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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Akzo Nobel Colormap FD - 414A1 it is the complementary color Akzo Nobel Colormap FD - 472A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Akzo Nobel Colormap FD - 414A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Akzo Nobel Colormap FD - 414A1: Akzo Nobel Colormap FD - 414A1, Akzo Nobel Colormap FD - 413B3, Akzo Nobel Colormap FD - 412A1, Akzo Nobel Colormap FD - 418A3 and Akzo Nobel Colormap FD - 421A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Akzo Nobel Colormap FD - 414A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Akzo Nobel Colormap FD - 414A1: Akzo Nobel Colormap FD - 414A1, Akzo Nobel Colormap FD - 417B3, Akzo Nobel Colormap FD - 414D3, Akzo Nobel Colormap FD - 502H3 and Akzo Nobel Colormap FD - 410G4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 59 / 23

HEX #C47E50

RGB 196 126 80

HSL 23.79, 0.5%, 0.54%

LAB 59.19, 22.54, 36

Akzo Nobel Colormap FD
414A1

Complementary color

CMYK 66 / 23 / 0 / 31

HEX #3C89B1

RGB 60 137 177

HSL 200.51, 0.49%, 0.46%

LAB 54.05, -10.92, -28.03

Akzo Nobel Colormap FD
472A3

CMYK 0 / 33 / 48 / 7

HEX #EC9E7B

RGB 236 158 123 1

HSL 18.58, 0.75%, 0.7%

LAB 72.04, 25.21, 30.11

Akzo Nobel Colormap FD
412A1

CMYK 0 / 24 / 51 / 5

HEX #F2B877

RGB 242 184 119 1

HSL 31.71, 0.83%, 0.71%

LAB 78.75, 13.47, 40.95

Akzo Nobel Colormap FD
418A3

CMYK 0 / 15 / 34 / 9

HEX #E8C699

RGB 232 198 153 1

HSL 34.18, 0.63%, 0.75%

LAB 81.75, 5.71, 27.03

Akzo Nobel Colormap FD
421A2

CMYK 0 / 34 / 64 / 29

HEX #B47740

RGB 180 119 64 1

HSL 28.45, 0.48%, 0.48%

LAB 55.35, 18.48, 39.41

Akzo Nobel Colormap FD
417B3

CMYK 0 / 45 / 74 / 35

HEX #A55B2B

RGB 165 91 43 1

HSL 23.61, 0.59%, 0.41%

LAB 46.52, 26.39, 39.85

Akzo Nobel Colormap FD
414D3

CMYK 0 / 43 / 85 / 44

HEX #8F5116

RGB 143 81 22 1

HSL 29.26, 0.73%, 0.32%

LAB 40.87, 21.52, 42.97

Akzo Nobel Colormap FD
502H3

CMYK 0 / 66 / 87 / 49

HEX #812C11

RGB 129 44 17 1

HSL 14.46, 0.77%, 0.29%

LAB 30.66, 35.35, 35.25

Akzo Nobel Colormap FD
410G4

CMYK 0 / 29 / 61 / 21

HEX #CA8F4E

RGB 202 143 78 1

HSL 31.45, 0.54%, 0.55%

LAB 63.96, 15.61, 42.9

Akzo Nobel Colormap FD
418D2

CMYK 0 / 2 / 57 / 25

HEX #C0BC52

RGB 192 188 82 1

HSL 57.82, 0.47%, 0.54%

LAB 74.69, -12.35, 52.99

Akzo Nobel Colormap FD
438B6

CMYK 0 / 2 / 57 / 25

HEX #C0BC52

RGB 192 188 82 1

HSL 57.82, 0.47%, 0.54%

LAB 74.69, -12.35, 52.99

Akzo Nobel Colormap FD
438B6

CMYK 0 / 27 / 56 / 9

HEX #E7A965

RGB 231 169 101 1

HSL 31.38, 0.73%, 0.65%

LAB 73.74, 15.43, 43.67

Akzo Nobel Colormap FD
418B4

CMYK 0 / 28 / 49 / 85

HEX #271C14

RGB 39 28 20 1

HSL 25.26, 0.32%, 0.12%

LAB 11.36, 3.99, 7.54

Akzo Nobel Colormap FD
411H6

CMYK 0 / 38 / 61 / 62

HEX #603C25

RGB 96 60 37 1

HSL 23.39, 0.44%, 0.26%

LAB 29.04, 13.18, 20.63

Akzo Nobel Colormap FD
414G3

CMYK 0 / 37 / 56 / 42

HEX #945D41

RGB 148 93 65 1

HSL 20.24, 0.39%, 0.42%

LAB 44.95, 19.44, 25.35

Akzo Nobel Colormap FD
413D1

CMYK 31 / 0 / 60 / 24

HEX #86C34E

RGB 134 195 78 1

HSL 91.28, 0.49%, 0.54%

LAB 72.66, -39.01, 51.42

Akzo Nobel Colormap FD
443A6

CMYK 47 / 43 / 0 / 33

HEX #5A61AB

RGB 90 97 171 1

HSL 234.81, 0.33%, 0.51%

LAB 43.75, 17.64, -40.62

Akzo Nobel Colormap FD
507E6

CMYK 50 / 0 / 33 / 26

HEX #5EBC7E

RGB 94 188 126 1

HSL 140.43, 0.41%, 0.55%

LAB 69.36, -41.86, 23.03

Akzo Nobel Colormap FD
450A6

CMYK 31 / 0 / 60 / 24

HEX #86C34E

RGB 134 195 78 1

HSL 91.28, 0.49%, 0.54%

LAB 72.66, -39.01, 51.42

Akzo Nobel Colormap FD
443A6

CMYK 59 / 13 / 0 / 24

HEX #50AAC3

RGB 80 170 195 1

HSL 193.04, 0.49%, 0.54%

LAB 65.27, -19.49, -20.89

Akzo Nobel Colormap FD
470A6

CMYK 12 / 36 / 0 / 33

HEX #956DAA

RGB 149 109 170 1

HSL 279.34, 0.26%, 0.55%

LAB 52.1, 27.35, -26.56

Akzo Nobel Colormap FD
488C5

CMYK 48 / 0 / 57 / 29

HEX #5FB64F

RGB 95 182 79 1

HSL 110.68, 0.41%, 0.51%

LAB 66.86, -46.24, 43.81

Akzo Nobel Colormap FD
447A5

CMYK 59 / 13 / 0 / 24

HEX #50AAC3

RGB 80 170 195 1

HSL 193.04, 0.49%, 0.54%

LAB 65.27, -19.49, -20.89

Akzo Nobel Colormap FD
470A6

CMYK 0 / 45 / 14 / 29

HEX #B5649C

RGB 181 100 156 1

HSL 318.52, 0.35%, 0.55%

LAB 53.32, 40.18, -16.19

Akzo Nobel Colormap FD
490C6

Description

Color code: Akzo Nobel Colormap FD - 414A1 | qconv.com Color code: Akzo Nobel Colormap FD - 414A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 126 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 126 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 59 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 59% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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