / 89

HEX #10151B

RGB 16 21 27 1

HSL 212.73, 0.26%, 0.08%

LAB 6.55, -0.41, -4.88

Akzo Nobel Colormap FD
477F4

CMYK 35 / 18 / 0 / 70

HEX #323F4D

RGB 50 63 77 1

HSL 211.11, 0.21%, 0.25%

LAB 26.07, -1.35, -10.21

Akzo Nobel Colormap FD
475E1

CMYK 32 / 17 / 0 / 51

HEX #56697E

RGB 86 105 126 1

HSL 211.5, 0.19%, 0.42%

LAB 43.64, -1.73, -13.99

Akzo Nobel Colormap FD
479C1

CMYK 34 / 19 / 0 / 30

HEX #7591B2

RGB 117 145 178 1

HSL 212.46, 0.28%, 0.58%

LAB 59.2, -1.68, -20.45

Akzo Nobel Colormap FD
480A3

CMYK 9 / 30 / 0 / 30

HEX #A37DB3

RGB 163 125 179 1

HSL 282.22, 0.26%, 0.6%

LAB 57.76, 24.66, -22.9

Akzo Nobel Colormap FD
488B6

CMYK 8 / 0 / 37 / 30

HEX #A4B270

RGB 164 178 112 1

HSL 72.73, 0.3%, 0.57%

LAB 70.11, -15.68, 32.14

Akzo Nobel Colormap FD
442B2

CMYK 34 / 19 / 0 / 30

HEX #7591B2

RGB 117 145 178 1

HSL 212.46, 0.28%, 0.58%

LAB 59.2, -1.68, -20.45

Akzo Nobel Colormap FD
480A3

CMYK 0 / 38 / 23 / 26

HEX #BC7590

RGB 188 117 144 1

HSL 337.18, 0.35%, 0.6%

LAB 57.49, 31.56, -2.85

Akzo Nobel Colormap FD
491B4

CMYK 21 / 0 / 35 / 29

HEX #90B676

RGB 144 182 118 1

HSL 95.63, 0.3%, 0.59%

LAB 69.96, -24.51, 28.52

Akzo Nobel Colormap FD
445A4

CMYK 34 / 19 / 0 / 30

HEX #7591B2

RGB 117 145 178 1

HSL 212.46, 0.28%, 0.58%

LAB 59.2, -1.68, -20.45

Akzo Nobel Colormap FD
480A3

CMYK 9 / 30 / 0 / 30

HEX #A37DB3

RGB 163 125 179 1

HSL 282.22, 0.26%, 0.6%

LAB 57.76, 24.66, -22.9

Akzo Nobel Colormap FD
488B6

CMYK 31 / 0 / 33 / 30

HEX #7CB378

RGB 124 179 120 1

HSL 115.93, 0.28%, 0.59%

LAB 67.93, -29.79, 24.55

Akzo Nobel Colormap FD
448A4

CMYK 34 / 19 / 0 / 30

HEX #7591B2

RGB 117 145 178 1

HSL 212.46, 0.28%, 0.58%

LAB 59.2, -1.68, -20.45

Akzo Nobel Colormap FD
480A3

CMYK 0 / 37 / 8 / 27

HEX #BA76AB

RGB 186 118 171 1

HSL 313.24, 0.33%, 0.6%

LAB 58.35, 34.72, -17.18

Akzo Nobel Colormap FD
489B6

CMYK 31 / 0 / 33 / 30

HEX #7CB378

RGB 124 179 120 1

HSL 115.93, 0.28%, 0.59%

LAB 67.93, -29.79, 24.55

Akzo Nobel Colormap FD
448A4

Description

Color code: Akzo Nobel Colormap FD - 480A3 | qconv.com Color code: Akzo Nobel Colormap FD - 480A3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 145 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 145 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 19 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 19% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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