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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Akzo Nobel Colormap FD - 418A6 it is the complementary color Akzo Nobel Colormap FD - 474A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Akzo Nobel Colormap FD - 418A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Akzo Nobel Colormap FD - 418A6: Akzo Nobel Colormap FD - 418A6, Akzo Nobel Colormap FD - 502A3, Akzo Nobel Colormap FD - 424A6, Akzo Nobel Colormap FD - 502E5 and Akzo Nobel Colormap FD - 502C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Akzo Nobel Colormap FD - 418A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Akzo Nobel Colormap FD - 418A6: Akzo Nobel Colormap FD - 418A6, Akzo Nobel Colormap FD - 417B6, Akzo Nobel Colormap FD - 415B5, Akzo Nobel Colormap FD - 415D6 and Akzo Nobel Colormap FD - 414D6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 100 / 5

HEX #F28C00

RGB 242 140 0

HSL 34.71, 1%, 0.47%

LAB 67.75, 31.56, 73.55

Akzo Nobel Colormap FD
418A6

Complementary color

CMYK 88 / 27 / 0 / 36

HEX #1376A2

RGB 19 118 162

HSL 198.46, 0.79%, 0.35%

LAB 46.58, -10.38, -31.05

Akzo Nobel Colormap FD
474A4

CMYK 0 / 28 / 88 / 6

HEX #F0AD1D

RGB 240 173 29 1

HSL 40.95, 0.88%, 0.53%

LAB 75.14, 13.72, 73.97

Akzo Nobel Colormap FD
424A6

CMYK 0 / 19 / 81 / 5

HEX #F2C42F

RGB 242 196 47 1

HSL 45.85, 0.88%, 0.57%

LAB 81.05, 3.01, 74.19

Akzo Nobel Colormap FD
502E5

CMYK 0 / 16 / 63 / 3

HEX #F7D05C

RGB 247 208 92 1

HSL 44.9, 0.91%, 0.66%

LAB 84.82, 1.02, 61.12

Akzo Nobel Colormap FD
502C4

CMYK 0 / 53 / 98 / 26

HEX #BD5804

RGB 189 88 4 1

HSL 27.24, 0.96%, 0.38%

LAB 49.26, 36.9, 57.55

Akzo Nobel Colormap FD
415D6

CMYK 0 / 4 / 100 / 26

HEX #BDB500

RGB 189 181 0 1

HSL 57.46, 1%, 0.37%

LAB 72.14, -13.16, 73.84

Akzo Nobel Colormap FD
437C6

CMYK 0 / 44 / 65 / 65

HEX #58311F

RGB 88 49 31 1

HSL 18.95, 0.48%, 0.23%

LAB 24.86, 15.74, 18.97

Akzo Nobel Colormap FD
412H5

CMYK 0 / 43 / 85 / 44

HEX #8F5116

RGB 143 81 22 1

HSL 29.26, 0.73%, 0.32%

LAB 40.87, 21.52, 42.97

Akzo Nobel Colormap FD
502H3

CMYK 41 / 0 / 94 / 47

HEX #4F8608

RGB 79 134 8 1

HSL 86.19, 0.89%, 0.28%

LAB 50.37, -36.69, 52.56

Akzo Nobel Colormap FD
443D6

CMYK 72 / 50 / 0 / 49

HEX #244181

RGB 36 65 129 1

HSL 221.29, 0.56%, 0.32%

LAB 28.75, 12.43, -39.37

Akzo Nobel Colormap FD
484D5

CMYK 100 / 0 / 24 / 33

HEX #00AB82

RGB 0 171 130 1

HSL 165.61, 1%, 0.34%

LAB 62.29, -47.19, 10.78

Akzo Nobel Colormap FD
455C4

CMYK 13 / 39 / 0 / 38

HEX #89619E

RGB 137 97 158 1

HSL 279.34, 0.24%, 0.5%

LAB 47.41, 27.8, -26.89

Akzo Nobel Colormap FD
488C6

CMYK 41 / 0 / 94 / 47

HEX #4F8608

RGB 79 134 8 1

HSL 86.19, 0.89%, 0.28%

LAB 50.37, -36.69, 52.56

Akzo Nobel Colormap FD
443D6

CMYK 0 / 45 / 14 / 29

HEX #B5649C

RGB 181 100 156 1

HSL 318.52, 0.35%, 0.55%

LAB 53.32, 40.18, -16.19

Akzo Nobel Colormap FD
490C6

CMYK 100 / 0 / 74 / 54

HEX #00751E

RGB 0 117 30 1

HSL 135.38, 1%, 0.23%

LAB 42.49, -46.62, 38.14

Akzo Nobel Colormap FD
448D6

Description

Color code: Akzo Nobel Colormap FD - 418A6 | qconv.com Color code: Akzo Nobel Colormap FD - 418A6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 140 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 140 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 100 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 100% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - Koding
Link: https://koding.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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