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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Akzo Nobel Colormap FD - 417B2 it is the complementary color Akzo Nobel Colormap FD - 476C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Akzo Nobel Colormap FD - 417B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Akzo Nobel Colormap FD - 417B2: Akzo Nobel Colormap FD - 418D2, Akzo Nobel Colormap FD - 421D3, Akzo Nobel Colormap FD - 413A3, Akzo Nobel Colormap FD - 421A3 and Akzo Nobel Colormap FD - 427A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Akzo Nobel Colormap FD - 417B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Akzo Nobel Colormap FD - 417B2: Akzo Nobel Colormap FD - 417B2, Akzo Nobel Colormap FD - 420E3, Akzo Nobel Colormap FD - 420F3, Akzo Nobel Colormap FD - 415E3 and Akzo Nobel Colormap FD - 414G6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 55 / 24

HEX #C38D57

RGB 195 141 87

HSL 30, 0.47%, 0.55%

LAB 62.79, 14.44, 36.65

Akzo Nobel Colormap FD
417B2

Complementary color

CMYK 67 / 29 / 0 / 36

HEX #3675A4

RGB 54 117 164

HSL 205.64, 0.5%, 0.43%

LAB 47.22, -4.82, -31.16

Akzo Nobel Colormap FD
476C2

CMYK 0 / 29 / 61 / 21

HEX #CA8F4E

RGB 202 143 78 1

HSL 31.45, 0.54%, 0.55%

LAB 63.96, 15.61, 42.9

Akzo Nobel Colormap FD
418D2

CMYK 0 / 22 / 54 / 16

HEX #D5A663

RGB 213 166 99 1

HSL 35.26, 0.58%, 0.61%

LAB 71.09, 9.42, 41.03

Akzo Nobel Colormap FD
421D3

CMYK 0 / 28 / 46 / 9

HEX #E9A87E

RGB 233 168 126 1

HSL 23.55, 0.71%, 0.7%

LAB 74.08, 18.99, 31.12

Akzo Nobel Colormap FD
413A3

CMYK 0 / 16 / 40 / 6

HEX #F0C990

RGB 240 201 144 1

HSL 35.63, 0.76%, 0.75%

LAB 83.08, 6.23, 33.62

Akzo Nobel Colormap FD
421A3

CMYK 0 / 12 / 34 / 7

HEX #EED29C

RGB 238 210 156 1

HSL 39.51, 0.71%, 0.77%

LAB 85.34, 2.15, 30.38

Akzo Nobel Colormap FD
427A1

CMYK 0 / 28 / 60 / 32

HEX #AE7D46

RGB 174 125 70 1

HSL 31.73, 0.43%, 0.48%

LAB 56.2, 12.95, 37.09

Akzo Nobel Colormap FD
420E3

CMYK 0 / 30 / 68 / 38

HEX #9D6E33

RGB 157 110 51 1

HSL 33.4, 0.51%, 0.41%

LAB 50.17, 12.58, 39.46

Akzo Nobel Colormap FD
420F3

CMYK 0 / 43 / 80 / 40

HEX #99571F

RGB 153 87 31 1

HSL 27.54, 0.66%, 0.36%

LAB 43.78, 22.88, 42.31

Akzo Nobel Colormap FD
415E3

CMYK 0 / 49 / 84 / 50

HEX #804115

RGB 128 65 21 1

HSL 24.67, 0.72%, 0.29%

LAB 34.85, 23.94, 37.11

Akzo Nobel Colormap FD
414G6

CMYK 0 / 11 / 56 / 22

HEX #C6B157

RGB 198 177 87 1

HSL 48.65, 0.49%, 0.56%

LAB 72.32, -3.73, 48.1

Akzo Nobel Colormap FD
434F3

CMYK 0 / 2 / 57 / 25

HEX #C0BC52

RGB 192 188 82 1

HSL 57.82, 0.47%, 0.54%

LAB 74.69, -12.35, 52.99

Akzo Nobel Colormap FD
438B6

CMYK 9 / 0 / 55 / 27

HEX #AABA54

RGB 170 186 84 1

HSL 69.41, 0.43%, 0.53%

LAB 72.43, -20.29, 49.05

Akzo Nobel Colormap FD
442A5

CMYK 0 / 27 / 55 / 5

HEX #F3B16D

RGB 243 177 109 1

HSL 30.45, 0.85%, 0.69%

LAB 77.04, 16.73, 43.94

Akzo Nobel Colormap FD
418A4

CMYK 0 / 28 / 49 / 85

HEX #271C14

RGB 39 28 20 1

HSL 25.26, 0.32%, 0.12%

LAB 11.36, 3.99, 7.54

Akzo Nobel Colormap FD
411H6

CMYK 0 / 32 / 59 / 62

HEX #614228

RGB 97 66 40 1

HSL 27.37, 0.42%, 0.27%

LAB 30.86, 10.19, 21.08

Akzo Nobel Colormap FD
415G2

CMYK 31 / 0 / 60 / 24

HEX #86C34E

RGB 134 195 78 1

HSL 91.28, 0.49%, 0.54%

LAB 72.66, -39.01, 51.42

Akzo Nobel Colormap FD
443A6

CMYK 47 / 43 / 0 / 33

HEX #5A61AB

RGB 90 97 171 1

HSL 234.81, 0.33%, 0.51%

LAB 43.75, 17.64, -40.62

Akzo Nobel Colormap FD
507E6

CMYK 58 / 0 / 21 / 28

HEX #4DB790

RGB 77 183 144 1

HSL 157.92, 0.42%, 0.51%

LAB 67.62, -39.95, 10.79

Akzo Nobel Colormap FD
455A5

CMYK 13 / 39 / 0 / 38

HEX #89619E

RGB 137 97 158 1

HSL 279.34, 0.24%, 0.5%

LAB 47.41, 27.8, -26.89

Akzo Nobel Colormap FD
488C6

CMYK 31 / 0 / 60 / 24

HEX #86C34E

RGB 134 195 78 1

HSL 91.28, 0.49%, 0.54%

LAB 72.66, -39.01, 51.42

Akzo Nobel Colormap FD
443A6

CMYK 55 / 20 / 0 / 29

HEX #5292B6

RGB 82 146 182 1

HSL 201.6, 0.41%, 0.52%

LAB 57.78, -10.08, -25.06

Akzo Nobel Colormap FD
476B3

CMYK 9 / 30 / 0 / 30

HEX #A37DB3

RGB 163 125 179 1

HSL 282.22, 0.26%, 0.6%

LAB 57.76, 24.66, -22.9

Akzo Nobel Colormap FD
488B6

CMYK 48 / 0 / 57 / 29

HEX #5FB64F

RGB 95 182 79 1

HSL 110.68, 0.41%, 0.51%

LAB 66.86, -46.24, 43.81

Akzo Nobel Colormap FD
447A5

CMYK 55 / 20 / 0 / 29

HEX #5292B6

RGB 82 146 182 1

HSL 201.6, 0.41%, 0.52%

LAB 57.78, -10.08, -25.06

Akzo Nobel Colormap FD
476B3

CMYK 0 / 46 / 18 / 26

HEX #BC659B

RGB 188 101 155 1

HSL 322.76, 0.39%, 0.57%

LAB 54.41, 41.81, -13.85

Akzo Nobel Colormap FD
490B6

Description

Color code: Akzo Nobel Colormap FD - 417B2 | qconv.com Color code: Akzo Nobel Colormap FD - 417B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 141 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 141 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 55 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 55% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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