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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Akzo Nobel Colormap FD - 403F2 it is the complementary color Akzo Nobel Colormap FD - 469A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Akzo Nobel Colormap FD - 403F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Akzo Nobel Colormap FD - 403F2: Akzo Nobel Colormap FD - 502H1, Akzo Nobel Colormap FD - 403F3, Akzo Nobel Colormap FD - 404C1, Akzo Nobel Colormap FD - 404A2 and Akzo Nobel Colormap FD - 401E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Akzo Nobel Colormap FD - 403F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Akzo Nobel Colormap FD - 403F2: Akzo Nobel Colormap FD - 403F2, Akzo Nobel Colormap FD - 404H4, Akzo Nobel Colormap FD - 403H2, Akzo Nobel Colormap FD - 490H3 and Akzo Nobel Colormap FD - 477H1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 68 / 70

HEX #4C1018

RGB 76 16 24

HSL 352, 0.65%, 0.18%

LAB 15.35, 28.51, 11.21

Akzo Nobel Colormap FD
403F2

Complementary color

CMYK 13 / 1 / 0 / 14

HEX #C0D9DC

RGB 192 217 220

HSL 186.43, 0.29%, 0.81%

LAB 85, -7.68, -4.3

Akzo Nobel Colormap FD
469A3

CMYK 0 / 79 / 76 / 68

HEX #521114

RGB 82 17 20 1

HSL 357.23, 0.66%, 0.19%

LAB 16.72, 30.01, 16.04

Akzo Nobel Colormap FD
502H1

CMYK 0 / 71 / 58 / 63

HEX #5F1C28

RGB 95 28 40 1

HSL 349.25, 0.54%, 0.24%

LAB 21.64, 31.36, 9.01

Akzo Nobel Colormap FD
403F3

CMYK 0 / 47 / 44 / 47

HEX #87484C

RGB 135 72 76 1

HSL 356.19, 0.3%, 0.41%

LAB 38.39, 27.17, 9.63

Akzo Nobel Colormap FD
404A2

CMYK 0 / 36 / 28 / 44

HEX #8F5C67

RGB 143 92 103 1

HSL 347.06, 0.22%, 0.46%

LAB 44.9, 22.49, 2.41

Akzo Nobel Colormap FD
401E1

CMYK 0 / 79 / 68 / 70

HEX #4C1018

RGB 76 16 24 1

HSL 352, 0.65%, 0.18%

LAB 15.35, 28.51, 11.21

Akzo Nobel Colormap FD
403F2

CMYK 0 / 73 / 68 / 76

HEX #3C1013

RGB 60 16 19 1

HSL 355.91, 0.58%, 0.15%

LAB 11.81, 21.88, 9.38

Akzo Nobel Colormap FD
404H4

CMYK 0 / 79 / 68 / 70

HEX #4C1018

RGB 76 16 24 1

HSL 352, 0.65%, 0.18%

LAB 15.35, 28.51, 11.21

Akzo Nobel Colormap FD
403F2

CMYK 0 / 75 / 71 / 70

HEX #4D1316

RGB 77 19 22 1

HSL 356.9, 0.6%, 0.19%

LAB 16.01, 27.38, 13.54

Akzo Nobel Colormap FD
404F3

CMYK 0 / 66 / 71 / 70

HEX #4D1A16

RGB 77 26 22 1

HSL 4.36, 0.56%, 0.19%

LAB 17.34, 23.81, 15.2

Akzo Nobel Colormap FD
405H4

CMYK 0 / 51 / 72 / 72

HEX #472314

RGB 71 35 20 1

HSL 17.65, 0.56%, 0.18%

LAB 18.33, 15.56, 17.49

Akzo Nobel Colormap FD
410H2

CMYK 0 / 31 / 68 / 71

HEX #4B3418

RGB 75 52 24 1

HSL 32.94, 0.52%, 0.19%

LAB 23.73, 6.83, 21.5

Akzo Nobel Colormap FD
417H4

CMYK 0 / 79 / 68 / 70

HEX #4C1018

RGB 76 16 24 1

HSL 352, 0.65%, 0.18%

LAB 15.35, 28.51, 11.21

Akzo Nobel Colormap FD
403F2

CMYK 0 / 81 / 72 / 49

HEX #821925

RGB 130 25 37 1

HSL 353.14, 0.68%, 0.3%

LAB 28.31, 44.15, 21.07

Akzo Nobel Colormap FD
405B3

CMYK 0 / 72 / 66 / 30

HEX #B3333D

RGB 179 51 61 1

HSL 355.31, 0.56%, 0.45%

LAB 41.67, 51.84, 24.61

Akzo Nobel Colormap FD
501B2

CMYK 0 / 70 / 63 / 27

HEX #BB3945

RGB 187 57 69 1

HSL 354.46, 0.53%, 0.48%

LAB 44.12, 52.58, 23.14

Akzo Nobel Colormap FD
403B5

CMYK 0 / 79 / 68 / 70

HEX #4C1018

RGB 76 16 24 1

HSL 352, 0.65%, 0.18%

LAB 15.35, 28.51, 11.21

Akzo Nobel Colormap FD
403F2

CMYK 0 / 5 / 68 / 69

HEX #4F4B19

RGB 79 75 25 1

HSL 55.56, 0.52%, 0.2%

LAB 31.26, -5.58, 29.49

Akzo Nobel Colormap FD
438F3

CMYK 78 / 32 / 0 / 71

HEX #103249

RGB 16 50 73 1

HSL 204.21, 0.64%, 0.17%

LAB 19.53, -3.31, -17.8

Akzo Nobel Colormap FD
476G4

CMYK 0 / 79 / 68 / 70

HEX #4C1018

RGB 76 16 24 1

HSL 352, 0.65%, 0.18%

LAB 15.35, 28.51, 11.21

Akzo Nobel Colormap FD
403F2

CMYK 61 / 0 / 45 / 71

HEX #1D4A29

RGB 29 74 41 1

HSL 136, 0.44%, 0.2%

LAB 27.62, -24.01, 15.16

Akzo Nobel Colormap FD
448G5

CMYK 82 / 49 / 0 / 70

HEX #0E274C

RGB 14 39 76 1

HSL 215.81, 0.69%, 0.18%

LAB 15.83, 5.53, -25.69

Akzo Nobel Colormap FD
482F3

CMYK 0 / 79 / 68 / 70

HEX #4C1018

RGB 76 16 24 1

HSL 352, 0.65%, 0.18%

LAB 15.35, 28.51, 11.21

Akzo Nobel Colormap FD
403F2

CMYK 0 / 5 / 68 / 69

HEX #4F4B19

RGB 79 75 25 1

HSL 55.56, 0.52%, 0.2%

LAB 31.26, -5.58, 29.49

Akzo Nobel Colormap FD
438F3

CMYK 70 / 0 / 8 / 71

HEX #164A44

RGB 22 74 68 1

HSL 173.08, 0.54%, 0.19%

LAB 28.08, -18.67, -1.47

Akzo Nobel Colormap FD
459F2

CMYK 0 / 79 / 68 / 70

HEX #4C1018

RGB 76 16 24 1

HSL 352, 0.65%, 0.18%

LAB 15.35, 28.51, 11.21

Akzo Nobel Colormap FD
403F2

CMYK 28 / 0 / 59 / 72

HEX #33471D

RGB 51 71 29 1

HSL 88.57, 0.42%, 0.2%

LAB 27.57, -16.23, 22.5

Akzo Nobel Colormap FD
445G5

CMYK 70 / 0 / 8 / 71

HEX #164A44

RGB 22 74 68 1

HSL 173.08, 0.54%, 0.19%

LAB 28.08, -18.67, -1.47

Akzo Nobel Colormap FD
459F2

CMYK 51 / 56 / 0 / 72

HEX #232048

RGB 35 32 72 1

HSL 244.5, 0.38%, 0.2%

LAB 14.72, 13.83, -24.64

Akzo Nobel Colormap FD
486H6

Description

Color code: Akzo Nobel Colormap FD - 403F2 | qconv.com Color code: Akzo Nobel Colormap FD - 403F2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 16 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 16 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 68 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 68% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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