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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Akzo Nobel Colormap FD - 439G4 it is the complementary color Akzo Nobel Colormap FD - 484B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Akzo Nobel Colormap FD - 439G4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Akzo Nobel Colormap FD - 439G4: Akzo Nobel Colormap FD - 435F1, Akzo Nobel Colormap FD - 430E4, Akzo Nobel Colormap FD - 436D6, Akzo Nobel Colormap FD - 439D4 and Akzo Nobel Colormap FD - 430C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Akzo Nobel Colormap FD - 439G4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Akzo Nobel Colormap FD - 439G4: Akzo Nobel Colormap FD - 439G4, Akzo Nobel Colormap FD - 441F5, Akzo Nobel Colormap FD - 437H1, Akzo Nobel Colormap FD - 435H5 and Akzo Nobel Colormap FD - 435H3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 20 / 51

HEX #7E7D65

RGB 126 125 101

HSL 57.6, 0.11%, 0.45%

LAB 51.89, -3.96, 13.25

Akzo Nobel Colormap FD
439G4

Complementary color

CMYK 15 / 13 / 0 / 41

HEX #818397

RGB 129 131 151

HSL 234.55, 0.1%, 0.55%

LAB 55.21, 3.53, -10.95

Akzo Nobel Colormap FD
484B3

CMYK 0 / 6 / 23 / 40

HEX #988F75

RGB 152 143 117 1

HSL 44.57, 0.15%, 0.53%

LAB 59.53, -1.06, 15.06

Akzo Nobel Colormap FD
430E4

CMYK 0 / 3 / 21 / 35

HEX #A7A284

RGB 167 162 132 1

HSL 51.43, 0.17%, 0.59%

LAB 66.31, -3.27, 16.28

Akzo Nobel Colormap FD
436D6

CMYK 0 / 3 / 14 / 20

HEX #CBC4AE

RGB 203 196 174 1

HSL 45.52, 0.22%, 0.74%

LAB 79.17, -1.28, 11.92

Akzo Nobel Colormap FD
430C1

CMYK 0 / 1 / 20 / 51

HEX #7E7D65

RGB 126 125 101 1

HSL 57.6, 0.11%, 0.45%

LAB 51.89, -3.96, 13.25

Akzo Nobel Colormap FD
439G4

CMYK 0 / 4 / 28 / 63

HEX #5E5A44

RGB 94 90 68 1

HSL 50.77, 0.16%, 0.32%

LAB 38.04, -2.39, 13.32

Akzo Nobel Colormap FD
437H1

CMYK 0 / 12 / 46 / 68

HEX #52482C

RGB 82 72 44 1

HSL 44.21, 0.3%, 0.25%

LAB 30.9, -0.34, 18.33

Akzo Nobel Colormap FD
435H5

CMYK 0 / 10 / 48 / 77

HEX #3A341E

RGB 58 52 30 1

HSL 47.14, 0.32%, 0.17%

LAB 21.76, -1.19, 14.87

Akzo Nobel Colormap FD
435H3

CMYK 0 / 1 / 20 / 51

HEX #7E7D65

RGB 126 125 101 1

HSL 57.6, 0.11%, 0.45%

LAB 51.89, -3.96, 13.25

Akzo Nobel Colormap FD
439G4

CMYK 0 / 1 / 20 / 51

HEX #7E7D65

RGB 126 125 101 1

HSL 57.6, 0.11%, 0.45%

LAB 51.89, -3.96, 13.25

Akzo Nobel Colormap FD
439G4

CMYK 7 / 0 / 25 / 50

HEX #767F5F

RGB 118 127 95 1

HSL 76.88, 0.14%, 0.44%

LAB 51.67, -9.29, 16.32

Akzo Nobel Colormap FD
442E1

CMYK 15 / 0 / 24 / 49

HEX #6F8263

RGB 111 130 99 1

HSL 96.77, 0.14%, 0.45%

LAB 52.11, -13.04, 14.54

Akzo Nobel Colormap FD
445C1

CMYK 0 / 1 / 20 / 51

HEX #7E7D65

RGB 126 125 101 1

HSL 57.6, 0.11%, 0.45%

LAB 51.89, -3.96, 13.25

Akzo Nobel Colormap FD
439G4

CMYK 1 / 0 / 20 / 31

HEX #B0B18D

RGB 176 177 141 1

HSL 61.67, 0.19%, 0.62%

LAB 71.28, -6.47, 18.35

Akzo Nobel Colormap FD
439D5

CMYK 0 / 1 / 20 / 51

HEX #7E7D65

RGB 126 125 101 1

HSL 57.6, 0.11%, 0.45%

LAB 51.89, -3.96, 13.25

Akzo Nobel Colormap FD
439G4

CMYK 14 / 0 / 16 / 53

HEX #667764

RGB 102 119 100 1

HSL 113.68, 0.09%, 0.43%

LAB 48.18, -10.24, 8.37

Akzo Nobel Colormap FD
446E5

CMYK 0 / 1 / 20 / 51

HEX #7E7D65

RGB 126 125 101 1

HSL 57.6, 0.11%, 0.45%

LAB 51.89, -3.96, 13.25

Akzo Nobel Colormap FD
439G4

CMYK 22 / 0 / 4 / 48

HEX #67847F

RGB 103 132 127 1

HSL 169.66, 0.12%, 0.46%

LAB 52.86, -11.41, -0.7

Akzo Nobel Colormap FD
458E5

CMYK 0 / 26 / 0 / 49

HEX #815F81

RGB 129 95 129 1

HSL 300, 0.15%, 0.44%

LAB 44.85, 20.01, -13.59

Akzo Nobel Colormap FD
488D3

CMYK 0 / 1 / 20 / 51

HEX #7E7D65

RGB 126 125 101 1

HSL 57.6, 0.11%, 0.45%

LAB 51.89, -3.96, 13.25

Akzo Nobel Colormap FD
439G4

CMYK 14 / 0 / 16 / 53

HEX #667764

RGB 102 119 100 1

HSL 113.68, 0.09%, 0.43%

LAB 48.18, -10.24, 8.37

Akzo Nobel Colormap FD
446E5

CMYK 0 / 1 / 20 / 51

HEX #7E7D65

RGB 126 125 101 1

HSL 57.6, 0.11%, 0.45%

LAB 51.89, -3.96, 13.25

Akzo Nobel Colormap FD
439G4

CMYK 27 / 0 / 12 / 50

HEX #5D7F70

RGB 93 127 112 1

HSL 153.53, 0.15%, 0.43%

LAB 50.31, -15.43, 4.27

Akzo Nobel Colormap FD
456A1

CMYK 0 / 19 / 5 / 52

HEX #7A6374

RGB 122 99 116 1

HSL 315.65, 0.1%, 0.43%

LAB 44.69, 12.39, -6.06

Akzo Nobel Colormap FD
489E2

Description

Color code: Akzo Nobel Colormap FD - 439G4 | qconv.com Color code: Akzo Nobel Colormap FD - 439G4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 125 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 125 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 20 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 20% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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