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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Akzo Nobel Colormap FD - 401A5 it is the complementary color Akzo Nobel Colormap FD - 457D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Akzo Nobel Colormap FD - 401A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Akzo Nobel Colormap FD - 401A5: Akzo Nobel Colormap FD - 401A5, Akzo Nobel Colormap FD - 403A2, Akzo Nobel Colormap FD - 402A4, Akzo Nobel Colormap FD - 402A2 and Akzo Nobel Colormap FD - 508A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Akzo Nobel Colormap FD - 401A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Akzo Nobel Colormap FD - 401A5: Akzo Nobel Colormap FD - 401A5, Akzo Nobel Colormap FD - 401A4, Akzo Nobel Colormap FD - 403B3, Akzo Nobel Colormap FD - 403C1 and Akzo Nobel Colormap FD - 407D1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 32 / 12

HEX #E1909A

RGB 225 144 154

HSL 352.59, 0.57%, 0.72%

LAB 68.23, 31.92, 7.58

Akzo Nobel Colormap FD
401A5

Complementary color

CMYK 71 / 0 / 9 / 54

HEX #22756A

RGB 34 117 106

HSL 172.05, 0.55%, 0.3%

LAB 44.38, -27.23, -1.11

Akzo Nobel Colormap FD
457D3

CMYK 0 / 36 / 32 / 12

HEX #E1909A

RGB 225 144 154 1

HSL 352.59, 0.57%, 0.72%

LAB 68.23, 31.92, 7.58

Akzo Nobel Colormap FD
401A5

CMYK 0 / 18 / 22 / 6

HEX #EFC4BB

RGB 239 196 187 1

HSL 10.38, 0.62%, 0.84%

LAB 82.6, 13.93, 10.26

Akzo Nobel Colormap FD
402A4

CMYK 0 / 0 / 8 / 4

HEX #F5F4E2

RGB 245 244 226 1

HSL 56.84, 0.49%, 0.92%

LAB 95.83, -2.72, 8.78

Akzo Nobel Colormap FD
508A6

CMYK 0 / 36 / 32 / 12

HEX #E1909A

RGB 225 144 154 1

HSL 352.59, 0.57%, 0.72%

LAB 68.23, 31.92, 7.58

Akzo Nobel Colormap FD
401A5

CMYK 0 / 38 / 31 / 22

HEX #C87C8B

RGB 200 124 139 1

HSL 348.16, 0.41%, 0.64%

LAB 60.39, 31.44, 4.44

Akzo Nobel Colormap FD
401A4

CMYK 0 / 45 / 43 / 35

HEX #A75C60

RGB 167 92 96 1

HSL 356.8, 0.3%, 0.51%

LAB 47.9, 30.99, 11.34

Akzo Nobel Colormap FD
403C1

CMYK 0 / 51 / 53 / 38

HEX #9D4D4A

RGB 157 77 74 1

HSL 2.17, 0.36%, 0.45%

LAB 42.72, 32.94, 17.32

Akzo Nobel Colormap FD
407D1

CMYK 0 / 36 / 32 / 12

HEX #E1909A

RGB 225 144 154 1

HSL 352.59, 0.57%, 0.72%

LAB 68.23, 31.92, 7.58

Akzo Nobel Colormap FD
401A5

CMYK 0 / 36 / 32 / 12

HEX #E1909A

RGB 225 144 154 1

HSL 352.59, 0.57%, 0.72%

LAB 68.23, 31.92, 7.58

Akzo Nobel Colormap FD
401A5

CMYK 0 / 27 / 38 / 12

HEX #E1A48C

RGB 225 164 140 1

HSL 16.94, 0.59%, 0.72%

LAB 72.53, 19.49, 21.34

Akzo Nobel Colormap FD
409A1

CMYK 0 / 24 / 36 / 12

HEX #E1AB8F

RGB 225 171 143 1

HSL 20.49, 0.58%, 0.72%

LAB 74.26, 16.09, 22.08

Akzo Nobel Colormap FD
411B6

CMYK 0 / 36 / 32 / 12

HEX #E1909A

RGB 225 144 154 1

HSL 352.59, 0.57%, 0.72%

LAB 68.23, 31.92, 7.58

Akzo Nobel Colormap FD
401A5

CMYK 0 / 37 / 33 / 29

HEX #B57279

RGB 181 114 121 1

HSL 353.73, 0.31%, 0.58%

LAB 55.32, 27.35, 7.28

Akzo Nobel Colormap FD
403B1

CMYK 0 / 36 / 32 / 12

HEX #E1909A

RGB 225 144 154 1

HSL 352.59, 0.57%, 0.72%

LAB 68.23, 31.92, 7.58

Akzo Nobel Colormap FD
401A5

CMYK 29 / 6 / 0 / 20

HEX #91BFCC

RGB 145 191 204 1

HSL 193.22, 0.37%, 0.68%

LAB 74.6, -12.08, -11.46

Akzo Nobel Colormap FD
470A3

CMYK 0 / 36 / 32 / 12

HEX #E1909A

RGB 225 144 154 1

HSL 352.59, 0.57%, 0.72%

LAB 68.23, 31.92, 7.58

Akzo Nobel Colormap FD
401A5

CMYK 25 / 0 / 22 / 18

HEX #9DD2A4

RGB 157 210 164 1

HSL 127.92, 0.37%, 0.72%

LAB 79.58, -26.22, 17.36

Akzo Nobel Colormap FD
450A4

CMYK 24 / 19 / 0 / 25

HEX #919CC0

RGB 145 156 192 1

HSL 225.96, 0.27%, 0.66%

LAB 64.65, 4.09, -19.86

Akzo Nobel Colormap FD
483A1

CMYK 0 / 36 / 32 / 12

HEX #E1909A

RGB 225 144 154 1

HSL 352.59, 0.57%, 0.72%

LAB 68.23, 31.92, 7.58

Akzo Nobel Colormap FD
401A5

CMYK 28 / 0 / 1 / 19

HEX #95CFCC

RGB 149 207 204 1

HSL 176.9, 0.38%, 0.7%

LAB 79.26, -19.15, -4.52

Akzo Nobel Colormap FD
461A1

CMYK 22 / 26 / 0 / 24

HEX #9890C2

RGB 152 144 194 1

HSL 249.6, 0.29%, 0.66%

LAB 62.1, 13.58, -24.83

Akzo Nobel Colormap FD
486A6

CMYK 0 / 36 / 32 / 12

HEX #E1909A

RGB 225 144 154 1

HSL 352.59, 0.57%, 0.72%

LAB 68.23, 31.92, 7.58

Akzo Nobel Colormap FD
401A5

CMYK 6 / 0 / 34 / 19

HEX #C3CF89

RGB 195 207 137 1

HSL 70.29, 0.42%, 0.67%

LAB 80.76, -15.23, 33.48

Akzo Nobel Colormap FD
442A3

CMYK 28 / 0 / 1 / 19

HEX #95CFCC

RGB 149 207 204 1

HSL 176.9, 0.38%, 0.7%

LAB 79.26, -19.15, -4.52

Akzo Nobel Colormap FD
461A1

CMYK 5 / 24 / 0 / 28

HEX #AE8BB8

RGB 174 139 184 1

HSL 286.67, 0.24%, 0.63%

LAB 62.44, 21.42, -18.49

Akzo Nobel Colormap FD
488A6

Description

Color code: Akzo Nobel Colormap FD - 401A5 | qconv.com Color code: Akzo Nobel Colormap FD - 401A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 144 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 144 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 32 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 32% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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