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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Akzo Nobel Colormap FD - 427H3 it is the complementary color Akzo Nobel Colormap FD - 479A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Akzo Nobel Colormap FD - 427H3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Akzo Nobel Colormap FD - 427H3: Akzo Nobel Colormap FD - 423F3, Akzo Nobel Colormap FD - 429G3, Akzo Nobel Colormap FD - 424F3, Akzo Nobel Colormap FD - 424C2 and Akzo Nobel Colormap FD - 428A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Akzo Nobel Colormap FD - 427H3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Akzo Nobel Colormap FD - 427H3: Akzo Nobel Colormap FD - 427H3, Akzo Nobel Colormap FD - 425F4, Akzo Nobel Colormap FD - 420H6, Akzo Nobel Colormap FD - 425G5 and Akzo Nobel Colormap FD - 414G4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 55 / 37

HEX #A08348

RGB 160 131 72

HSL 40.23, 0.38%, 0.45%

LAB 56.26, 3.6, 35.75

Akzo Nobel Colormap FD
427H3

Complementary color

CMYK 51 / 27 / 0 / 31

HEX #5681B1

RGB 86 129 177

HSL 211.65, 0.37%, 0.52%

LAB 52.79, -0.98, -29.92

Akzo Nobel Colormap FD
479A4

CMYK 0 / 14 / 53 / 29

HEX #B69D55

RGB 182 157 85 1

HSL 44.54, 0.4%, 0.52%

LAB 65.53, -0.03, 40.69

Akzo Nobel Colormap FD
429G3

CMYK 0 / 20 / 62 / 46

HEX #8A6F34

RGB 138 111 52 1

HSL 41.16, 0.45%, 0.37%

LAB 48.29, 3.43, 36.24

Akzo Nobel Colormap FD
425F4

CMYK 0 / 30 / 72 / 49

HEX #815A24

RGB 129 90 36 1

HSL 34.84, 0.56%, 0.32%

LAB 41.39, 10.45, 36.46

Akzo Nobel Colormap FD
420H6

CMYK 0 / 26 / 81 / 55

HEX #725416

RGB 114 84 22 1

HSL 40.43, 0.68%, 0.27%

LAB 37.8, 6.14, 38.75

Akzo Nobel Colormap FD
425G5

CMYK 0 / 4 / 57 / 35

HEX #A59F47

RGB 165 159 71 1

HSL 56.17, 0.4%, 0.46%

LAB 64.36, -9.58, 45.84

Akzo Nobel Colormap FD
437E5

CMYK 5 / 0 / 60 / 37

HEX #99A140

RGB 153 161 64 1

HSL 64.95, 0.43%, 0.44%

LAB 63.86, -16.33, 48.26

Akzo Nobel Colormap FD
440D3

CMYK 21 / 0 / 62 / 38

HEX #7D9F3C

RGB 125 159 60 1

HSL 80.61, 0.45%, 0.43%

LAB 61.21, -27.32, 46.56

Akzo Nobel Colormap FD
443C3

CMYK 0 / 22 / 54 / 16

HEX #D5A663

RGB 213 166 99 1

HSL 35.26, 0.58%, 0.61%

LAB 71.09, 9.42, 41.03

Akzo Nobel Colormap FD
421D3

CMYK 0 / 10 / 48 / 77

HEX #3A341E

RGB 58 52 30 1

HSL 47.14, 0.32%, 0.17%

LAB 21.76, -1.19, 14.87

Akzo Nobel Colormap FD
435H3

CMYK 0 / 17 / 48 / 58

HEX #6B5938

RGB 107 89 56 1

HSL 38.82, 0.31%, 0.32%

LAB 38.82, 2.46, 21.8

Akzo Nobel Colormap FD
425H2

CMYK 47 / 0 / 55 / 39

HEX #529C46

RGB 82 156 70 1

HSL 111.63, 0.38%, 0.44%

LAB 58.05, -40.4, 37.6

Akzo Nobel Colormap FD
447B4

CMYK 39 / 48 / 0 / 41

HEX #5C4F97

RGB 92 79 151 1

HSL 250.83, 0.31%, 0.45%

LAB 38.02, 23.39, -37.79

Akzo Nobel Colormap FD
486D6

CMYK 58 / 0 / 25 / 38

HEX #439E77

RGB 67 158 119 1

HSL 154.29, 0.4%, 0.44%

LAB 58.95, -36.63, 12.38

Akzo Nobel Colormap FD
453B4

CMYK 15 / 42 / 0 / 40

HEX #815898

RGB 129 88 152 1

HSL 278.44, 0.27%, 0.47%

LAB 44.11, 29.16, -28.54

Akzo Nobel Colormap FD
488D6

CMYK 47 / 0 / 55 / 39

HEX #529C46

RGB 82 156 70 1

HSL 111.63, 0.38%, 0.44%

LAB 58.05, -40.4, 37.6

Akzo Nobel Colormap FD
447B4

CMYK 54 / 35 / 0 / 41

HEX #456196

RGB 69 97 150 1

HSL 219.26, 0.37%, 0.43%

LAB 41.24, 5.72, -32.21

Akzo Nobel Colormap FD
483B4

CMYK 13 / 39 / 0 / 38

HEX #89619E

RGB 137 97 158 1

HSL 279.34, 0.24%, 0.5%

LAB 47.41, 27.8, -26.89

Akzo Nobel Colormap FD
488C6

CMYK 57 / 0 / 46 / 39

HEX #439C55

RGB 67 156 85 1

HSL 132.13, 0.4%, 0.44%

LAB 57.68, -42.42, 29.3

Akzo Nobel Colormap FD
448A6

CMYK 54 / 35 / 0 / 41

HEX #456196

RGB 69 97 150 1

HSL 219.26, 0.37%, 0.43%

LAB 41.24, 5.72, -32.21

Akzo Nobel Colormap FD
483B4

CMYK 0 / 40 / 7 / 42

HEX #955A8B

RGB 149 90 139 1

HSL 310.17, 0.25%, 0.47%

LAB 46.4, 31.91, -17.03

Akzo Nobel Colormap FD
489D5

Description

Color code: Akzo Nobel Colormap FD - 427H3 | qconv.com Color code: Akzo Nobel Colormap FD - 427H3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 131 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 131 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 55 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 55% 37% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

41% - Breitling - Instrume...
Link: http://www.breitling.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

Let's go

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RAL® to HKS®

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PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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Sherwin Williams® to CMYK

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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